AUTHOR |
TITLE |
VOLUME |
PAGES |
A |
Anderson, John |
The Newcastle Dragon
Find |
3:2 |
67–68 |
Anderson, John |
The Newcastle Pageant ‘Care’
Find |
1:2 |
60–61 |
Atkin, Tamara |
‘The Personages that Speake’: Playing with Parts in Early Printed Drama
Find |
36 |
48-69 |
Axton, Richard |
Royal Throne, Royal Bed: John Heywood and Spectacle
Find |
16 |
66-67 |
B |
Baldwin, Elizabeth |
John Seckerston: The Earl of Derby’s Bearward
Find |
20 |
96–105 |
Baldwin, Elizabeth |
‘Making a Song and Dance About It’: (Self) Presentation in ‘The Ballad of John Spenser, The
Cheshire Gallant’ Find
|
29 |
17–26 |
Baldwin, Elizabeth |
A Note on the Chester pageant route Find
|
27 |
131–132 |
Bawcutt, Priscilla |
A Note on the Term ‘Morality’
Find |
28 |
171–174 |
Beckett, Jamie |
Pendens super feretrum: Fergus, Aelred, and the York
‘Funeral of the Virgin’
Find |
39 |
103-125 |
Blanc, Aurélie & Olivia Robinson |
The Huy Nativity from the Seventeenth to the Twenty-First Century: Translation, Play-Back, and Pray-Back
Find |
40 |
62–93 |
Bose, Mishtooni |
The Theatre of the Mind in Late-Medieval England
Find |
38 |
115–128 |
Brown, John |
The Devils in the York Doomsday
Find |
11 |
26–41 |
Butterworth, Philip |
The Baptisme of Hir Hienes Darrest Sone in Stirviling
Find |
10:1 |
26–55 |
Butterworth, Philip |
Gunnepowdyr, Fyre, and Thondyr
Find |
7:2 |
68–76 |
Butterworth, Philip |
Hugh Platte’s Collapsible Waggon
Find |
15 |
126–36 |
Butterworth, Philip |
Magic Through Sound: Illusion, Deception, and Agreed Pretence
Find |
21 |
52–65 |
Butterworth, Philip |
Pageant-Carriage Maintenance at Chester
Find |
39 |
5–34 |
Butterworth, Philip |
Parts and Parcels: Cueing Conventions for the English Medieval Player
Find |
30 |
99–120 |
Butterworth, Philip |
Prompting in Full View of the Audience: The Groningen Experiment
Find |
23 |
122-171 |
Butterworth, Philip |
The York Crucifixion: Actor/Audience Relationship
Find |
14 |
67–76 |
Butterworth, Philip |
The York Mercers’ Pageant Vehicle, 1433–67: Wheels, Steering, and Control
Find |
1:2 |
72–81 |
Butterworth, Philip & Michael Spence |
William Parnell, supplier of staging and ingenious devices, and his role in the visit of Elizabeth Woodville to Norwich in 1469
Find |
40 |
7–61 |
C |
Carpenter, Sarah |
Drama and Politics: Scotland in the 1530s
Find |
10:2 |
96–105 |
Carpenter, Sarah |
Masks and Mirrors: Questions of Identity in Medieval Morality Drama
Find |
13 |
7–17 |
Carpenter, Sarah |
Morality-Play Characters
Find |
5:1 |
29–52 |
Carpenter, Sarah |
‘My Lady Tongue’: Thomas Tomkis’s Lingua
Find |
24 |
3–14 |
Carpenter, Sarah |
New Evidence: Vives and Audience-Response to Biblical Drama
Find |
31 |
3–12 |
Carpenter, Sarah |
The Places of Foolery: Robert Armin and fooling in Edinburgh Find |
37 |
11 – 26 |
Carpenter, Sarah |
The Sixteenth-Century Court Audience: Performers and Spectators
Find |
19 |
3–14 |
Sarah Carpenter |
To thexaltacyon of noblesse': a herald's account of the marriage of Margaret Tudor and
James IV Find |
29 |
104–120 |
Carpenter, Sarah |
Verity’s Bible: books, texts, and reading in Ane Satyre of the Thrie Estaitis
Find |
33 |
58–74 |
Carpenter, Sarah |
Walter Binning: Decorative and Theatrical Painter
Find |
10:1 |
26–55 |
Carpenter, Sarah & Graham Runnalls |
The Entertainments at the Marriage of Mary Queen of Scots and the French Dauphin François,
1558: Paris and Edinburgh Find |
22 |
145–161 |
Carpenter, Sarah & Meg Twycross |
Masks in Medieval English Theatre: The Mystery Plays
Find |
3:1 |
7–44 |
Carpenter, Sarah & Meg Twycross |
Masks in Medieval English Theatre: The Mystery Plays 2
Find |
3:2 |
69–113 |
Carpenter, Sarah & Meg Twycross |
Materials and Methods of Mask-making
Find |
4:1 |
28–47 |
Sarah Carpenter & others |
Thoughts on ‘Transvestism’ by Divers Hands
Find |
5:2 |
110–122 |
Cartwright, John |
From the Old Law to the New: The Brussels Eerste Bliscap van Maria
Find |
20 |
120–8 |
Cartwright, John |
The ‘Morality Play’: Dead End or Main Street?
Find |
18 |
3–14 |
Castaño, Joan |
Documentary Sources for the Study of the Festa of Elche
Find |
12:1 |
2–33 |
Cavanagh, Dermot |
Skelton’s Magnyfycence and tragic drama
Find |
27 |
53–68 |
Cecire, Maria Sachiko |
Magnyfycence Onscreen: Documentary Film as Translation
Find |
35 |
3-22 |
Chacón Carmona, Vicente |
Singing Shepherds, Discordant Devils: Music and Song in Medieval Pastoral Plays
Find |
32 |
62–8o |
Chaplan, Rosemary E. |
‘Farewell, jentyll Jaffrey’: Speech-act Theory and Mankind
Find |
11 |
140–149 |
Charpentier, Hélène |
Le mal, sa représentation et sa rétribution dans Le mystère du Viel Testament
Find |
11 |
104–115 |
Clopper, Lawrence M. |
The Chester and the Other English Shepherds’ Plays
Find
|
30 |
81–98 |
Corbett, Anthony G. |
God: One Intention of the Author in the York Old Testament Plays from The Fall of the
Angels to The Expulsion
Find
|
14 |
102–119 |
Corrigan, Vincent & Vicki Hamblin |
Music and Performance in Three French Hagiographic Mystery Plays
Find |
35 |
95-139 |
Cowling, Jane |
The Wood Eaves
Find |
17 |
20–28 |
Crouch, David |
Paying to See the Play: The Stationholders on the Route of The York Corpus Christi Play
in the Fifteenth Century
Find |
13 |
64–111 |