[M2.47L] [M2.47] 47 however here traversed by a passage the width of the inner arcade along which this dentiled cornice runs: (In the place which I looked at itNext to this principal Venice shaft comes {towards St Marks} one of the old ill cut school, but deeper cut than most - more undulatory - not ribbed: It has coarse heads and is very puzzling Its flower band below is of hawthorn leaves, and very spirited though not delicate, but the leaves have not the hawthorn fruit nor flower and are perhaps imaginary. ------- 3rd. x. Towards St Marks. Somewhat better - Coarse heads. x. I missed the 2nd towards St Mark, which has curious One at the back with curled hair, markedly of bald patent heads very ugly, but old. old time. Now note. Between this 3rd and the first Bon capital Bon capitals. 4th. The first Bon capital : Its shaft is thicker the Lion’s heads change; in the spandril; from the than the rest - vid palace book p 27 1. and it shows ribbed and living type with fluted ear, to a softer and an instant change in style. In the previous capitals the coarser type, with a smooth ear: The first of these effect has been produced chiefly by bold ribs, arranged latter comes, between 3 and the 1st Bon. often at daring angles; on comparatively flat lobes, the ribs continuing thick to the extremity of the leaf: and generally a rib to each main lobe, and always separating at same point. Palace book, p 24 fig is an example from the Daged 9th capital, p 28 Gothic book. But in the Bon capitals all is morbid undulation - not so much sweeping waves as indented waves: like the crust of a damson pie, and now each leaf has only 3 main ribs
[Version 0.05: May 2008]