VOLUME THIRTY-EIGHT (2015):

 

THE BEST PAIRT OF OUR PLAY

Essays presented to John J. McGavin
PART TWO

edited by Sarah Carpenter, Pamela M. King, Meg Twycross, & Greg Walker

 
CONTENTS
AUTHOR TITLE                 Pages
  Editorial
 1 – 2
Eila Williamson The Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion
 3 – 21
Alice Hunt The Bright Star of The North: James I and his English Coronation
 22 – 37
Sue Niebrzydowski ‘Ye know eek that in forme of speche is change’: Chaucer, Henryson, and the Welsh Troelus a Chresyd
 38 – 56
David N. Klausner Playing the Crucifixion in Medieval Wales
 57 – 67
Elisabeth Dutton ‘My Boy shall Knowe Himself from Other Men’: Active Spectating, Annunciation, and the St John’s College Narcissus
68 – 83
Charlotte Steenbrugge ‘I Speke so Miche to 3ow’: Authority, Didacticism, and Audience Address in Middle English sermons and morality plays
 84 – 99
Nadia Thérèse van Pelt Early English Spectatorship and the ‘Cognitive Turn’
 100 – 114
Mishtooni Bose The Theatre of the Mind in Late-Medieval England
 115 – 128
Pamela M. King Poetics and Beyond: Noisy Bodies and Aural Variations in medieval English outdoor performance
 129 – 144
Clare Egan Women and the Performance of Libel in Early-Modern Devon
145 – 162
David Mills Abraham Sacrificing
 163 – 176
 
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Volume Thirty-Eight (2016)

Print version:
UK £23 including P&P;  EUR £28 including P&P:  OS £34 including P&P


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© Meg Twycross 2017