Medieval English Theatre 16

VOLUME SIXTEEN (1994)

Subscription for 1994: £8 plus current P&P.

CONTENTS
AUTHOR	TITLE	Pages
	Dedication: In Memoriam Jean-Claude Aubailly	3
Jean-Paul Debax & Yves Peyre	Introduction	4–9
André Lascombes	Pour une rhétorique du spectaculaire: notes sur l’ostension	10–24
Graham Runnalls	Were They Listening or Watching? Text and Spectacle at the 1510 Châteaudun Passion Play	25–36
Elisabeth Lalou	Les Tortures dans les mystères: théâtre et réalité XIVe–XVe siècle	37–50
Peter Happé	Spectacle in Bale and Heywood	51–65
Richard Axton	Royal Throne, Royal Bed: John Heywood and Spectacle	66–76
Alan Hindley	Staging the Old French Moralité: The Case of Les Enfants de Maintenant	77–90
Francis Guinle	Songs in Tudor Drama: Forms and Meaning	91–115
Madeleine Lazard	Deux Entrées Royales à Nantes en 1532: celle d’Eléonore d’Autriche, Reine de France et du Dauphin François II	116–125
Jean-Pierre Villquin	Attraits et outrances du spectaculaire sur la scène Jacobéene: The Travailes of The Three English Brothers Sir Thomas, Sir Anthony, Mr. Robert Shirley (1607)	126–141
Irène Mamczarz	The Representation of Cities in the Baroque Opera and the Development of ‘Italian-Style’ Scenography	142–165
Pierre Danchin	Le Developpement du spectaculaire sur le théâtre anglais (1660–1800): le rôle des prologues et épilogues	166–176

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