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 Ling 131: Language & Style
 

 Topic 6 (session A) - Style and Style variation > Reregistration > Task C > our answer

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Session Overview
Style Variation in USA
Language Variation: Dialect
Language Variation: Register
Style Variation in a poem
Reregistration
Style: What is it?
Authorial and text style
Style Variation Checksheet
Topic 6 'tool' summary
 
Useful Links
Readings

Reregistration

Task C - our comments

The poem is clearly going to be an ironic take on polite middle-aged, middle-class social relations. The graphological distinction between italic and roman letters appears to mark a medium distinction between the representation of someone's thought and the representation of writing (and possibly speech).

In the last line we clearly have the salutation form associated with the polite letter (medium), and the polite form of the incomplete first sentence of the letter ('I'm afraid -') suggests a polite (tenor) refusal to the invitation (domain) with which the poem opens.

The first two and a half lines could be the representation of part of a letter, or, just as easily, part of a conversation. It is impossible to be sure which. In terms of tenor, the invitation was presumably originally marked with polite linguistic form (cf. 'perhaps/You'd care to join us'), but 'a crowd of craps', instead of the more socially likely 'a crowd of chaps', suggests an antipathetic, ironic attitude on the part of the person reading or hearing the invitation. And this is confirmed by 'To come and waste their time and ours', which clearly couldn't be part of the original polite invitation either. The middle part of the poem appears to be the respondent's initial internal (medium) and rude reaction (tenor) to the invitation, followed by a set of more reflective, and poetic (cf. the innovative metaphors) observations. As this more reflective mood immediately precedes the writing of the reply (and is coordinated to it by 'and'), it looks as if this more reflective mood after the initial reaction prompts the polite, if rather hollow, formulaic reply.

In this example, then, we can see Larkin manipulating all three aspects of register-borrowing in one short stanza of a poem, and realising quite complex effects through this manipulation.

Reading

If you want to follow up on this poem and the way in which it uses variations in register, read:

Trengove, G. (1989) '"Vers de Societé": Towards some society', in M. Short (ed.) Reading, Analysing and Teaching Literature, London: Longman, 146-60.

 


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