Numbered Sheets
Ruskin generally refers to notes and drawings on a separate numbered sheet of paper (of a larger format) as a ‘sheet’ or ‘paper’. The term ‘worksheet’ was introduced by Hewison (1978). E. T. Cook in his introduction at Works, 9.li refers to an example as being carried out on a ‘sheet’ and to ‘MS sheet’.
The Sheets held in the Ruskin Foundation Collection at Lancaster were sold at Sothebys on 24th July 1930, Lot 115 (No 9) ‘Over 250 Sketches, Plans, diagrams, etc. in pen-and-ink and wash, all with notes more or less full, about half mounted on cards, folio.’ Purchased by J. H. Whitehouse (see Woolford (1972) pp.193-246).
The transcriptions are of the numbered Sheets held in the Ruskin Library (Box RL 1636). Other Sheets are given their individual library number.
Each numbered Sheet (or part sheet) in the collection is included with a digital image. There are three exceptions:
- A part collaged sheet taken from the unnumbered box which appears to relate to the last numbered sheet No.206
- Transcription of Sheet No. 157. (current location unknown) This is reproduced at Works, 38.294 [n/a] (facing)
- Also ‘No. 15’. Photocopy of sheet from Pierpont Morgan Library with same Sheet number and M reference, containing fig 3. Perhaps the Morgan sheet is the lower half, but M refers only to figs 1 and 2
Ruskin’s working process
The particular notebook and page location providing evidence of Ruskin’s use of M and M2 in his discussion of the Sheets is indicated where possible. He began reference to the Sheets or work on ‘paper’ with Notebook M beginning with No.1 and continuing to No.136 missing out discussion of No.35. Ruskin appears to have used whichever of the two notebooks came to hand. He began to use M2 for Sheet No. 115 and then No.136 (which appears in both notebooks) carrying on until he reached No.139. Ruskin then returned to M for No.140, 141, 142 and 143. Sheets 144, 145 and 146 are not referred to in either notebook. The Sheets numbered 147 to 154 are discussed in M2 whilst he returned to M for Numbers 155 to 162 (omitting No.156 and 157 from both notebooks). Sheets 163 to 169 are not discussed and Ruskin returns to the M notebook for Numbers 170 to 174 (172 and 174 are referred to in both). Notebook M2 is utilised again for Sheets 175 to 195, Sheet No. 195 [n/a] being the last to be discussed in the sequence, although this runs on until No.207.
Bibliography for this note:
- RF and Ruskin Library A digital image of the Sheet is available within this edition.
- (part) indicates drawing not whole sheet
- Box of Numbered Sheets (RL 1636)
- Box of Unnumbered Sheets (RF 1638)
- RL (RF MS 76) Stones of Venice: 46 pp notes & sketches (volume of fragments)
- Album Ruskin Original Notes and Sketches for The Stones of Venice 6 vols: 1639, 1640, 1641, 1642, 1643, 1644. (Vols 5 & 6 are empty).
- Southwark Art Collection Wildman, S. A Model of Perfect Order: the Southwark Art Collection. Catalogue of an exhibition held in the Ruskin Library, Lancaster University, 24th June to 24th September 2006.
- Transcript 7A Diary of John Ruskin 1850 (M1) (RF T7a)
- Transcript 7B Diary of John Ruskin 1850 (M2) (RF T7b).
- M MS 10 Diary of John Ruskin 1849
- M2 J. Ruskin Architectural Note-Book Italy 1850 - 1851 (Yale)
- HB House Book 1 (RF1996P1617)
- DB Door Book (RF1996P1615)
- St.M St M[ark] Book (RF1996P1621)
- Pierpont Morgan Library (PML) A number of sheets and parts of sheets are in the collection of the Pierpont Morgan Library NY.
Venice Locations from Nadali, G. P., and R. Vianello Calli, Campielli e Canali, Guida Di Venezia e Delle Sue Isole, Edizioni Helvetia, Fourth Edition, 1999. The notes include locations within the ‘Sestieri’of Venice: Castello, S.Marco, Cannaregio, S. Croce, S. Polo, Dorsoduro and also the islands of Murano, Torcello. This invaluable publication includes maps with ‘Tav’ numbers. For e.g.The Palazzo Dandolo-Farsetti would be located as: (S. Marco 4136, Nadali & Vianello (1999) Tav. 29) Campielli can be given as follows: eg for Campiello S. Zulien (S. Marco 599-605, Nadali & Vianello (1999) Tav.30).
Transcriptions for sheets in bold are present in this edition. The brief information provided on each Sheet following the Sheet number is drawn firstly from the Sheet itself (where possible) and secondly from information written by Ruskin in the M and M2 notebooks.
- No.1 S. Ambrogio Milan. ‘No 1. fig 1. Section of the pier of the cortile, drawn at its capital above’ Notebook M p.6, 11.
- No.2 S. Ambrogio Milan. Pulpit ‘No 2. Ornament of the arch on right hand of my drawing’ Notebook M p.8. Also: Notebook M p.10L, 26.
- No.3 Verona Duomo. Sta. Maria Matricolare. ‘No 3. Duomo Verona P.20. M’ Notebook M p.20, 31 (RF 1655).
- No.4 ‘Gate at Verona’ ‘No 4. Jamb of a most beautiful circular arch in a house near Duomo. Alternate 5 bricks and white stone: 4 of the brick voussoirs on each side’ Notebook M p.22. (RL 1636 box) (part).
- No.5 Verona Scala Monuments. ‘No 5. contains details of the most beautiful of the three Scala tombs: Notebook M p.23. Probably Can Mastino della Scala (d. 1351) Also: Notebook M p.24.
- No.6 ‘Details of Greater Scala Monument. p.26.M’ Notebook M p.26, 27, 57. (RL 1636 box) Probably Can Signorio tomb.
- No.6reverse ‘Back of’ (RL 1636 box).
- No.7 Verona. ‘Gateway at Verona in a tower at western end of the uppermost bridge near, cathedral. No 7: (now 3) On one side, half of the arch: on the other the moulding between the brick’ Notebook M p.28. Also: Notebook M p.28L, 73.
- No.8 Venice Ducal Palace. ‘Doges Palace.Ven. No 8. Contains details of upper arcade outside’ Notebook M p.29. Also: Notebook M pp.30L and 30, 31, 33.
- No.9 Venice Ducal Palace. Moulding of Arch Upper Arcade. Notebook M p.31, 32, 33.
- No.10 Ducal Palace Upper Arcade. (tracing) ‘No 10.Tracing over the stone edges of band p in No 9 fig 2, ABC is the point b. with its fillet at D and the paper in taking it was so placed that the point P. coincided with the line c d c d of Fig 2. No 9. EFG is traced on the angle x p y. of fig 2. No 9.’ ‘The line g x y is the fillet - common to both arch and 4 foil - vide sheet as 10, and notes to fig 2 on No 9’ Notebook M p.32. Also: Notebook M p.33 (RF 1642, Album p.10).
- No.11 Ducal Palace Upper Arcade. ‘Details of bases of upper arcade. Doges palace. p 34 M. Nov 14th . 1849’. ‘No 11, Fig 1.Base of one of the pillars of the upper arcade, looking down on it, Fig 2 its sections’ Notebook M p.33 RL Also: Notebook M p.33L (RF1598).
- No.12 Ducal Palace. ‘Measures of Doges palace’ ‘Nov 15th. 1849’ ‘No 12:contains measures of bases. Ducal palace. Upper arcade’ Notebook M p.35. (RL 1636 box).
- No.13 Venice. Santi Giovanni e Paolo ‘No 13: Church of St John & Paul’ Notebook M p.36. Also: Notebook M p.37.
- No.14 Venice. Santi Giovanni e Paolo (and Santa Maria Gloriosa dei Frari ?). ‘No 14. Niches Fig 1. St John and Paul: a mode of placing the niche on the cornice (cornice described in No 13)’ Notebook M p.37 (The Frari)
- No.15 Venice. ‘Casa d ‘Oro p. 42. M.’ (Cannaregio 3933) Ca’ d’Oro. ‘No 15. Fig 1. Accurate drawing of the meeting of the rolls in the tracery of the great first floor colonnade of Ca d’Oro’ Notebook M p.42. Also: Notebook M p.38, 43. (RL 1636 box) (part).
(Also: No.15 Photocopy of sheet from Pierpont Morgan Library with same Sheet number and M reference, containing fig 3. Perhaps the Morgan sheet is the lower half, but M refers only to figs 1 and 2). - No.16 Venice, Ca’d’ Oro. ‘No 16. Ca’ D’oro. details of balustrade Nov. 17th p 38. M’ ‘Ca’ d’Oro from No 16.’ Notebook M p.74. Also: Notebook M p.38. RL (RF 2052).
- No.17 Venice Ca’ d’ Oro. Notebook M p.38, 39L and 39, 40, 41, 42, 45. (Reproduced in Hewison (1978) p.56, Kemp (1991) p.163, Dearden (1994) p.52). (RF 1591).
- No.18 Venice, Ca’d’ Oro. (Traceries First Story). ‘In fig 1 No 18 is given, in the same way as the tracery of No 17: the most extrarordinary tracery of the lateral window on the other side’ Notebook M p.40. Also: Notebook M p.41.
- No.19 ‘Church of Frari and palace near Ca’ d ‘Oro’ Nov. 19th’ (Cannaregio 4199, Nadali & Vianello (1999) Tav.17) Palazzo Morosini Segredo (RL 1636 box).
- No.20 ‘St Marks Pillars of Nave’ ‘Nov. 20th 1849’ ‘No 20 to 22, inclusive, describe the nave pillars of St Marks.’ Notebook M p.44L. Also: Notebook M p.44 (RL 1636 box).
- No.21 St. Mark’s. Study of part of the north arcade of the nave of St Mark’s. ‘21 being a rough sketch of their effect from the nave in about true perspective; all but diameter of shaft, which it is easy to correct from the measures.’ Notebook M p.44L. Also: Notebook M p.44. Pasted into RL (Reproduced in Unrau (1984) PlateXX11). (RF MS 76).
- No.22 St. Mark’s. ‘No 20 to 22 inclusive, describes the nave pillars of St Marks’ Notebook M p.44L. Also: Notebook M p.44. Pierpont Morgan Library NY.
- No.23 Ca’ d’Oro. ‘No 23. Fig 1. a - b - c elevation and tracery of the third, or small intermediate window of Ca d’Oro’ Notebook M p.44. Also: Notebook M p.45.
- No.24 Frari. Santa Maria Gloriosa dei Frari. ‘Now note that the arch section of the Frari nave - rudely drawn on No 24, is precisely the same as the window section of the house in No 1’ Notebook M p.46.
- No.25 Frari. Santa Maria Gloriosa dei Frari. ‘With this style, foliation is rapidly associated, vide drawing of upper & lower window of the apse of the Frari, No 25’ Notebook M p.46.
- No.26 Venice, Danieli. (Castello 4196, Nadali & Vianello (1999) Tav. 35). Palazzo Dandolo-Gritti-Bernardo-Moncenigo ‘Tracery of our window balcony. Danieli - lateral first floor. A to B continuous’ (see Notebook M pp.45ff on development of Gothic shaft in Venice: refers to Sheets 24-29). RL (part). No 26 is only listed at top of Notebook M p.46 with others as ‘Church of Frari & San G and P’.
- No.27 Frari? Santa Maria Gloriosa dei Frari No 27 only listed at top of Notebook M p.46 with others as ‘Church of Frari & San G and P’.
- No.28 Church of Frari & San G and P ? Fragment numbered ‘No 28’ but with ‘No 11 A’ crossed out. ‘Tracery of one of the arches of balustrade of Doges Palace’ (RF 1641 p.25). No 28 only listed at top of Notebook M p.46 with others as ‘Church of Frari & San G and P’
- No.29. (Listed at top of Notebook M p.46 with others: ‘Church of Frari & San G and P’.
- No.30 ‘No 30 Interior of San Stefano’ Notebook M p.47. Also: Notebook M p.5L, ‘Sections of San Stefano capital No 30’ Notebook M p.47L ‘Measures of No 30’ Notebook M p.63, Notebook M p.73. Pierpont Morgan Library NY.
- No.31 Fondaco di Turchi Lower Arcade. (S. Croce 1730, Nadali & Vianello (1999) Tav.16) Fontego Dei Turchi. ‘It would be difficult to find anything in slender proportion, more exquisite than the three terminal arches of the lower arcade of the Fondaco de Turchi. Their general arrangement is on No 31: fig 1’ Notebook M p.49. Also: Notebook M p.50, 73. Reproduced in Morris (1989) p.14. (RF 1605).
- No.32 Ca Danieli. (Castello 4196, Nadali & Vianello (1999) Tav. 35) Palazzo Dandolo-Gritti-Bernardo-Moncenigo Notebook M p.51; Notebook M p.52; Notebook M p.53L (measures); Notebook M p.53. Folded trimmed white card with diagram Pierpont Morgan Library NY.
- No.33 Ca Danieli. (Castello 4196, Nadali & Vianello (1999) Tav. 35) Palazzo Dandolo-Gritti-Bernardo-Moncenigo ‘True traceries of the windows’ Notebook M p.54.
- No.34 Ca Danieli. (Castello 4196, Nadali & Vianello (1999) Tav. 35) Palazzo Dandolo-Gritti-Bernardo-Moncenigo ‘No 34 Palazzo Danieli Nov, 26th P 54’ ‘Two traceries from left hand cusp’ Notebook M p.54. (RL 1636 box).
- No. 35 North Transcept, St Mark’s ? Christie’s 4 July 1967. (not referred to in M or M2).
- No.36 ‘Fondaco de Turchi No 36. Details of upper arcade’: Notebook M p.55. (S. Croce 1730, Nadali & Vianello (1999) Tav.16) Fontego Dei Turchi ‘Measures of ’ Notebook M p.55L.
- No.37 ‘Palace opposite post office p 62’ (S. Polo 1172, Nadali & Vianello (1999) Tav. 29) Palazzo Barzizza - Torres ‘No 37 Details of a palace now half destroyed; a gallery or lower room with levels, build out of its front; just opposite post office, with note of another.’ Notebook M p.62. Also: Notebook M p.73; Notebook M2 p.5. This is Ruskin’s ‘Terraced House’ (RF MS 76) (part). Fragment also at Pierpont Morgan Library NY.
- No.38 ‘No 38.One of lateral arches of Fondaco de' Turchi with foliation of balconies in small rich palace opposite Salute.’ Notebook M p.62. (S. Croce 1730, Nadali & Vianello (1999) Tav.16) Fontego Dei Turchi. The ‘rich palace’ is most probably (S.Marco 2307) Palazzo Contarini-Fasan.
- No.38reverse ‘Danieli Traceries from back of No 38’ (RF 1642 p.12).
- No.39 Venice Santo Stefano. (S. Marco, Nadali & Vianello (1999) Tav. 40) ‘Details of St. Stefano Interior’ ‘No 39. Inside of San Stefano. sketch showing general proportion of arch & moulding’ Notebook M p.62.
- No.40 St Gregorio Abbazia. ‘No 40, 41 Details of .door into court close to Salute. No 40 Angle mouldings of door’ Notebook M p.62 (Dorsoduro 172, Nadali & Vianello (1999) Tav.51) Abbazzia di S. Gregorio. Pierpont Morgan Library NY.
- No.41 S Gregorio Abbazia. ‘No 40, 41 Details of .door into court close to Salute.’‘Angle mouldings of door’ Notebook M p.62, 63 Abbazzia di S. Gregorio.
- No.42 Santo Stefano? (S. Marco, Nadali & Vianello (1999) Tav.40) ‘December 5th. p 63. 64’ Notebook M p.64 gives reference to 10th Palace, House Book 1 p.12. Fig 3 also noted, but cut away from No 40. The 10th Palace is (Dorsoduro 866, Nadali & Vianello (1999) Tav. 50) Pal Molin Balba Valier Della Trezza. Also: Notebook M p.63, 73, Notebook M2 p.5. (RL 1636 box) (part).
- No.42A ‘In No 42 A is section below capital, B above capital’ Notebook M p.64 (San Gregorio?).
- No.43 ‘Nov Dec 5th. p .64’ ‘No 43. Base drawn real size with paper against it at angle shaft of house No 11 p 13’ Notebook M p.64. House Book 1 p.13 describes House No 11 which is (Dorsoduro 1057, Nadali & Vianello (1999) Tav. 40) Palazzo Contarini Degli Scrigni and Corfu (RL 1636 box).
- No.44 ‘No 44. Apse of the Church of San Gregorio with its traceries all worked with the section a opposite’ Notebook M p.64. Also: Notebook M p.66 (Dorsoduro 172, Nadali & Vianello (1999) Tav.51).
- No.45 St Gregorio ‘Cornice of the apse in No 44 seen in small sketch in corner of 44’ Notebook M p.66 (Dorsoduro 172, Nadali & Vianello (1999) Tav.51).
- No.46 Palazzo Loredan dell’ Ambasciatore. (Dorsoduro 1261, Nadali & Vianello (1999) Tav. 40). See House Book 1 p.14 (House No 12) - which refers to No 46. ‘No 46. Fig 2. These arches are in the little leaning ancient belfry close to post office in the Canal which one traverses so often between it and the Salute’ Notebook M p.122. ‘No 46. At p 14 Housebook 1 this sheet is shortly referred to for the central door of 12th house - at page 66 above the references are given’ Notebook M p.123.
- No.47 Ca Giustiniani. (Dorsoduro 3199-3228-3232, Nadali & Vianello (1999) Tav.50) Fig 1. Details of Traceried window in palace of the young Foscari’ Notebook M p.67. Also: Notebook M p.5L, 68, 69, 73. Frim 1 (sold 2002).
- No.48 ‘No 48 . Palazzo Pisani Dec 7th. P.69’ ‘From the main story of Palazzo Pisani’ Notebook M p.69. Also: Notebook M p.73 (S. Polo 2766, Nadali & Vianello (1999) Tav. 28) This is the Palazzo Pisani ‘Moretta’ on Grand Canal. (RF 1624) (part).
- No.49 St. Gregorio and Ca’ Foscari. ‘No 49. Fig 1. Cornice of St Gregorio vid no Fig 2. Base of the circular angle shaft of the Great Foscari.’ Notebook M p.70. Part of No 49 is pasted onto card and bound into Ms 76. It includes ‘Fig 2 - Base and chamfer of angle shafts of great Foscari’ and ‘Great central door of great Foscari with its masonry. Its section the same No 49’ St. Gregorio (Dorsoduro 172, Nadali & Vianello (1999) Tav. 51) Great Foscari - Ca’ Foscari (Dorsoduro 3246). Also: Notebook M p.5. ‘Verify shafts question Foscari No 56 and its door section No 49’ (RF Ms 76) (part).
- No.50 Ca’Foscari et al. ‘Get Masonry of archivolt and section of its filleted roll in No 50’ Notebook M p.5L. Heading at Notebook M p.70 cites Pisani, but Notebook M p.73 states ‘verify chamfer above ogee from near S M dell Orto No 50 P certain from Pisani No 48.’ Notebook M p.74 confirms dell Orto link ‘Compare with D plinth of church near M. D’Orto No 50’.
- No.51 Ca’ Dandolo. ‘The House of Henry Dandolo’ ‘No 51 Details of upper story (but one) windows of house of Henry Dandolo. Fig 1 Elevation and masonry measures opp’ Notebook M p.71. Also: Notebook M p.71L, 72. Harvard University Art Museums (Reproduced in Harvard University Art Museums (2007)). (S. Marco 4172) Palazzo Dandolo, between Casa Loredan and Casa Bembo on Grand Canal.
- No.52 Ca’ Dandolo. ‘No 52. Fig 1 - 2: profile, real size, joining at x: of the shaft head on the left of the arch fig 1 No 51.’ Notebook M p.72 ‘Bank of Dandolo No 52.’ Notebook M p.73.
- No.53 Ca’ Dandolo. (listed only as a heading, top of page Notebook M p.72).
- No.54 ‘Fig 1. House No 64’ Possibly on Rio del Gaffaro, S. Croce; small gothic house with three arches. Compare House Book 2 p.19 (listed only as a number at top of page Notebook M p.72 and not discussed).
- No.55 Capitals. ‘R. from 12th house, No 55’ Notebook M p.74. The 12th House is (Dorsoduro 1261, Nadali & Vianello (1999) Tav. 40) Palazzo Loredan dell’ Ambasciatore. See House Book 1 p.14.
- No.56 Capitals. Ca’ Foscari ‘Verify shafts question Foscari No 56’ Notebook M p.5L. ‘And with lower roll cabled pilaster No 56’ Notebook M p.73. Also: ‘S. Great Foscari, from No 56’. Notebook M p.74.
- No.57 Capitals. ‘U. Early Lombard from St Marks No.57.’ Notebook M p.74.
- No.58 Capitals. ‘Fondaco de Turchi No 58-59’ Notebook M p.74.
- No.59 Capitals. ‘Fondaco de Turchi No 58-59’ Notebook M p.74.
- No.60 Corte del Remer. (Cannaregio 5698-5705, Nadali & Vianello (1999) Tav.17-18) Corte, Sottoportico and Campiello del Remer ‘No 60 Fig 1. Relations of height, width of plinth and general proportion between doors and windows of old house near Rialto.’ Notebook M p.80 (with Fig 3 & Fig 4). Also: Notebook M p.82; Notebook M pp.123L and 123. ‘cabling [exceptionally?] rich in notches thus’ (RF 1641 p.20). Part of No 60 in the collection of Southwark Art Gallery GAO447 1. Inscribed: ‘Fig.2 of No 60 p.123 M1’.
- No.61 Campiello del Remer. (Cannaregio 5698-5705, Nadali & Vianello (1999) Tav.17-18) Corte, Sottoportico and Campiello del Remer ‘The carvings of the great arch - fig 1. are the richest I have yet seen on any arch of the kind, covering both architrave & soffit Fig 1 No 61 is a careful section’. Notebook M p.80, 81L and 81, 122. (RL 1636 box) (part).
- No.62 Police House. ‘House No 31; Utterly ravaged there remains traces only of its eight arches, now filled with lath & plaster: its main arrangements are on No 62’ Notebook M p.82. (S. Polo 1429b, Nadali & Vianello (1999) Tav. 28). Palazzo Dona della Madonnetta. Known by Ruskin as the Madonnetta House, ‘The Little Madonna’ or as the ‘Police House’. Also: Notebook M p.83. Pierpont Morgan Library NY.
- No.63 Palazzo Dona della Madonnetta. (S. Polo1429b, Nadali & Vianello (1999) Tav. 28). (‘Police House’) Notebook M p.82, 83.
- No.64 Ducal Palace. ‘No 64. Fig 1. Capital seen laterally, of one of the great 3rd order windows in Doge’s palace opposite prisons.’ Notebook M p.83, 89
- No.64 (part) ‘Capital and Window Jamb, Ducal Palace’ is in the collection of Southwark Art Gallery GAO436/ 2. Inscribed ‘No.64 capital of jamb of / 3 windows next bridge / of sighs’.
- No.64B Ducal Palace. (RL 1636 box) (part) (Not referred to by Ruskin).
- No.65 Ducal Palace Inner Cortile Upper Arcade and Lat Windows. ‘Fig 1 p No 65 is a rude approximation to the arch section - a b of course soffit & moulding same on both sides: Some of the piers are solid, of the singular plan fig 2’ (RL 1636 box) (part) Notebook M p.84, 85.
- No.66 Ducal Palace Traceries. ‘the ledge of the traceried window of the Doge’s palace on facade, next the centre: It is most singular in every way: No 66 gives the jamb of it’. Notebook M p.87. Also: Notebook M p.90, 91.
- No.67 Ducal Palace Traceries. (part) ‘from No 67’ ‘Cusp of 4th window Duc. P.’ ‘No 67 fig 7: e2 f2 is e f of section in fig 6: Fig 7 is a side of one of the three lower arches of tracery: it shows the constant management of the cusp: The way it is cut through leaving the fillet so narrow next roll, in order to get a larger hollow for lightness, is to be especially noted’ Notebook M p.88. Also: Notebook M p.87, 90. (RF 1642, Album p.43) (part).
- No.68A Ducal Palace Traceries. ‘No 68 A - are traceries pressed from the actual stonework of the Facade window furthest from Stonework centre, next bridge of sighs End: Doge’s Palace 68 A.’ Notebook M p.90. Also: Notebook M p.91.
- No.68B ‘No 68.B’ Ducal Palace Traceries, Third Window. Notebook M p.91 (RF 1642 p.9).
- No.68C Ducal Palace Traceries, Third Window. ‘No 68 C is the tracery which being drawn in contact with window is more accurate than even that on No 66 68 D B1 C1 are the same points as in 68 B and 68 C’ Notebook M p.91 (RL 1636 box).
- No.68D Ducal Palace Traceries. ‘68 D. which was traced on it. the inside of the cusp should look like fig 1 opp; and its outside fig 2 68 D gives one cusp with the place of fillet and second order inside complete.’ Notebook M p.96. Also: Notebook M p.91.
- No.68E Ducal Palace Traceries.‘One of the cusps of the two great foils’ Notebook M pp.91L and 91, 95.
- No.68F Ducal Palace Traceries. ‘68F’ ‘Cusp interval No 2’ ‘68F’ ‘Gives interval from cusp to cusp in same 4 foil’ Notebook M p.91 (RF 1642 p.8).
- No.68G Ducal Palace Traceries. ‘Leaf angle of base. No 68 g. fig 2 and fig ‘Details of the window on the side of the Palace towards the bridge of Sighs:’ Notebook M p.91L. (RF 1642 p.39) (part).
- No.68H Ducal Palace Traceries. ‘Meetings of Great Roll, about central small 4 foil of same window.’ Notebook M p.92.
- No.68I Ducal Palace Traceries. ‘Joins 68H’ Notebook M p.92.
- No.68K Ducal Palace Traceries. ‘cusp of main lower arch of same window’ Notebook M p.92. (RF)
- No.68L Ducal Palace Traceries. ‘joins 68K P and Q are the same points in both’ Notebook M p.92.
- No.68M Ducal Palace Traceries Cusp of second window. ‘ completes the arch’ Notebook M p.92 (RL 1636 box).
- No.68N Ducal Palace Traceries. ‘duplicate of Fig 2 68M’ Notebook M p.92 (RL 1636 box).
- No.68P Ducal Palace Traceries. ‘lines of the upper 4 foil’ Notebook M p.92 (RL 1636 box).
- No.69 Palazzo Cavalli. ‘Palazzo Cavalli vid p 93’. ‘Details Fig I Tracery throughout’ Notebook M p.92 Probably (S. Marco 3978) Corner-Contarini Dai Cavalli rather than (S. Marco 2847) Palazzo Gussoni Cavalli. Also: Notebook M p.93 (RF 1623).
- No.70 Ducal Palace Traceries. ‘The tracery. No 70 Now Plate 41 fig 1 showing intersections of great roll - most curious.’ Notebook M p.94. Plate 41 fig 4 is ‘Third Window’ a fragment of this Sheet being pasted onto another sheet. RL digital image 76 among the unnumbered Sheets. Pierpont Morgan Library NY.
- No.71 Ducal Palace Lateral Windows. ‘The section of this singularly fine capital is fig 5 No 71 Fig 1 General look of the proportion of the lower arches and central shaft of this same window, seen from inside’ Notebook M p.95.
- No.72 Ducal Palace Traceries. ‘No 72 is 68L, taken more accurately’ Notebook M p.96.
- No.73 Ducal Palace. ‘Third window: That on the façade next prison’ Notebook M p.97. Also: Notebook M p.98 Pierpont Morgan Library NY.
- No.74 Ducal Palace. ‘Tracery real size of the balcony in centre of the front to sea’ Notebook M p.98. Pierpont Morgan Library NY.
- No.75 Ducal Palace - balcony to Front. ‘Tracery of the 4 foil of No 74 traced actually on the stone’. Notebook M p.99.
- No.76 Ducal Palace Front Windows and side to Piazzetta. ‘No 76 fig 2 where its section is rudely drawn: it is all worked in the limestone like Lucca - the rest of its description is on No 76.’ Notebook M p.100. This is window C in Ruskin’s plan on Notebook M p.100L. Also: Notebook M p.101. Pierpont Morgan Library NY.
- No.77 Ducal Palace Windows to Piazzetta. ‘The Innermost of these two small windows, next the centre of piazzetta facade has both its old capitals left - so much of them unbroken that - on the inward side, the circle of which received the shaft of for the tracery - shaft up the jamb - remains quite perfect, and on it, I traced the curve fig 1 No 77.’ Notebook M p.101. (RF 1641, p. 23, Album) (part).
- No.78 Facade of Doges palace Central balcony of Piazzetta. ‘Balcony to Piazzetta. Next to the window i, which now opens into Mr Lorcenzo’s room; comes the centre with balcony; and this with windows k. l. m. n. is described in No 78.’ Notebook M p.102. This listing of the windows develops the information started on the diagram at Notebook M p.100L and brought together in the diagram on Notebook M p.101L. (RL). Notebook M p.102, 104, 114.
- No.79 Ducal Palace Traceries. ‘These windows of the upper part of the cortile I also examined to-day: 22nd Decem: Their traceries are drawn on No 79’ Notebook M p.104.
- No.80 [Ducal Palace Traceries or Campiello St Rocco ?]. Frim 1 (sold 2002). Pierpont Morgan Library NY.
- No.81 Campiello St Rocco, early windows.(S. Polo 3129-3140, Nadali & Vianello (1999) Tav. 27) Campiello and Sottoportico di S. Rocco ‘No 81 In the little Campiello St Rocco, which is entered by a sottoportico opposite the apse of the Frari, is this most interesting tier of four windows’ Notebook M p.104. Also: Notebook M p.105. And: ‘No 81 Fig 2. which is arch to the water at Danieli's’ Notebook M p.161. Also: ‘No 81 Fig 2. Door - it is some 6 ft wide - but now all bricked up & turned into a window - close to water door of Danieli's. Archivolt section of do at a and pil head at B.’ Notebook M p.121.
- No.82. There is no reference to No 82 in the M or M2 sequence.
- No.83 ‘leafwork of the capital drawn at p on No 83’ Notebook M p.84 (Subject unknown). Ruskin continues from where he left off on Notebook M p.85, onto Notebook M p.105 with discussion of the Ducal Palace windows, and other Sheets numbered in the 80s are mainly of that subject.
- No.84 Ducal Palace Lateral Windows. ‘Windows of 3rd order’ ‘Finally, on no 84 is given the description of the noble windows of the 3rd order next the sea, which terminate the series. These have a noble massy detached shaft in centre; and Lombard capital like that described p 83 and No 64’ Notebook M p.85, continuing on Notebook M p.105. (RL 1636 box) (part).
- No.85 Ducal Palace Lateral windows. ‘No 85. the section of their jamb and archivolt is the same: it begins at A fig 2 No 85, real size carefully set by the stone. Applying C of the one to C of the other, it is completed in No 86 This capital seen laterally, is drawn in Fig 1. No 85’ Notebook M p.85. Also: Notebook M p.105.
- No.86 Ducal Palace Lateral windows. ‘These are mostly described on No 85. the section of their jamb and archivolt is the same: it begins at A fig 2 No 85, real size carefully set by the stone. Applying C of the one to C of the other, it is completed in No 86’ Notebook M p.85. Also: Notebook M p.105.
- No.87 Palazzo Zorzi-Bon (S. Marco 4907, Nadali & Vianello (1999) Tav.31) ‘Bacon Palace’. ‘No 87 is however the one to the right of the two windows - fig 1 rude profile with joints of dentil and inlaid stone all in their relative places though quite out of proportion’ Notebook M p.112. Also: Notebook M p.113. Pierpont Morgan Library NY.
- No.88 Palazzo Zorzi-Bon (S. Marco 4907, Nadali & Vianello (1999) Tav.31) ‘Bacon Palace’. ‘Fits into the arch soffit, [. . .] of fig 1 in No 87’. Notebook M p.112.
- No.89 Ducal Palace. ‘No 89 p 113.done’ ‘No 89 belongs to p 6 of palace book: where the section of one of the archivolts of lower story of Ducal palace is given’ Notebook M p.113. (MS 76) (part) refers to ‘p.6 Palace Book’. Also: Notebook M p.112, 146 and Palace Book p.6.
- No.90 Ducal Palace Lower Arcade. ‘No 90. p.113. done’ ‘No 90 is only kept as the original of the figure on next page L which is a tracery of part of section opposite with its dogtooth real size’ Notebook M p.113 (RF 1641 p.7) (part).
- No.91 Ducal Palace Lower Arcade. ‘No 91 to 94 descend and fit in order: they are traced in the pieces of inlaid stone of the right hand side of the arch described on last page and on No 87.’ Notebook M p.113. Also: ‘the 91 more difficult to crush into place, is a little too narrow’ Notebook M p.114.
- No.92 Ducal Palace Centre to Sea. ‘the 92-3-4 were cut with ivory knife beside dentil’ Notebook M p.114.
- No.93 Ducal Palace Centre to Sea. ‘Face side Done’ ‘ 91-94 descend and fit in order’ Notebook M p.11 ‘the 92-3-4 were cut with ivory knife beside dentil’ Notebook M p.114 (RL 1636 box).
- No.94 Ducal Palace Centre to Sea. ‘ 91-94 descend and fit in order’. Notebook M p.113. Also: Notebook M p.114.
- No.95 Ducal Palace Centre to Sea. ‘No 95. Rough tracing from the balcony of Doge’s Palace towards Piazzetta - its principle the same as the other vide p 102, and No 78’ Notebook M p.114.
- No.96 Palazzo Soranzo dell’ Angelo. ‘p 114’ ‘No 96 Beaver of the casque with bird pecking its bosom: on wall of house no 43. The wall of course later than the house’. Notebook M p.114. Palazzo Soranzo dell’ Angelo. (Castello 4419, Nadali & Vianello (1999) Tav. 30) ‘House No 43. very interesting in a courtyard in the Calle del Rimedio.’ House Book 1 p.52 (RL 1636 box).
- No.97 Ducal Palace Centre to Sea. ‘No 97, 98. Describe the central canopy of façade to sea of Doge’s palace. I am much disappointed by its examination - the only truly firm thing in it is the sweeping breadth of dogtoothed circle figs & 2. no 97’ Notebook M p.114.
- No.98 Ducal Palace Centre to Sea. ‘No 97, 98. Describe the central canopy of façade to sea of Doge’s palace’ Notebook M p.114. Also: ‘Base of Verd antique shaft of Doges Palace’ ‘No 98. p 114’ (RF 1641, p.39 Album) (part).
- No.99 Central Balcony of Doges Palace. ‘Centre of Doges palace. next facing sea’ ‘Further details of the Gothic canopy are given in No 99.’ Notebook M p.114. Reproduced in Hilton (1985) p.143 and Hewison (1978) p.57 (RF 1602).
- No.100 Ducal Palace Balcony. ‘Balcony of Doges palace towards sea. p 115’ ‘fig 3 No 100. a d is perfectly flat inside, and outside alike, a solid plain block and the outside pilaster is fitted to it, as seen in fig 3, No 101 so that two joints meet at the internal angle.’ Notebook M p.115. Also: Notebook M pp.99L and 99. (RF 1579) RL.
- No.101 Ducal Palace Balcony. ‘No 101. (At page 99 is described this balcony with the exception of the lower plinth of white marble, whose sections are now given figs 1 2 (1, real size, enlarge fig 2 to fit it) and of the three sided pilaster which in front, occupies the space a d of fig 3 No 100.’ Notebook M p.115.
- No.102 ‘Tracery in the Court of Cavalli’ Palazzo Gussoni-Cavalli-Franchetti (S. Marco 2847) ‘Compare also No 102 and 103 both real size from the beautiful balustrade’ Notebook M p.92L. Also: Notebook M p.121 (top of page only). (RL 1636 box).
- No.103 ‘Compare also No 102 and 103 both real size from the beautiful balustrade’ Notebook M p.92L. Also: Notebook M p.121 (top of page only).
- No.104 ‘No 104. Palazzo Bernardo a St Polo: Adrian de Corneto house - main story’ Notebook M p.121 (S. Polo 2195, Nadali & Vianello (1999) Tav. 28) Palazzo Bernardo 15th Century Gothic at Ponte and Fondamenta de Ca’ Bernardo.
- No.105 ‘No.125 No 105’ ‘Section and base, real size - and capital, with first cornice at fig 1 of the shafts of the L shafts of the house I drew long ago with frescoes - the only one I have yet met with so angled - Observe in the base, a b should be so much longer than c d as to bring b x and into vertical line.’ Notebook M p.121 (RL 1636 box).
- No.106 Notebook M p.122 page headed ‘ No 106 Campanile of St Fantin’ but text does not confirm. ‘No 106. The base with its severe angle leaf real size. Section of it smaller above.’ Notebook M p.122. Also: ‘Base of angle shaft Hotel Europe p.122 M. Done’ (RF 1641 p.15) (part) Album.
- No.107 House at Corte [Campiello] del Remer. ‘Two windows on left of door’ presumable Palazzo Lion-Morosini ‘No 107 contains first the two windows of No 60’ Notebook M p.123. Also: Notebook M p.123L (RL 1636 box).
- No.108 ‘p [1?] 28. M. Done’. ‘the Servi, fig 1 No 108’ Notebook M p.124 and ‘No 108 Fig 3. This is I think the earliest occurrence of the leaf with the curled lobe at top. it is the capital of one of the nave piers of San Gio et Paolo’ Notebook M p.128. Also: Notebook M p.123; House Book 2 p.35. (RF 1629) (part).
- No.109 ‘Fast sketch of upper story and balcony of house No 72’ Notebook M p.123 (Cannaregio 6099, Nadali & Vianello (1999) Tav. 18). Palazzo Sanudo also known as the Palazzo Soranzo Van Axel. See House Book 2 p.27.
- No.110 ‘One of the upper windows of Frari apse’ Notebook M p.123. (photo in ‘Simon’ ?).
- No.111 ‘The beautiful palace near Arsenal of which the shafts with rich intermediate Byzantine birds are dagued. has over its door the shield opposite - its back door at least - leading into "Calle Grandiben"’ Notebook M pp.124L and 124. Calle Grandiben is (Castello 4008, Nadali & Vianello (1999) Tav. 44).
- No.112 Ducal Palace Lower Arcade. ‘No 112. One of the leaves, up to the figure of Aristotle in the Corner capital under Judgment of Solomon’ Notebook M p.130, Notebook M2 p.5. The reference to ‘No.112’ at Notebook M2 p.75L ‘Measures at S Apostoli’ may be incorrect. It cannot be verified as the whereabouts of this Sheet are unknown.
- No.113 Ducal Palace Lower Arcade? (referred to at top of page Notebook M p.130 only).
- No.114 House at Murano. Palazzo da Mula at the Fondamenta da Mula (Murano 4, Nadali & Vianello (1999) Tav.76) Notebook M p.139, 140. See also: Gothic Book p.53L, 54, 55L and 55. Also: House Book 2 p.54 (House No 87). Pierpont Morgan Library NY.
- No.115 San Giov and Paolo Tombs Traceries. ‘No 115. p.143 M.’ ‘No 115. is the leaf plinth of the nameless tomb described at p 52 of Notebook M p.2: in St John & Paul’ Notebook M p.143 ‘Tomb unknown a Knight in chain mail;the leaf cornice quite flat and simple - Vid No 115.’ Notebook M2 p.52 (RF 1642 inserted loosely at p.13 Album 1642).
- No.115b ‘Compare back of 147 No 115b’ ‘note the rib at base never could come out at back in the place marked ‘ (RF 1640 Album).
- No.116 St Mark’s Atrium Door. (Porta di San Giovanni) Notebook M p.149, 151, 152, 153, 154.
- No.117 St Mark’s Atrium Door. (Porta di San Giovanni) Notebook M p.151.
- No.118 St Mark’s. ‘Top of the arch No 116, Larger’ (Porta di San Giovanni) Notebook M p.154. Fragment illustrated in Unrau (1984) p.161
- No.118(B). ‘Belfry door opening out of the left hand -North? - aisle of the Frari’ Notebook M p.151.
- No.119 Frari Tombs. ‘Shields of Arnoldo tomb No 119. p.155’ ‘Fig 1’ ‘Fig 1 Section of Cornice and capital. 2 of sarcophagus with gabled dentil. 3 shield opposite the St Joseph is relief all.’ Notebook M p.155. Also Notebook M p.156 (RF 1639, p.10, Album).
- No.120 ‘Byzantine House on Grand Canal’ Casa Favretto (S. Croce 2232). Next to Palazzo Corner Della Regina. ‘No 120 is a curious instance of the second form of early construction. It is a house next to the palace della Regina di Cipro’ Notebook M p.160. Also: Notebook M p.161. Pierpont Morgan Library NY.
- No.121 ‘This tomb called of Arnoldo Teutonico in 1300 Silva p 145 No 121 is the capital supporting its canopy, a beautiful instance of the pure Byzantine transition leaf plinth. Notebook M p.157L.
- No.122 San Stefano. ‘No 122. shows the general effect of one of the leaf capitals’ Notebook M p.165L ‘Fig 1. Bell of one of the leaf capitals of interior, with measures Fig 2. Plan of [the] capital head under abacus: it is a pure circle as opposite, at A. and fig 2 is for measures of interval of circle and side of lead. Fig 3, p 66 l Archivolt on abacus.’ Notebook M p.166, Gothic Book p.66.
- No.123 San. Stefano. ‘No 123, which is one of the triangular leaf extremities’ Notebook M p.166L. Also: Notebook M p.166 (RF 1640, p.21) (part).
- No.124 Byzantine House near Foscari. ‘Byzantine Houses: The oldest which I have found consistent with itself in Venice, I should consider that behind the Casa Foscari of which all the traces that remain are outlined on No 124’ Notebook M p.175. Also: Works, 11.335 This became Plate 8 ‘Byzantine Ruin’ in ‘Examples’ and is in Rio di Ca Foscari. See Also: Gothic Book p.73L and Notebook M p.176. Pierpont Morgan Library NY. On verso ‘Examples of the Architecture of Venice’,George Allen (drawing of two parts of ‘Examples’ The Ducal Palace, Compartments of the Southern Balcony).
- No.125 Byzantine House near Foscari. ‘ the whole plaster head & simple cylindrical shaft head attached are preserved, and seen in No 125’ Notebook M p.175. Also: Notebook M p.177L and Notebook M p.178.
- No.126 Church of San Stefano. ‘join a with a’ ‘Top of Abacus’ ‘San Stefano. Continued from p 166 l. seen on a level with it end on. like a ship’s bows’ Notebook M p.176 (RL 1636 box).
- No.127 St Mark’s South Portico. ‘St Marks.The abacus of the great capital of the main angle shaft next Porta della Carta is given at on No 127 real size very carefully’ Notebook M p.180. Also: Notebook M p.201.
- No.128 St Mark’s Basic Plinth. ‘Basement of St Marks p189. M’. ‘St Marks Facade: The first elevation above the pavement is a grand basic plinth, raised about a foot above the pavement according to its swell more or less’ Notebook M p.189 ‘Measures of No 128’. Notebook M p.189L. Also: Notebook M p.190. See also: Door Book p.44 (RL 1636 box).
- No.129 St. Mark’s Basic Plinth. ‘further measures are given on No 129’ Notebook M p.190. Also: Notebook M p.196 (RL 1636 box).
- No.130 Torcello Sta Fosca. ‘Fig 1 No 130 is section of one of these undercut capitals’, Notebook M p.191. Also, Notebook M p.192L, 194.
- No.131 Torcello Sta Fosca. ‘On no 131: are a series of [three?] examples of the bases of the great shafts in the interior; and most of those in exterior porch of Sta Fosca have the same kind of clumsy substitute for a roll’ Notebook M p.192. At Notebook M p.192L Ruskin states that this is ‘now cut up’ fig 4 being ‘base of pillars of screen of choir’.
- No.132 Torcello Duomo. ‘This plinth is of vineleaves and fruit, rich & delicate: and is continued for a foot or two on each side by a narrower plinth’ Notebook M p.193. Also: Notebook M p.192L, 194.
- No.133 St. Mark’s Basic Plinths. ‘This upper plinth then which carries the shafts is given rudely on No 133’ Notebook M p.196. Partly erased list of books - last part only of list given at Notebook M p.197L. (RL 1636 box).
- No.134 St. Mark’s Basic Plinths. ‘The final piece of the plinth towards the piazzetta de' L is given on No 134’ Notebook M p.197. North Portico. (RL 1636 box).
- No.134B ‘No 134 B. are invaluable note of Mr Brown’s relating to Ducal palace’ Notebook M p.197L. Also: Notebook M p.197.
- No.135 Pal Priuli. (Castello 4979a, Nadali & Vianello (1999) Tav. 31) Palazzo Priuli.. ‘The main story Pruili is daged. [possibly Dag No 155 RL] Fig 1 No 135 is the capital and cusp in that finestrata cusp leaving slight fillet all round.’ Notebook M p.195 Also: ‘There rare section with excavated but in Italy I think never open cut dogtooth, fig 3 No 135’ Notebook M p.195L. (RF 1625).
- No.136 Ca Priuli. (Castello 4979a, Nadali & Vianello (1999) Tav. 31) Palazzo Priuli. ‘The main door of this palace on No 136’ Notebook M p.195L. ‘Its main door has been perhaps the most interesting one in Venice’ Notebook M2 p.67 Also: Gothic Book p.33 (RL 1636 box).
- No.137 Casa Falier. (Cannaregio 5643, Nadali & Vianello (1999) Tav.18) Palazzo Falier. ‘No 137 is the second capital from the left; in first story I its section 2 section below joint in another, the central shaft. 3 section along line a in 5 i.e. semicircularly through roots of the two upper lobes:’ Notebook M2 p.70. Also: Notebook M2 p.71.
- No.138 Casa Falier. (Cannaregio 5643, Nadali & Vianello (1999) Tav.18) ‘fig 1 No 138 ‘A pilaster, plain, but of the section of the capitals, terminates the series on one side, the shaft is built up into modern wall’ Notebook M2 p.71. Also: ‘Measures of No 138’ Notebook M2 pp.71L and 71.
- No.139 St. Mark’s Treasury Door. ‘St Marks. Door into the treasury, Measures opposite’ Notebook M2 pp.77L and 77 for ‘measures’ Incorporates a fragment presumably from another sheet.
- No.140 St. Mark’s Doors, Pulpit and Bases. ‘No 140. p 198. M.’ ‘On no 140 are several examples from the southern pulpit [...] On No 140 also are some curious bases correspondent with those of Torcello, and transitional’ Notebook M p.198. (RF 1641 p.3) (part).
- No.141 St. Mark’s, Bases. Refers to Notebook M p.199, which mentions its two ‘curious plans of bases’. ‘Great screen of St. Marks setting date of bracket houses specially House number 88’ See House Book 2 p.56, 57. (RL 1636 box).
- No.142 St. Mark’s Screen. Balustrade in transept of St. Marks. ‘No 142 gives from A to B the real height of one of its panels at D section of panel bar, at E the tracery bar, showing depth of the inlaid black marble the panelling being red, which describes the foils. all these real size. G. the plinth on top of all reduced’ Notebook M p.200 (RL 1636 box).
- No.143 St. Mark’s Screen. ‘No 143 was actually traced on the sharp ridge of the tracery bars’ Notebook M p.200.
- No.144. (not referred to in M or M2).
- No.145. (not referred to in M or M2).
- No.146 Profiles of capitals in arcade RL (RF 1579) (not referred to in M or M2).
- No.147 Traceries of the Frari. ‘On no 147 are some of the details of this upper arch of lower story.’ Notebook M2 p.80. Also: Notebook M2 p.81.
- No.148 Traceries of the Frari. ‘No 148 is the cross bar of tracery under No 147’ Notebook M2 p.81. (RF 1610).
- No.149 Traceries of the Frari. ‘I never saw so flat a tracery section. All the traceries of it are given real size and very carefully on No 149.’ Notebook M2 p.81. Pierpont Morgan Library NY.
- No.150 Traceries of the Frari. ‘150 - it is one of the pairs of arches which cross the windows of the small lateral chapels’ Notebook M2 p.82, 83. Also: Notebook M2 p.83L ‘Measures of No 150.
- No.151 Traceries of the Frari. ‘in the windows of the chapel in recess nearest the apse it is as fig 1 No 151 There are two such and all the others are as fig 5 No 151’ Notebook M2 p.84.
- No.152 Traceries of the Frari. ‘Traceries. Frari p.85. Notebook M p.2’ ‘Finally, on Nos 152 159 is given the cross bar of the tracery of the lateral windows’ Notebook M2 p.85 Also: Notebook M2 p.81L. (RF 1611).
- No.153 Traceries of the Frari. ‘Cusp of No 150’ ‘this tracery reminds me also of my unique window in St M. Mater Domini, in the treatment of its cusp which leaves a fillet - even expanding a little at the top, none at the bottom. It is drawn by eye, about real size, on No 153.’ Notebook M2 p.84. Pierpont Morgan Library NY.
- No.154 Traceries of the Frari. ‘No 154 Frari p 80 M2’ ‘No 154 was traced on the most graceful I could reach on its outer edge, the inner line is just in its place by section and fig 3 No 150 was traced on one of the corners 4 foils only it is wrong side outwards.’ Notebook M2 p.83 (RF 1641, p.24 Album) (part).
- No.155 ‘Palace Near Post Office’ Palazzo Corner-Contarini Dai Cavalli (S. Marco 3978). ‘To the palaces described opposite now add one called Cavalli, next to the Post Office - daged long ago: and now detailed on No 155’ Notebook M p.145L Also: Notebook M p.200. (Ruskin here returns to M for this Sheet).
- No.156 ‘Tracery at San Sebastiano’ This is concerned with the Palazzo Ariani near San Sebastiano. Smith College Museum of Art, Northampton, Massachusetts; Gift of Charles Goodspeed, 1950. Reproduced in Bradley (1987). (not referred to in M or M2).
- No.157 ‘No 157 Tracery of San Sebastiano continued’ This is Palazzo Ariani near San Sebastiano. Reproduced in Works, 38.294 [n/a] (facing).
- No.158 ‘No 158 General contour and Masonry of arches in cloister of Frari p.1.2.3.Bit book’ See Bit Book p.1. (RF 1642, p.25 Album) (part) (referred to at top of Notebook M p.200 only).
- No.159 Traceries of the Frari. ‘Finally, on Nos 152. 159. is given the cross bar of the tracery of the lateral windows;’ Notebook M2 p.85 (referred to at top of Notebook M p.200 only).
- No.160. Window at S. M. Mater Domini (referred to top of page Notebook M p.200 only). Pierpont Morgan Library NY.
- No.161 (Ducal Palace) The capital under this ornament is horribly broken, and its great roll shattered; in one place neatly across at a joint on which I laid the paper No 161 and traced the curve’ Notebook M2 p.88L (referred to at top of page Notebook M p.200 only).
- No.162 ‘Inner arch under porch nearest sea at St. Marks’ Refers to St M[arks] Book p.26, 27. (RL 1636 box) (referred to at top of Notebook M p.200 only).
- No.163 ‘Traced on the lower and inner edges of dentil slab of No 162 at apex of arch’ (RL 1636 box). (not referred to in M or M2).
- No.164 St Mark’s west front. Shows last shaft of first porch, adjoining pier and right side of second porch, later named 5th and 4th porches by Ruskin. See St M[arks] Book p.31 (RL 1636 box). (not referred to in M or M2)
- No.165 St Marks. Second porch west front. ‘All the shafts in this recess are white, but H and its opposite [A?] on each side of the door have beautiful verd antique bases [. . .] shafts all touch the red Verona plinth on 165b’ (RL 1636 box). (not referred to in M or M2).
- No.165B St. Marks. Outline of Plinth. Second porch West front. (not referred to in M or M2).
- No.165half ‘This round arch under square architrave has the usual smooth dentil slabs and inside these the double flower plinth L worked in Police House manner in Verona plinth on 165b’ Palazzo Dona della Madonnetta (S. Polo 1429b, Nadali & Vianello (1999) Tav. 28). Known by Ruskin as the ‘Police House’, Madonnetta House ‘The Little Madonna’. (RL 1636 box). (not referred to in M or M2).
- No.166 St. Marks. Interval between 4th and 5th Porch and basement side of 5th Porch. Refers to St Notebook M p.49L ‘We now come to interval between the two intermediate northern vaults. This on the basement is given on No 166. fig 1. with details above its upper shafts’ St M[arks] Book p.49L (RL 1636 box). (not referred to in M or M2).
- No.167 (referred to at top of Notebook M p.200 only).
- No.168 (not referred to in M or M2).
- No.169 (not referred to in M or M2).
- No.170 Lily capital, Northwest Portico, St. Mark’s. ‘It the loveliest section I ever saw, carefully given on 170 more especially its lovely inner line which I only saw by the accident of its basket work being broken away’ Notebook M p.204. Detached shaft with lily head compare Sheet No. 134. Also: Notebook M p.197 (RL 1636 box).
- No.171 Lily Capital, Northwest Portico. ‘From b to g it is the surface of the lily which as seen in No 171, falls entirely within the basket work the lily itself is cut down to a third level, which is somewhat roughly chiselled’ Notebook M p.205.
- No.172 Door in Campiello. ‘Measures of 172’ [and] ‘The little square in which they all are in the Campiello della Chiese a San Luca.’ Notebook M2 p.108L . (S. Marco 4038, Nadali & Vianello (1999) Tav.29) Campiello and Fondamenta de la Chiesa. This is the doorway to the Palazzo Magno. ‘(Door in Campiello della Chiesa.) No 172. p 107 M2’ Notebook M p.205 (RF 1585). (top of page Notebook M p.205 only).
- No.173 Houses in Merceria San Zulian. (S. Marco783, Nadali & Vianello (1999) Tav. 30). Notebook M p.208 refers to Bit Book p.17.
- No.174 Campo St M. Formosa? ‘The capital beautifully pure - the angle leaf ridged as it turns;’ Notebook M p.208. Notebook M2 p.119 refers to ‘back of No 174’. (This is the last sheet referred to in M).
- No.175 ‘The masonry of the side arch is given in ink on No 175 and one of the capitals.’ Notebook M2 p.119. Refers to ‘p.119. Notebook M p.2’. Tomb of Count Guglielmo Castlebarco (1320) St Anastasia, Verona (RL 1636 box) (part).
- No.175B Tomb of Count Guglielmo Castlebarco. (1320) St. Anastasia, Verona (RL 1636 box) (part).
- No.176 Tomb of Count Guglielmo Castlebarco (1320), St. Anastasia, Verona. ‘it is remarkable for its bold and beautiful brackets two carrying the canopy and two the sarcophagus one of the latter is drawn on No 174 pure section and front & side profile. the section of one of the former on No 175 176, curious for its anomalously levelled ridge in the middle:’ Notebook M2 p.120. ‘Section of outer bracket basket of great [?] St Anast tomb’ (RF 1641 p.10) (part).
- No.177 Tomb of Count Guglielmo Castlebarco. (1320) St. Anastasia, Verona ‘No 177 shows the shafts seen from inside I never saw a vaulting rib so carried before.’ Notebook M2 p.120. (RF 1659).
- No.178 Tomb of Count Guglielmo Castlebarco. (1320) St. Anastasia, Verona ‘No 178. in old references St Anast Gate tomb p.2 Verona. book’. (RF 1651) (referred to at Notebook M2 p.120 top of page only).
- No.179 Can Grande (d.1329) Scala Monuments Verona. ‘ The Sarcophagus has above it a leaf plinth which for composition I think unrivalled, figs 1 and 2 No 179 give an angle of it’ Notebook M2 p.124. This Sheet is reproduced in John Ruskin and His Circle, Maas Gallery, June 1991, No 28. For sale £4,800. Present whereabouts unknown. The catalogue states:
Pencil, pen and ink and wash; inscribed in Ruskin’s hand "No.179 Fig.1 Fig.2" with notes on the plant motifs used in architectural decoration in Verona; pencil sketch of gothic archways verso; inscribed in W.G. Collingwood’s hand on backing board "Verona J.R. Details from Stones of Venice / Given to A.M. Will by W.G. Collingwood 20th May 1920"; rubber stamped "Brantwood", 13¼ x 9¼". - No.180 San Zenone Verona. ‘No.180’ ‘The best examples of the peculiar truncated early capital I have seen are the two shafts which carry the arches of the entrance to the crypt at San Zeno. One is set behind the other. The section of both shafts is the truncated 4 foil. fig 1 No.180’ Notebook M2 p.124. ‘Measures of shafts on No.180’ Notebook M2 p.125L. RL (RF 1588).
- No.181 San Zenone Verona. ‘On No 181 which is the most important of the nave shaft capital on the left side of nave looking towards altar. San Zeno’Notebook M2 p.126. Also: Notebook M2 p.125L.
- No.182 San Michele Pavia. ‘The section of the base, fig 1 No 182: but its members are managed as at p 21 1 Verona book, the letters marking the run of the lines at the respective levels of fig 1 No 182.’ Notebook M2 p.127. Also: Notebook M2 p.126; Notebook M p.128, 129; Verona Book p.21L. RL (RF 1430)
- No.183 Lyons Cathedral. ‘Nave piers No 183. The coloured part is the pier it-self ’ Notebook M2 p.168. Also: Notebook M2 p.169.
- No.184 Lyons Cathedral. ’Now the arch is of two orders: as far as I could see of the section fig 1 No 184’ Notebook M2 p.164. Also: Notebook M2 p.165.
- No.185 Lyons Cathedral. ‘4 hares, rudely sketched on No 185 which gives the 4 foil panel mingled with these grotesques are many sword and buckler combats’ Notebook M2 p.172.
- No.186 Lyons Cathedral. ‘No.186 is the outer angle of one of these pedestals; it had two large figures one crowning the other (their feet of course to the wall’ Notebook M2 p.173.
- No.187 ‘Close to the Cathedral [Lyons] is a Romanesque building with an arched door, figs 1 and 2 No 187’ Notebook M2 p.174 (Manecanterie) RL (RF 1580).
- No.188 Bourges Cathedral. ‘Nave piers. On No 188 is a general account of them, compare No 1892 190 when sections and profile.’ Notebook M2 p.176. Also: Notebook M2 p.177; Notebook M p.182 (RL 1636 box).
- No.189 Bourges Cathedral. ‘Piers with vaulting shafts added’ ‘note that in the piers described on No 188 which have the three ribs to carry - diagonals added; are larger than the alternate ones, and their lower shafts are set further apart. Therefore in the small pier the section is as fig 1 No 189’ Notebook M2 p.177 (RL 1636 box).
- No.190 Bourges Cathedral. ‘Entire profile of base of nave piers’ ‘In No 190 the straight cut hollow of the upper section is a certain fact in some of the bases’ Notebook M2 p.177 Also: Notebook M2 p.176. See Works, 9.336 (facing) Plate 10, fig 26. (RL 1636 box).
- No.191 Bourges Cathedral. ‘these props are seen in very rude note fig 1 No 191 as well as the 4 foil already marking the transition to Gothic, Notebook M2 p.179 Also: Notebook M2 p.180.
- No.192 (not referred to in M2 or M).
- No.193 Bourges Cathedral. Notebook M2 p.180. Pierpont Morgan Library NY.
- No.194 Bourges Cathedral. ‘No 194 [. . .] is the shaft capital of one of the piers between mediate and southern aisle Notebook M2 p.182, 184, 185.
- No.195 Bourges Cathedral. ‘No 195 fig 1 the part drawn at fall on abacus; 2. entire archivolt - not seen in drawing. 3 second order, tracery bar 4. sub arch of archivolt (more accurate than in fig 2) being the part separating above in No 194’ M1.185 (this sheet appears to be the last one referred to in the manuscript material).
- No.196 (not referred to in M or M2)
- No.197 (not referred to in M or M2).
- No.198 (not referred to in M or M2).
- No.199 Bourges Cathedral Central Porch. ‘No 199 [Bourges ?]’ (RL 1636 box). (not referred to in M or M2).
- No.200 (not referred to in M or M2).
- No.201 (not referred to in M or M2).
- No.202 ‘Corte del Forno at St Marina’ Ruskin Museum, Coniston
- No.203 (not referred to in M or M2).
- No.204 (not referred to in M or M2).
- No.205 (not referred to in M or M2).
- No.206 (RL 1636 box) (part ) (not referred to in M or M2).
- No.206fragments unnumbered box - sketchy version of Sheet No. 206 with three arches. (not referred to in M or M2).
- No.207 ‘Detail of Arch Decoration’ (arch similar to Sheet No. 206 but without dentils). Collection of Southwark Art Gallery GAO445/ 1. (not referred to in M or M2).
[Version 0.05: May 2008]