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 Ling 131: Language & Style
 

 Topic 8 - Discourse structure and point of view > Linguistic indicators of point of view > Task B > Our answer

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Session Overview
Discourse structure and point of view
Discourse structure of 1st and 3rd person novels
Being the author!
Different kinds of point of view
Linguistic indicators of point of view
Ideological viewpoint
Point of view in a more extended example
Point of view checksheet
Topic 8 'tool' summary
 
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Readings

Linguistic indicators of point of view

Our answer for task B

We feel closest to, and most involved with, the opening from Through the Looking Glass. Now let's explore why.

little red riding hoodThe Little Red Riding Hood beginning, like most folktale beginnings, assumes that the characters and events are new to us, and introduces them to us as new information. The 'once upon a time' opening is indicative of this, but a more important feature is the use of indefinite reference for things when they are referred to for the first time in the story. The most obvious examples of this are the use of the indefinite article, 'a', at the beginning of the noun phrases 'a sweet little girl' and 'a red velvet cap'. The indefinite numeral 'one' in 'one day' has a similar effect. Once something has been introduced in this way, definite reference can be used (cf. 'she' and 'the little girl'),of course, and some other uses of definite reference are related to our schematic assumptions about the nature of the world. For example, we assume that most small girls will have grandmothers, and so definite reference is used when Little Red Riding Hood's grandmother is introduced in the first sentence.

Lewis Carroll, Through the Looking-Glass and what Alice found there. Illustrations by John Tenniel.The opening of Through the Looking Glass, on the other hand, seems to be assuming that we already know about the white kitten and the black kitten, even though this cannot be true. These are the first two sentences of the story. This effect comes about because of the initial use of definite reference, in the form of the anaphoric pronoun 'it' (which apparently refers back to some unspecified circumstance it is assumed we already know about), and the definite article 'the' in the noun phrases 'the white kitten', 'the black kitten' and 'the last quarter of an hour'. We appear to know already (even though we can't really) which kittens are being referred to, and we appear to be situated in the same time-frame as the person who is trying to work out which kitten is responsible for whatever has happened.

In the opening to Through the Looking Glass, then, we are presented with the information we are given not as new, but as given. As a consequence, we feel more involved, more 'close up' (we have a 'worm's eye view') and feel that we have come into the story 'in the middle of things' (or in medias res if we use the Latin term often used for this concept). If indefinite reference is used, as in the Little Read Riding Hood example, our viewpoint is not close up (sometimes called a 'worm's eye' view) but feels much more distant (a 'bird's eye' view).

Note how readers 'put themselves in the viewing position ' created for them by the text. In these texts, it is the presentation of information as given or new which is making the main difference in our felt relationship with what is described.

 


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