|  |  | ReregistrationTask C - our commentsThe poem is clearly going to be an ironic take on polite middle-aged, 
        middle-class social relations. The graphological distinction between italic 
        and roman letters appears to mark a medium distinction between the representation 
        of someone's thought and the representation of writing (and possibly speech). In the last line we clearly have the salutation form associated with 
        the polite letter (medium), and the polite form of the incomplete first 
        sentence of the letter ('I'm afraid -') suggests a polite (tenor) refusal 
        to the invitation (domain) with which the poem opens. The first two and a half lines could be the representation of part of 
        a letter, or, just as easily, part of a conversation. It is impossible 
        to be sure which. In terms of tenor, the invitation was presumably originally 
        marked with polite linguistic form (cf. 'perhaps/You'd care to join us'), 
        but 'a crowd of craps', instead of the more socially likely 'a crowd of 
        chaps', suggests an antipathetic, ironic attitude on the part of the person 
        reading or hearing the invitation. And this is confirmed by 'To come and 
        waste their time and ours', which clearly couldn't be part of the original 
        polite invitation either. The middle part of the poem appears to be the 
        respondent's initial internal (medium) and rude reaction (tenor) to the 
        invitation, followed by a set of more reflective, and poetic (cf. the 
        innovative metaphors) observations. As this more reflective mood immediately 
        precedes the writing of the reply (and is coordinated to it by 'and'), 
        it looks as if this more reflective mood after the initial reaction prompts 
        the polite, if rather hollow, formulaic reply.  In this example, then, we can see Larkin manipulating all three aspects 
        of register-borrowing in one short stanza of a poem, and realising quite 
        complex effects through this manipulation. Reading If you want to follow up on this poem and the way in which it uses variations 
        in register, read: Trengove, G. (1989) '"Vers de Societé": Towards some 
        society', in M. Short (ed.) Reading, Analysing and Teaching Literature, 
        London: Longman, 146-60.   |