This module comprises of both oral and aural skills, to be taken alongside the corresponding Written Language module. It builds upon skills gained in the first year.

The module aims to enhance students’ linguistic proficiency in spoken Chinese in a range of formal and informal settings (both spontaneous and prepared). Specific attention will be given to developing good, accurate pronunciation and intonations as well as fluency, accuracy of grammar, and vocabulary when speaking the language.

This module also aims at broadening students’ knowledge about different aspects of modern Chinese-speaking societies, politics and culture, and contemporary issues and institutions.

By the end of this module, we hope you will have enhanced your comprehension of the spoken language, as used in both formal speech, and in everyday life situations including those that they may encounter in Chinese-speaking countries.

This module comprises of both oral and aural skills, to be taken alongside the corresponding Written Language module. It builds upon skills gained in the first year of the Intensive course. Students who have taken the Intensive language course in their first year, normally follow this course throughout the second year.

The module aims to enhance students’ linguistic proficiency in spoken Chinese in a range of formal and informal settings (both spontaneous and prepared). Specific attention will be given to developing good, accurate pronunciation and intonations well as fluency, accuracy of grammar, and vocabulary when speaking the language.

This module also aims at broadening students’ knowledge about different aspects of modern society, politics and culture, and contemporary issues and institutions in order to prepare them for residence abroad in their 3rd year.

By the end of this module, students will have had the opportunity to enhance their comprehension of the spoken language, as used in both formal speech, and in everyday life situations including those that they may encounter in Chinese-speaking countries.

This module comprises of reading and writing skills to be taken alongside the Oral Skills module.

This module aims to consolidate skills gained by students in the first year of study, and enable them to build a level of competence and confidence required to familiarise themselves with the culture and society of countries where their studied language is spoken.

The module aims to enhance your proficiency in understanding written Chinese, as well as in the writing of Chinese (notes, reports, summaries, essays, projects, etc.) including translation from and into Chinese; and the systematic study of Chinese lexis, grammar and syntax.

The module aims to enhance your linguistic proficiency, with particular emphasis on reading a variety of sources and on writing fluently and accurately in the language, in a variety of registers.

This module comprises of reading and writing skills to be taken alongside the Oral Skills module.

This module aims to consolidate skills you have developed in the first year of study, and enable you to build a level of competence and confidence required to familiarise yourselves with the culture and society of countries where your studied language is spoken.

The module aims to enhance your proficiency in understanding spoken Chinese, as well as in the writing of Chinese (notes, reports, summaries, essays, projects, etc.) including translation from and into Chinese; and the systematic study of Chinese lexis, grammar and syntax.

The module aims to enhance your linguistic proficiency, with particular emphasis on reading a variety of sources and on writing fluently and accurately in the language, in a variety of registers.

This module is a non-credit bearing module. If you are a major student going abroad in your second or third year you are enrolled on it during the year prior to your departure, and timetabled to attend the events. These include: introduction to the International Placement Year and choice of activities; British Council English Language Assistantships and how to apply; introduction to partner universities and how they function; working in companies abroad; finance during the International Placement Year; research skills and questionnaire design; teaching abroad; curriculum writing and employability skills; and welfare and wellbeing.

This modules focuses on the ‘must-know’ historical moments, political events and aesthetic movements that shaped Chinese and Sinophone cultures in the 19th, 20th and 21st centuries.

You will hone your skills in cultural analysis via diverse media as we explored four topics:

• Revolutions and Reforms
• Dreams and Futures
• Walls and Spaces
• Identities and Relationships

During the module, you'll consider themes such as power, resistance, trauma, aspirations, wellbeing, urbanisation, the urban/rural divide, migration, individualisation, collectivisation, gender, sexuality, ethnicity, class, and family. Texts, films and art will be studied in historical and cultural contexts, with due regard to relevant global trends such as imperialism, colonialism, postcolonialism, democracy, neoliberalism and nationalism.

During your journey through moments and movements across two centuries of Chinese cultural history, you'll encounter some of the most radical thinkers, writers, filmmakers and creative artists that make the Chinese-language intellectual tradition so distinctive and fascinating. You'll discover a stimulating range of cultural forms and learn how to reflect critically on them as expressions of multi-faceted, nuanced societies.

Critical Reflections explores a number of key interdisciplinary philosophical and cultural concepts which will enable you to analyse, engage with, and reflect upon artworks in your own discipline. It also allows you to establish a common set of concepts which can be shared by students from all LICA subjects.

The structure of the module consists of six three-week blocks as follows:

1. Aesthetics
2. Experience
3. Post-structuralism
4. Marx and Post-Marx
5. Waves of Feminism
6. Thinking with the Earth (new materialism)

Regular plenary lectures make connections across the arts, and are supplemented by seminars/workshops which allow students to work in their subject groups (art, film, theatre, design) on ideas and examples specifically tailored towards these disciplines.

This module combines theoretical and practical approaches to provide an introduction to American and German modern dance pioneers of the twentieth century. It compares their systems of technical training, choreographic methods, signature dance works, and considers the relationship of those systems, methods and works to the social context and philosophical ideas of their time. Assessment is through the choreography and performance of a short trio, and an essay. The module prepares students for more advanced dance and physical theatre projects in later modules.

This practical module provides a comprehensive understanding of compositional strategies and methodologies used in making theatre and performance, whether as a performer or as a director, writer or designer. Particular emphasis will be placed on investigating notions of form and structure and on how performance material can be generated through creative strategies of sourcing, developing and editing material towards a completed work. Assessment is through the production of a performance score and a group practical project.

The humanities were once regarded as having an intrinsic value. As disciplines devoted to the study of cultures and societies, the humanities enjoyed prestige as areas of inquiry that were uniquely placed to probe the human condition. But do the humanities still have a role to play in a world where science and technology appear to be driving political and social agendas? Can they help us address global challenges?

This module encourages you to engage with these questions by examining the history of the humanities in different linguistic and cultural contexts, by exploring the connection between the humanities and other disciplines across time and space, and by engaging with the tradition of critical thinking that is central to the identity of the discipline.

You will explore the intersection between the humanities and other disciplines with the aim of understanding what other disciplines can bring to study of art and, conversely, the value of art in our contemporary, outcome-driven world.

This module will equip students with a critical understanding of twentieth and twenty-first century performance practices that respond to anthropogenic climate change. Students will explore a range of theories and practices relating to ecocriticism and environmentalism.

In this module students will interrogate and critically respond to discourses of national identity in Britain, with an emphasis on de-centring and questioning who frames British identities and shared histories. By engaging with a range of plays and performances staged in the British Isles between 1980 and the present, alongside key postcolonial theory and readings on nationalism and globalization, students will develop an understanding of the different ways in which theatre has played a part in the national conversation about place and identity.

This module develops analytical and practical skills in performing texts, particularly in dramaturgy and composition and vocal and physical performance techniques. Taking into account the respective political, social and aesthetic contexts from which the works emerged, it focuses on modern and contemporary European play texts that are marked by their formal experimentations associated with two major theoretical paradigms: The Theatre of the Absurd and Postdramatic Theatre.

The module explores the playwrights’ formal experimentations with time and space; plot, story and narration; character, persona and ‘text bearer’; language and breakdown of language; rhythm and musicality; as well as the relationship between performer and audience.

Assessment is by group practical project and an essay.

How do films deal with topics such as immigration, environment, the posthuman and gender? Do they entertain viewers, instruct them, or both?

This module explores European, Latin American, and Chinese films in their social and historical contexts; the topics mentioned are the focus of key lectures and seminars. The module begins with introductory lectures on cinema and society and on film aesthetics and content. The main aim is to make connections between the films and such contexts, not only on the level of narrative, characterisation and dialogue, but also on that of form and technique.

This module introduces you to community and applied theatre practices that seek to create social, cultural, or political change. You will have the opportunity to explore key theoretical concepts alongside practical skills in facilitation, appropriate to a variety of contexts. You will study examples of applied theatre practice, with an emphasis on techniques that seek to empower marginalised communities and increase political and social dialogue. The syllabus will cover influential practices from around the globe, taking heed of the diversity of approaches and their applicability to contemporary contexts. Core topics may include theatre in education, theatre for development and disability theatre. Assessment is by group practical work and essay.

This practical module is designed to allow you to work collectively to produce an original performance piece informed by material studied in the second year as a whole. Students are supported by a supervisor who will provide feedback on progress throughout the module.

This module explores cultural and theoretical approaches to queerness and LGBTQIA+ lives, identities, and politics across diverse linguistic and cultural contexts. It includes texts and artworks by philosophers, writers, filmmakers, and artists from the LGBTQIA+ community around the globe, asking how different queer voices and cultures have approached questions such as:

• What does it mean to be queer or LGBTQIA+ today?
• How are human experiences of gender, sexuality, and queer identity conceptualised and expressed?
• How do queer people stand up against oppression and violence, and how have they in the past?
• What might queer tomorrows look like?
• How do LGBTQIA+ people and communities imagine the future?

The module explores key theoretical approaches in queer theory, and gender and sexuality studies, typically spanning cutting-edge fields such as queer environmentalism, postcolonial queer studies, transgender studies, intersex studies, and the queer medical humanities.

This module introduces practical approaches in visual and image-based theatre and methods of analysing visual theatre and investigating its key histories and models of practice. The module focuses on key approaches to image-based theatre that are central to understanding contemporary visual performance. Each approach interrogates the work of an existing company, which in turn is related to historically important practice from twentieth-century dramatic and/or postdramatic theatre.

The module will practically explore key skills in lighting, sound, digital technologies and scenography with reference to specific practitioners and companies. Assessment of skills and knowledge acquired will be by a practical group project and an essay.

Drawing on tendencies from both visual art and theatrical fields, contemporary performance has generated multiple approaches to the dynamic relation between text, language and performance. Eschewing the conventional dramaturgical structures of literary theatre, ‘text’ in this parallel history is an unruly, generative force – a writing for performance (and writing as performance) that is by turns highly performative, precise, nonsensical, philosophical and playful.

The module aims to explore a variety of contemporary and historical approaches to writing and performance through both key readings and workshop/seminars as well as practical tasks for you as creative writers and performance makers, establishing a conceptual ground, highlighting and developing strategies for your own work.

As part of The International Placement Year you will normally spend at least eight months abroad in your third year. You will have the opportunity to:

• analyse the contemporary relevance of a tradition, contemporary social, political or economic issue, or a living part of the regional culture.
• reflect critically on cultural differences observed in everyday life such as social relationships, politics, attitudes to food, drink, religion, etc., explaining them in the context of various historical, social and cultural developments.
• think analytically about your intercultural position and understanding of the relevant culture(s).
• reflect on language use (different registers, varieties of pronunciation and accents, dialects, vocabulary and idiomatic expressions, and aspects of grammar) and the process of the acquisition of skills in the relevant language(s).

The module also aims to enhance and develop your language skills, with all assessments being written in the target language. If you have started a language as a beginner in year one you will spend a minimum of four months in a country where that language is spoken. If you are a joint honours student who is studying two languages, you may choose to spend the year in either of the two countries concerned or, if appropriate arrangements can be made, you can spend a semester in each country.

Lancaster University will make reasonable endeavours to place students at an approved overseas partner. Students conduct either a study placement at a partner University, a teaching assistantship placement with the British Council or an appropriate working placement with a vetted employer abroad or a combination of placements (please note that there are some restrictions on British Council placements which usually last for the whole of the academic year).

Joint honours degrees

If you are a joint honours student who is combining a language with a non-language subject, your placement year will provide the opportunity to develop your language skills and cultural awareness, but will not necessarily relate to the non-language aspect of your degree.

Lancaster University cannot accept responsibility for any financial aspects of your International Placement Year.

This module includes authentic texts only slightly adapted from the originals, with a special focus on contemporary Chinese society and institutions. You will have the opportunity to learn how to communicate comprehensively and systematically using the appropriate expressions and language norms in the right context.

You’ll have the opportunity to develop your skills in understanding and joining political, academic and journalistic discussions using advanced Chinese language skills. An aim of this module is for you to be able to translate between English and Chinese and develop an idiomatic style of formal writing.

It’s not necessary to have studied the Part I, Chinese Language 2 or 3 modules in order to continue on to this module. However you must have reached a CEFR (Common European Framework of Reference for Languages) B1-B2 level of Chinese proficiency.

This module is integrated with the Chinese Language 4 module.

This module has two main aims. The first one is to enhance your linguistic proficiency with emphasis on understanding of spoken and written Chinese, the speaking of Chinese (prepared and spontaneous) in both formal and informal settings, the writing of Chinese, and the systematic study of Chinese lexis, grammar and syntax. The second aim is to increase your awareness, knowledge and understanding of contemporary China.

By the end of this module we aim for you to have an informed interest in the society and culture of the Chinese-speaking world. You should also have acquired almost native-speaker abilities in both spoken and written language.

This is a non-credit bearing module aimed at preparation for coursework and employability. If you are a major student you will be timetabled to attend the events. These include areas such as returning to Lancaster, academic writing after the year abroad, careers information on graduate schemes and postgraduate study opportunities.

In this practical module you will work in groups on an intensive practical project that will lead to public performances. Groups work is supported by the module convener and with a supervisor.

This module addresses applied performance projects that are co-created in collaboration with community groups. This may include people living within specific geographic areas, but it might also encompass shared identity traits, experiences, or interests. Students will explore a range of practices that facilitate collaboratively-designed theatre as a means of bringing about positive changes within these communities, and their broader social and cultural settings. Through a consideration of contemporary practitioners from a range of global contexts, students will learn techniques to develop effective community-based projects and to ensure equitable participation and accessibility. Practices studied might cover topics such as intergenerational theatre, street theatre, staged readings, puppetry, participatory arts, storytelling, environmental performance and more. Students will engage with the theories and practices of the module through a combination of lectures, seminar discussions and workshops, culminating in a short community performance project.

The module has two aims. Firstly, it aims to explore methods of improvising or choreographing movement from the practice and study of drawing, and, reciprocally, approaches to drawing that emerge from the experience of movement and the analysis of motion. This is assessed through either a staff-supervised, student-led group choreographic project with documentation or, alternatively, a portfolio of drawings presented at the end of the module. Secondly, the module examines twentieth and twenty-first century works in which choreographers have collaborated with visual artists. This part of the module is assessed through an essay. Teaching is through lecture, seminar and practical compositional exercises in movement and drawing.

This module combines theoretical and practical approaches to explore important European writers, directors and companies by studying their innovative dramaturgies, scenographies, uses of ‘no longer dramatic’ text, and new acting/performing styles. These aesthetic forms are also discussed in relation to the performances’ thematic and political concerns with developments such as globalization and late capitalism, increasing mediatisation, (anti-)immigration, terrorism and the war on terror and ecological concerns, as well as with the enduring memories of the Second World War and a European history of colonialism. Teaching is through lecture, seminar and practical workshop and assessment is by practical presentation and by seen examination.

This module addresses a range of 21st century performance practices that respond to climate change. Students will be introduced to a variety of practical and philosophical approaches employed by performance makers to address the relationship between people and the natural world.

Performance examples will range from those that seek to prompt direct intervention in the climate crisis to those that facilitate a shifting sense of being in a more-than-human environment. This might include, for example, plays, performance art, dance, performance activism, or socially engaged practices. Specific topics and practical approaches will reflect teaching staff expertise as well as current issues or events.

In the first half of the module students will be guided by staff to develop their own site-specific practical project, drawing on a specific model of practice. Following this, students will expand their critical understanding of relevant case studies and theoretical frameworks in a series of lectures and seminars. Assessment is by practical and essay.

This module provides an opportunity for students to develop an understanding of the ways in which creative practitioners produce and deliver their work. It will provide an overview of the challenges faced by freelance practitioners, producers and small cultural companies within the creative industries. You will also develop a working understanding of the key management and enterprise skills involved in delivering creative projects. Working in groups you will put your learning into practice through the delivery of your own live creative arts project. This will enable you to understand the skills, knowledge, attributes and behaviours relevant for employment in the arts and creative industries.

This module allows you to undertake a major independent research project on a topic of your choice, presented in the form of a dissertation or a practice-based project and an essay. The module is taught through lectures focused on research skills and one-to-one supervision. Upon completion, you will be able to demonstrate your ability to undertake a major project that includes conducting research, engaging in a sustained critical analysis of relevant texts, building an argument and applying this to practice.

This module combines theoretical and practical approaches to explore new scenographic approaches to contemporary performance. The module is structured to introduce you to the theories and histories of scenography and then progresses to locate scenography through the theatre, through technology and finally in relation to site. The module is focused around four cutting edge contemporary theatre companies (previous examples include The Wooster Group, Need Company, Imitating the Dog) used as paradigms to introduce you to the ways in which text, the body, light, visual/spatial organization, technology and choreography are used as scenographic tools to create specific and unique instances of contemporary performance. Teaching is through lecture, seminar and practical workshop and assessment is by practical workshop and seen exam.

DELC338 Spirits in the Material World: Cultures and Sciences

This module lives in the space between the here-and-now and a future made possible by science. You’ll explore perceptions of science across different languages and cultures, from Asia to Europe to the Americas, and explore relationships between the spiritual and the material.

You’ll look at some intriguing questions about science and the twenty-first century human condition such as: Where is AI taking humanity and are we already robots? Are science fiction writers a form of contemporary shaman? What possibilities do modern medical advances offer for transformative queer and trans healthcare?

You’ll find out about differing views on these and other topics from a wide range of source materials, such as speculative fiction, graphic novels, film, philosophical essays, and online talks. Themes typically cover Spirit and Matter, Speculative Fiction, The Post-Human, Philosophy, Art and Neuroscience, Biomedicine and the Hospital.

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This module covers key debates on how television shows are consumed both nationally and transnationally, the appeal of crime dramas, cultural translation, and in particular the concept of domestication. Theoretical frameworks are applied to examples from television series produced in languages that are taught to degree level at Lancaster and are available in English via dubbing or subtitling. Selected case studies are devoted to the exploration of a particular theme. Typically, such themes may include aspects such as the sympathetic perpetrator, setting, local colour and exoticism, gender, race and ethnicity.