[M2.114L] [M2.114] 114 Pedestals from the bold open arcade with R. shafts beneath it; & shafts the shafts very short and standing on high pedestals, note this as allowable when shafts are to serve as foundations: I think the chief fault of the Venetian palace is a want of composition about its foundations - its doors being always bad: This house at Vicenza shows the way to remedy the defect: as also the Ducal palace; and the Byzantine ones: Consider the reason of the walling up of the foundations. Chamfers. There seem two ways of arriving at them, one from the nook shaft, thus [diagrams] this latter a very frequent early form, and so [diagram] and [diagram] and the other from the pure chamfer [diagram] by facing it, or from the edge by chamfering first, i.e. [diagrams] or perhaps better from the edge thus [diagrams] the chamfer from the nook shaft is the one at Padua in most early work at Venice the moulding [diagram] of the Byzantine seems to have receded into the chamfer. Flat pointed The screen of the San Felice chapel Padua is curious for Arches its bold flat point, fig 1 p 52 N. book with open cusp apparently stuck on to its lower joint, its section with det cusp below fig 2 Inside of the screen, the external cable is absent. The habit of placing a roll near the dentil seems Paduan, compare fig 1 p 53 (x) which is from the round arch of the tabernacle (x) and the Eremitani p 56 1.
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