[M2.115L] [M2.115] 115 of the Baptistery of the Duomo - the richest piece of colour decoration I have yet seen in Italy - a square building carrying a cupola, filled by 5 circles of Paradise - about 40 figures in each, larger of course at circumference. Christ in the centre: the whole one sphere of effulgence: the canopy worked in Venetian way with leaf and rose on the ogee of fig 1 which forms the round arch of the main spar; supported by pinnacles with pannels full of leafage, and on leaf brackets: the gable above having two angels in medallion but most gloriously surrounded by painted angels on the How opposed this placing of colour to the Elgian placing flat surface so that the medallion in intaglio only of relief the highest in the shade - the leaves in the gives vigour to and centralizes the group - the {flat} panels are all gilded in one of the tombs of St ground all gold - the angels in grey robes; golden glories Antonio they have had exquisite blue ground. Placing of floating upwards on each side of the arch, and all these Colours light colours being put on the face; deep colour with blue put under the canopy {in the shade}! Here also a curious paintings from the Revelations - the beast with seven heads and 10 crowns - drawn as bps mitres the locusts very clever: The walls occupied by the life Frescos by of Christ far finer in colour and crowd than anything I Giusti have yet seen as decoration; nor despicable in higher of Padua qualities. The crucifixion especially fine, and much of the landscape Verona Comparing the arabesques and sculpture of the Romanesque Duomo here with St Marks, the first thing that strikes me is the low relief - the second the greater motion and spirit, with infinitely less
[Version 0.05: May 2008]