x CONTENTS

CHAP.PAGE

XX.THE MATERIAL OF ORNAMENT253

XXI.TREATMENT OF ORNAMENT283

XXII.THE ANGLE310

XXIII.THE EDGE AND FILLET318

XXIV.THE ROLL AND RECESS328

XXV.THE BASE333

XXVI.THE WALL VEIL AND SHAFT347

XXVII.THE CORNICE AND CAPITAL359

XXVIII.THE ARCHIVOLT AND APERTURE388

XXIX.THE ROOF399

XXX.THE VESTIBULE406

AUTHOR’S APPENDIX

1.FOUNDATION OF VENICE417

2.POWER OF THE DOGES418

3.SERRAR DEL CONSIGLIO418

4.S. PIETRO D I CASTELLO419

5.PAPAL POWER IN VENICE419

6.RENAISSANCE ORNAMENTS425

7.VARIETIES OF THE ORDERS426

8.THE NORTHERN ENERGY426

9.WOODEN CHURCHES OF THE NORTH434

10.CHURCH OF ALEXANDRIA434

11.RENAISSANCE LANDSCAPE435

12.ROMANIST MODERN ART436

13.MR. FERGUSSON’S SYSTEM440

14.DIVISIONS OF HUMANITY444

15.INSTINCTIVE JUDGMENTS448

16.STRENGTH OF SHAFTS (see p. 99)450

17.ANSWER TO MR. GARBETT450

18.EARLY ENGLISH CAPITALS457

19.TOMBS AT ST. ANASTASIA457

20.SHAFTS OF THE DUCAL PALACE458

21.ANCIENT REPRESENTATIONS OF WATER460

22.ARABIAN ORNAMENTATION469

23.VARIETIES OF CHAMFER469

24.RENAISSANCE BASES471

25.ROMANIST DECORATION OF BASES471

[Version 0.04: March 2008]