[M2.36L] [M2.36] 36 SPIRALS Spiral feeling of Venetians: It is perhaps, in these Byzantine leaves drifted by the wind; {whether as} of St Marks, or the Fondaco de Turchi, that we find the first definite representation of the affection for whirled and spiral forms which is so marked an element of the Venetian treatment of architecture: on the architrave of St Marks, a new character is given to the classical wreath by the leaves which whirl in succession round a ball of tracery - as sea waves whirl about a ball of foam: No sooner was the cable form suggested than {with seamen’s} sympathy it was grasped - carved into stout strands; and thenceforward became the ornament of the door of almost every In the central groups of architecture - as on the door of dwelling of rich or poor, until it was refined into the the Abbazia it is always considered - by its coiling at perfect spiral shaft of the Ducal palace: The form which the angles as a true cable - and in the upper niches of the finial first assumed - andyieldedsurrendered only toreceivedisplay St Marks, though it takes the place of a shaft,[?]most the mergent forms of angels or of saints, was that singularly is bent into a sweeping curve. of a twisted cone - rudely resemblingthat ofthe wreaths of a sea shell - and its richest form on the pendants of the Giustiniani palace is a whirling star of leafage: Finally the flamboyant architects took up the spiral feeling; and always worked on the idea of a circle surrounded by whirling flames. Willis notices that the tree like shape is never found in Italy (chapter on tracery) The spiral took its place. Vid Milan Ca fasari, &.
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