47 47 however here traversed by a passage the width of the inner arcade along which this dentiled cornice runs: (In the place which I looked at it Next to this principal Venice shaft comes towards St Marks one of the old ill cut school, but deeper cut than most - more undulatory - not ribbed: It has coarse heads and is very puzzling Its flower band below is of hawthorn leaves, and very spirited though not delicate, but the leaves have not the hawthorn fruit nor flower and are perhaps imaginary. 3rd. x. Towards St Marks. Somewhat better - Coarse heads. One at the back with curled hair, markedly of x. I missed the 2nd towards St Mark, which has curious[d] olf time. bald patent heads very ugly, but old. Bon capitals. 4th. The first Bon capital : Its shaft is thicker Now note. Between this 3rd and the first Bon capital than the rest - vid palace book of p 27 1. and it shows the Lion’s head change; in the spandril; from the an instant change in style. In the previous capitals the ribbed and living type with fluted ear, to a softer and effect has been produced chiefly by bold ribs, arranged coarser type, with a smooth ear: The first of these often at daring angles; on comparatively flat lobes, the latter comes, between 3 and the 1st Bon. ribs continuing thick to the extremity of the leaf[c]: and generally a rib to each main lobe, and always separating at same point. Palace book, p 24 fig is an example from the Daged 9th capital, p 28 Gothic book. But in the Bon capitals all is morbid undulation - not so much sweeping waves as indented waves: like the crust of a damson pie, and now each leaf[c] has only 3 main ribs
[Version 0.05: May 2008]