176 166 VIENNE CATHEDRAL upside down, compare a and b opposite and remember arc de l’Etoile But as the semicircular shafts have separate bases, so they have separate capitals, of which the afore- said cornice, containing forms the only abacus: These capitals are of all Romanesque work I have yet seen, the richest : they are small compared with St Zeno - one or two close initialled and delicate Corinthian - the Corinthian order is therefore the origin of all Gothic but most of them groups of ten or twelve figures; rich grotesque and elegant beyond description - one (Effie tells me) having dogs heads small at the angles, with large leaves coming out of their mouths, which leaves branch at the extremities with tendrils of smaller leafage interlacing about the capital another not in the nave, and of a lower shaft in the choir, is composed of broad leaves with fir cones between; others of the usual Early English leaf - each round lob[v]e carvred into a head knotty heads all round. But the figure groups of the nav[c]e ar[t]e the most striking. Let fig 3 p 81 be the head of the shaft with its cornice above the capitals, stopping on flank of pilaster in front Then the pier arch is of two orders; whose section if fig 4 of which the first m2 is carried by m of the pier and the sub arch n2 by n of the pier. The sub arch is evidently a form of the classical archi- trave, its curious
[Version 0.05: May 2008]