AUTHOR |
TITLE |
VOLUME |
PAGES |
P |
Palmer, Barbara |
Cycling through High Water to Hell
Find |
29 |
89–103 |
Parry, David |
The York Mystery Cycle at Toronto, 1977
Find |
1:1 |
19–31 |
Parsons, Ben & Bas Jongenelen |
‘In Which Land Were You Born?’: Cultural Transmission in the Historie van Jan van Beverley
Find |
34 |
30–76 |
Pelt, Nadia Thérèse van |
Early English Spectatorship and the ‘Cognitive Turn’
Find |
38 |
100–114 |
Pettitt, Thomas |
Carnevale in Norwich, 1443: Gladman’s Parade and its Continental Connections
Find |
39 |
35–76 |
Pettitt, Thomas |
Protesting Inversions: Charivary as Folk Pageantry and Folk-Law
Find |
21 |
21–51 |
Pettitt, Thomas |
‘This Man is Pyramus’: A Pre-history of the English Mummers’ Plays
Find |
22 |
70–99 |
Pettitt, Thomas |
Tudor Interludes and the Winter Revels
Find |
6:1 |
16–27 |
Piccat, Marco |
The figure of Antichrist in the 16th-century Italian Mystery Play: Lo Judicio de la Fine
del Mondo (Mondovi, 1510)
Find |
11 |
66–84 |
Pietrini, Sandra |
Medieval Fools in Biblical Iconography
Find |
24 |
79–103 |
Pietropoli, Cecilia |
The Characterisation of Evil in the Towneley Plays
Find |
11 |
85–93 |
Portillo, Rafael, and Manuel Gomez Lara |
Vestiges of Dramatic Performances of the Passion in Andalusia’s Holy Week Processions
Find |
8:2 |
119–131 |
Price, Jocelyn |
Theatrical Vocabulary in Old English: A Preliminary Survey (1)
Find |
5:1 |
58–71 |
Price, Jocelyn |
Theatrical Vocabulary in Old English (2)
Find |
6:2 |
101–125 |
Putzel, Steven and J.Reed Needles |
Toronto, the Pageant Waggon
Find |
1:1 |
32–33 |
Q |
Quirante, Luis |
The City in the Church: The Consueta De Santa Agata
Find |
14 |
22–36 |
R |
Ragusa, Isa |
Goethe’s ‘Women’s Parts Played by Men in the Roman Theatre’
Find |
6:2 |
96–100 |
Ragusa, Isa |
The Princeton Index of Christian Art
Find |
4:1 |
56–60 |
Rastall, Richard |
Female Rôles in All-Male Casts
Find |
7:1 |
25–51 |
Robinson, Olivia & Aurélie Blanc |
The Huy Nativity from the Seventeenth to the Twenty-First Century: Translation, Play-Back, and Pray-Back
Find |
40 |
62–93 |
Rogerson, Margaret |
Rediscovering Richard Eurich's ‘York Festival Triptych’
Find |
23 |
3–16 |
Rose, Martial |
The Magi: The Litter and the Wristed Crown
Find |
5:1 |
72–76 |
Runnalls, Graham |
Jean Fouquet’s ‘Martyrdom of St Apollonia’ and the Medieval French Stage
Find |
19 |
81–100 |
Runnalls, Graham |
Records of Early French Drama: Archival Research on Medieval French Theatre
Find |
17 |
5–19 |
Runnalls, Graham |
Were They Listening or Watching? Text and Spectacle at the 1510 Châteaudun Passion Play
Find |
16 |
25–36 |
Runnalls, Graham and Sarah Carpenter |
The Entertainments at the Marriage of Mary Queen of Scots and the French Dauphin François,
1558: Paris and Edinburgh
Find |
22 |
145–161 |
Rycroft, Eleanor |
The Play of The Weather in Performance in the Great Hall at Hampton Court Find |
31 |
13-27 |
S |
Salvador-Rabaza, Asuncion, and Pamela M. King |
La Festa d’Elx: The Festival of the Assumption of the Virgin, Elche (Alicante)
Find |
8:1 |
21–50 |
Salvador-Rabaza, Asuncion, and Pamela M. King |
The Festa or Misteri of Elx: A Modern Translation of the Sung Text
Find |
14:1 |
4–21 |
Scattergood, John |
‘Familier and homely’: the intrusion and articulation of vice in Skelton’s
Magnyfycence
Find |
27 |
34–52 |
Scattergood, John |
Skelton’s Magnyfycence and the Tudor Royal Household
Find |
15 |
21–48 |
Sergi, Matthew |
Beyond Theatrical Marketing: Play Banns in the Records of Kent, Sussex, and Lincolnshire
Find |
36 |
3–23 |
Sergi, Matthew |
Festive Piety: Staging Food and Drink at Chester
Find |
31 |
89–136 |
Skey, Miriam |
Festival Waggons in Japan
Find |
2:2 |
74–79 |
Somerset, Alan |
‘Beginning in the Middle …’: Warwickshire Locations and Families, as Audiences for Early Modern
Music and Drama
Find |
20 |
77–95 |
Spence, Michael & Philip Butterworth |
William Parnell, supplier of staging and ingenious devices, and his role in the visit of Elizabeth Woodville to Norwich in 146
Find |
40 |
7–61 |
Steenbrugge, Charlotte |
Books of Accounts in Everyman and Elckerlijc
Find |
33 |
19–44 |
Steenbrugge, Charlotte |
‘I Speke so Miche to 3ow’: Authority, Didacticism, and Audience Address in Middle English sermons and morality plays
Find |
38 |
84–99 |
Steenbrugge, Charlotte |
‘O, yowr louely wordys’: Latin and Latinate Diction in Mankind
Find |
31 |
28–57 |
Stewart, Alan |
‘Ydolatricall Sodometrye’: John Bale’s Allegory
Find |
15 |
3–20 |
Stokes, James |
The Beccles Game Place and Local Drama in Early North-East Suffolk
Find |
39 |
77–102 |
Stokes, James |
The Lesser Patrons of Greater Somerset: Minor Sponsorship and Local Records
Find |
13 |
18–26 |
Streitberger, W.R. |
Court Performances by the King’s Players, 1510–1521
Find |
14 |
95–101 |
Streitberger, W.R. |
The Development of Henry VIII’s Revels Establishment
Find |
7:2 |
83–100 |
Streitberger, W.R. |
William Cornish and the Players of the Chapel
Find |
8:1 |
3–20 |
Strietman, Elsa |
Biblical Plays in the Low Countries
Find |
30 |
121–136 |
Strietman, Elsa |
Report on the Colloquium on Medieval Drama of the Low Countries ‘Middelnederlands Toneel’
Find |
5:2 |
81–82 |
Strietman, Elsa, and Peter Happé |
Three Dutch Rhetoricians Plays
Find |
26 |
all |
Suematsu, Yoshimichi |
A Report on the Children’s Kabuki in Tonami and Lomatsu, Japan
Find |
22 |
59–69 |
Surtz, Ronald E. |
The Valencian Misteri del Rey Herodes: misogyny, politics, and caste conflict
Find |
24 |
32–43 |