AUTHOR |
TITLE |
VOLUME |
PAGES |
T |
Tailby, John |
The Role of Director in the Lucern Passion Play
Find |
9:2 |
80–92 |
Taylor, Andrew |
‘To pley a pagyn of þe devyl’: Turpiloquium and the Scurrae in Early Drama
Find |
11 |
162–174 |
Taylor, David |
‘The Tyres that were Lost’
Find |
6:2 |
153–158 |
Twycross, Meg |
‘As the sun with his beams when he is most bright’
Find |
12:1 |
34–79 |
Twycross, Meg |
Felsted of London: Silk Dyer & Theatrical Entrepreneur
Find |
10:1 |
4–16 |
Twycross, Meg |
The Flemish Ommegang and its Pageant Cars (1)
Find |
2:1 |
15–41 |
Twycross, Meg |
The Flemish Ommegang and its Pageant Cars (2)
Find |
2:2 |
80–98 |
Twycross, Meg |
Forget the 4.30 a.m. start: recovering a palimpsest in the York Ordo paginarum
Find |
25 |
98–152 |
Twycross, Meg |
Review: The Interlude, Linlithgow Palace June 2013
Find |
35 |
147–152 |
Twycross, Meg |
The King’s Peace and the Play: the York Corpus Christi Eve Proclamation
Find |
29 |
121 – 150 |
Twycross, Meg |
Kissing Cousins: The Four Daughters of God and the Visitation in the N. Town Mary Play
Find |
18 |
99–141 |
Twycross, Meg |
The Left-hand-side Theory: A Retraction
Find |
14 |
77–94 |
Twycross, Meg |
More Black and White Souls
Find |
13 |
52–63 |
Twycross, Meg |
Neque vox neque sensus: The Resuscitation of Wit in Wit and Science
Find |
32 |
81–115 |
Twycross, Meg |
A Pageant-Litter Drawing by Dürer
Find |
1:2 |
70–72 |
Twycross, Meg |
Producing the Journal over Forty Years
Find |
40 |
4–6 |
Twycross, Meg |
‘Say thy lesson, fool’: Idleness tries to teach Ignorance to read (Part One)
Find |
33 |
75–121 |
Twycross, Meg |
The Sun in York (Part One): Illumination, Reflection, and Timekeeping for the Corpus Christi Play
Find |
40 |
141–157 |
Twycross, Meg |
‘They did not come out of an Abbey in Lancashire’: Francis Douce and the manuscript of the Towneley Plays
Find |
37 |
149 – 165 |
Twycross, Meg |
‘Transvestism’ in the Mystery Plays
Find |
5:2 |
123–180 |
Twycross, Meg |
Two Maid Marians and a Jewess
Find |
9:1 |
6–7 |
Twycross, Meg |
Virtuous and Godly Susanna: Exemplum and Allegory; Appendix: The Changing Face of Hester
Find |
34 |
96-154 |
Twycross, Meg |
The York Mercers’ Lewent Brede and the Hanseatic Trade
Find |
17 |
96–119 |
Twycross, Meg and Sarah Carpenter |
Masks in Medieval English Theatre: The Mystery Plays
Find |
3:1 |
7–44 |
Twycross, Meg and Sarah Carpenter |
Masks in Medieval English Theatre: The Mystery Plays 2
Find |
3:2 |
69–113 |
Twycross, Meg and Sarah Carpenter |
Materials and Methods of Mask-making
Find |
4:1 |
28–47 |
Twycross, Meg & Pamela M. King |
Beyond REED? The York Doomsday Project
Find |
17 |
132–148 |
Twycross, Meg with Malcolm Jones & Alan Fletcher |
‘Fart Pryke in Cule’: The Pictures
Find |
23 |
100–121 |
Tydeman, Bill |
Stanislavski in the Garden of Gethsemane: An Interlude
Find |
5:1 |
53–57 |
U |
|
V |
Villquin, Jean-Pierre |
Attraits et outrances du spectaculaire sur la scène Jacobéene: The Travailes of the Three
English Brothers: Sir Thomas, Sir Anthony, Mr Robert Shirley (1607)
Find |
16 |
126–141 |
W |
Walker, Greg |
A Broken REED?: Early Drama Records, Politics, and the Old Historicism
Find |
17 |
42–51 |
Walker, Greg |
Allegory in the Interludes: chronology, taxonomy, and Gorboduc (again)
Find |
25 |
54–70 |
Walker, Greg |
‘Faill nocht to teme your bleddir’: Passing Time in Sir David Lindsay’s Ane Satire of the
Thrie Estaitis
Find |
22 |
52–58 |
Walker, Greg |
‘The Linlithgow Interlude of 1540 and Lyndsay’s Satire of the Thrie Estaitis
Find |
37 |
41 – 56 |
Walsh, Martin W. |
Demon or Deluded Messiah? The Characterisation of Antichrist in the Chester Cycle
Find |
7:1 |
13–24 |
Walsh, Martin W. |
The Traditional Mummers’ Play in British Political Drama: Edward Bond’s The Fool (1975) and Vincent Woods’
At the Black Pig’s Dyke (1992).
Find |
25 |
177–186 |
Wasson, John |
The St George and Robin Hood Plays in Devon
Find |
2:2 |
66–69 |
White, Eileen |
‘Bryngyng Forth of Saynt George’: The St George Celebrations in York
Find |
3:2 |
114–121 |
White, Eileen |
The Disappearance of the York Play Texts — New Evidence for the Creed Play
Find |
5:2 |
103–109 |
White, Eileen |
Places for Hearing the Corpus Christi Play in York
Find |
9:1 |
64–76 |
Williams, Janet Hadley |
‘George Bannatyne’s ‘Sertane Mirry Interludis’, and Sir David Lyndsay’s play
Find |
37 |
27 – 40 |
Williamson, Eila |
Drama and Entertainment in Peebles in the Fifteenth and Sixteenth Centuries
Find |
38 |
3–21 |
Williamson, Eila |
The Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion
Find |
22 |
127–144 |
Wright, Clare |
Acoustic Tyranny: Metre, Alliteration, and Voice in Christ before Herod
Find |
34 |
3–29 |
Wright, Stephen K. |
Was There a Twelfth-Century Creed Play at St Emmeram?
Find |
18 |
74–84 |
Wyatt, Diana |
Elizabeth Nevile’s Wedding Entertainments: A Yorkshire Family Celebration in 1526 and its Contexts
Find |
39 |
141–157 |
Wyatt, Diana |
The Pageant Waggon: Beverley
Find |
1:2 |
55–60 |
Wyatt, Diana |
REED and the Oxford English Dictionary
Find |
17 |
120–131 |
Wyatt, Diana |
The Untimely Disappearance of the Beverley Cycle: what the records can and can’t tell us
Find |
30 |
26–38 |
X |
|
Y |
|
Z |