I. Natural
1. Senses of ‘natural’.
"[O]ur answer to this question depends upon the definition of
the word, Nature, than which there is none more ambiguous and equivocal".
Hume A Treatise of Human Nature III.I.ii
“Nature,” “natural,” and the group of words
derived from them, or allied to them in etymology, have at all times
filled a great place in the thoughts and taken a strong hold on the
feelings of mankind . . . The words have . . . become entangled in so
many foreign associations, mostly of a very powerful and tenacious character,
that they have come to excite, and to be the symbols of, feelings which
their original meaning will by no means justify, and which have made
them one of the most copious sources of false taste, false philosophy,
false morality, and even bad law . . . . J. S. Mill, 'On Nature'.
‘Nature is perhaps the most complex word in the language’
(Williams, 1976, p.184)
The claim that the meaning of the word nature is complex, ambiguous and
equivocal has a long history.
What do we mean in calling an object or event ‘natural’?
A useful starting point is Hume’s discussion of the question of
whether the principles of morals and specifically the sentiments of vice
and virtue are natural.
Read the following extract:
If nature be oppos'd to miracles, not only the distinction betwixt
vice and virtue is natural, but also every event, which has ever happen'd
in the world, excepting those miracles, on which our religion is founded.
In saying, then, that the sentiments of vice and virtue are natural
in this sense, we make no very extraordinary discovery.
But nature may also be opposed to rare and unusual; and in this sense
of the word, which is the common one, there may often arise disputes
concerning what is natural or unnatural; and one may in general affirm,
that we are not possess'd of any very precise standard, by which these
disputes can be decided. Frequent and rare depend upon the number of
examples we have observ'd; and as this number may gradually encrease
or diminish, `twill be impossible to fix any exact boundaries betwixt
them. We may only affirm on this head, that if ever there was any thing,
which cou'd be call'd natural in this sense, the sentiments of morality
certainly may; since there never was any nation of the world, nor any
single person in any nation, who was utterly depriv'd of them, and who
never, in any instance, shew'd the least approbation or dislike of manners.
These sentiments are so rooted in our constitution and temper, that
without entirely confounding the human mind by disease or madness, `tis
impossible to extirpate and destroy them.
But nature may also be opposed to artifice, as well as to what is
rare and unusual; and in this sense it may be disputed, whether the
notions of virtue be natural or not. We readily forget, that the designs,
and projects, and views of men are principles as necessary in their
operation as heat and cold, moist and dry: But taking them to be free
and entirely our own, `tis usual for us to set them in opposition to
the other principles of nature. Shou'd it, therefore, be demanded, whether
the sense of virtue be natural or artificial, I am of opinion, that
`tis impossible for me at present to give any precise answer to this
question. Perhaps it will appear afterwards, that our sense of some
virtues is artificial, and that of others natural. The discussion of
this question will be more proper, when we enter upon an exact detail
of each particular vice and virtue.
Mean while it may not be amiss to observe from these definitions of
natural and unnatural, that nothing can be more unphilosophical than
those systems, which assert, that virtue is the same with what is natural,
and vice with what is unnatural. For in the first sense of the word,
Nature, as opposed to miracles, both vice and virtue are equally natural;
and in the second sense, as oppos'd to what is unusual, perhaps virtue
will be found to be the most unnatural. At least it must be own'd, that
heroic virtue, being as unusual, is as little natural as the most brutal
barbarity. As to the third sense of the word, `tis certain, that both
vice and virtue are equally artificial, and out of nature. For however
it may be disputed, whether the notion of a merit or demerit in certain
actions be natural or artificial, `tis evident, that the actions themselves
are artificial, and are perform'd with a certain design and intention;
otherwise they cou'd never be rank'd under any of these denominations.
Tis impossible, therefore, that the character of natural and unnatural
can ever, in any sense, mark the boundaries of vice and virtue. (Hume
A Treatise of Human Nature III.I.ii)
Exercise:
What are the different senses of nature that Hume distinguishes
in this extract?
Hume here distinguishes three different senses:
- ‘Natural’ vs. ‘miraculous’
- ‘Natural’ vs. ‘unusual;
- ‘Natural’ vs ‘artificial’
(Another distinction that is implicit later in the Treatise is between
the between ‘natural’ and ‘civil’, ‘social’
or ‘cultural’. To use a modern example think of the distinctions
between ‘natural science’ and ‘social science’
or ‘natural landscapes’ and ‘cultural landscapes’.
I return to this below.)
The first, and third of these distinctions have remained central to more
recent discussions.
‘Natural’ vs. ‘miraculous’: The first distinction
is part of a more general distinction between the natural and the supernatural.
If one rejects the idea that there is a realm of the miraculous or the
supernatural then as Hume notes 'every event, which has ever happened
in the world' is natural. Nature in this sense will then include everything.
‘Natural’ vs ‘artificial’: The third distinction
employs nature in a narrower sense: 'nature may also be opposed to artifice'.
It is this sense that has become central. How are we to understand the
distinction?
One possible starting is a discussion of J. S. Mill which draws a similar
distinction to that employed by Hume.
It thus appears that we must recognise at least two principal meanings
in the word “nature”. In one sense, it means all the powers
existing in either the outer or the inner world and everything which
takes place by means of those powers. In another sense, it means, not
everything which happens, but only what takes place without the agency,
or without the voluntary and intentional agency, of man. This distinction
is far from exhausting the ambiguities of the word; but it is the key
to most of those on which important consequences depend . . . (Mill,
'Essay On Nature', pp.8-9).
Exercise:
What are the distinctions the Mill is drawing here and
how do they relate to those of Hume?
Mill distinguishes two meanings of the word ‘nature’ that
parallel the distinction drawn by Hume: first, a broader sense in which
it refers to 'all the powers existing in either the outer or the inner
world and everything which takes place by means of those powers' or as
he puts it more pithily earlier in the essay, in which 'nature...is a
collective name for all facts actual and possible' (Mill, 1874, p.6).;
second, a narrower sense in which it refers to what takes place 'without
the agency, or without the voluntary and intentional agency, of man'.
The first sense of the term signifies roughly what is ‘natural’
as opposed to ‘supernatural’. The second sense registers the
contrast between the ‘natural’ and the ‘artificial’.
2. Natural and Artificial
The concept of the artificial is used in a number of different, though
connected, senses. As a rough and ready starting point consider the following:
- ‘phoney’ or ‘bogus’ e.g. ‘artificial
laughter’.
- ‘substitute’. E.g. an ‘artificial limb’, or
‘artificial light’.
- ‘human-made’. E.g. an ‘artificial lake’ -
the lake might be a substitute for a natural lake, but again, it might
not.
Sense 3 is what concerns us here – but further analysis is needed
– not all human-made products are artificial – consider tears.
While tears can be artificial – crocodile tears, they need not be.
To capture the meaning of the term ‘artificial’ we need to
introduce the idea of contrivance, and this is precisely what Mill does
with his reference to “voluntary and intentional agency”.
Something is artificial only if it is the result of a deliberate
or intentional act.
Note also the distinction between being the result and the aim of a
deliberate or intentional act e.g. the phenomenon of global warming, which
is the result, though it was not of course the original aim, of the accumulation
of deliberate choices.
While something is artificial only if it is the result of deliberate
and intentional act, it does not follow that that if something is the
result or aim of a deliberate or intentional act it is thereby artificial.
Being the result of a deliberate and intentional act is a necessary but
not a sufficient condition for artificiality. For example, human beings
are often the result of deliberate and intentional acts but they are still
‘natural beings’ and not artefacts.
A further distinction that may take us further: intentions which simply
bring a thing into existence and intentions which determine and shape
the nature of the thing, of what it is.
Consider - a highly cultivated rose or a genetically modified plant.
Such a plant might be said to be ‘an artefact’ – what
makes it so is not that humans planted it but that human skill went into
making it the kind of thing it is.
A working definition of the term ‘artificial’:
- Something is artificial if and only if it is what it is at least
partly as the result of a deliberate or intentional act, usually involving
the application of some art or skill.
Something's being artificial is a matter of its nature being determined
by a deliberate and intentional act.
3. Natural and Cultural/Social
A further distinction that is often drawn is between the natural and
the cultural or social.
Consider for example: ‘natural science’ vs. ‘social
science’; ‘natural landscapes’ vs ‘cultural landscapes’
A version of the distinction between the natural and the social is found
in Hume later in the Treatise where he contrasts the natural and the civil.
This contrast picks up a central distinction in early modern political
theory. Thus from Hobbes through to Rousseau a distinction was drawn between
the ‘state of nature’ and ‘civil society’ in which
political and social institutions of a particular kind were said to exist.
Historically the distinction is used to different effect. While in Hobbes
the contrast indicates the awful fate that would befall us in the absence
of political institutions, in Rousseau’s early writings civil society
is taken to be a realm of artificiality disconnecting us from our original,
benign state of nature.
Rousseau’s theme is taken up by many in the romantic tradition:
the natural is where we find what is authentic in contrast to the social
artificialities and contrivances of the social world. Raymond Williams
notes of this view
‘one of the most powerful uses of nature since the eighteenth
century has been this selective sense of goodness and innocence. Nature
has meant the ‘countryside’, the ‘unspoiled places’,
plants and creatures other than man. The use is especially current in
contrasts between town and county: nature is what man has not made,
though if he made it long enough ago - a hedgerow or a desert - it will
usually be included as natural. Nature-lover and nature poetry date
from this phase’ (Williams, Keywords, p.188).
This use of ‘natural’ as what is ‘rural’ is however
one that is likely to be confined now only to Europe. In the ‘new
worlds’ the term is 'natural' more often used much more starkly
to refer to ‘wilderness’ marked by, in John Muir’s words,
the absence of ‘all . . . marks of man’s work’.
We will discuss wilderness further next week.
4. Strong constructivism: Is anything natural?
Some strong social constructivists deny there is something called ‘nature’
to be defended. There may be a variety of arguments for this. Here I want
to consider one set of arguments that I think are popular but fallacious.
Consider the following passages:
- 'Nature per se does not exist...Nature is only the name given to a
certain contemporary state of science' (C. Larrere 'Ethics, Politics,
Science, and the Environment: Concerning the Natural Contract' in J
Baird Callicott and F. de Rocha eds. Earth Summit Ethics: Toward
a Reconstructive Postmodern Philosophy of Environmental Education
p.122)
- ‘It is fair to say that before the word was invented, there
was no nature...' (N. Evernden The Social Creation of Nature
p.89)
These particular passages appear on the surface to involve use-mention
confusions
The distinction between use and mention: Consider two sentences
A. Copper conducts electricity.
B. Copper is a word of six letters.
Sentence A is about copper. In sentence A the word ‘copper’
is used.
Sentence B is about a word – strictly we should write: ‘Copper’
is a word of six letters. In sentence B the word ‘copper’
is mentioned.
An invalid argument: 1. Copper conducts electricity; 2. Copper is a
word of six letters.
Hence 3. A word of six letters conducts electricity.
Consider now sentences from Evernden and Larrere quoted earlier:
A. In the sentences 'Nature per se does not exist’ ‘There
was no nature’ the term ‘nature’ is used.
B. In the sentences ‘Nature is only the name given to a certain
contemporary state of science' ‘The word nature was invented’
the term ‘nature’ is mentioned.
The claims in B do not entail the claims in A.
[Compare Evernden’s claim ‘It is fair to say that before
the word was invented, there was no nature...' with the claim 'Before
the word "dinosaur" was invented there were no dinosaurs'. Understood
literally the latter statement is false. Dinosaurs existed before 1841,
the date the term 'dinosaur' was coined by Richard Owen. The only charitable
reading of the latter statement is the banal claim 'before the word "dinosaur"
was invented nothing was called "a dinosaur"’. Likewise
the charitable reading of Evernden’s claim is the banal 'before
the word "nature" was invented nothing was called "nature"’.]
II. Do things and processes have value in virtue of being ‘natural’?
Can natural things or events said to have a value just because they are
natural? Consider the following passages that appear to offer differing
views on the value of what is natural
a) J. S. Mill: ‘the doctrine that man ought to follow nature, or,
in other words, ought to make the spontaneous course of things the model
of his voluntary actions, is equally irrational and immoral.’ (Mill
'On Nature')
‘The word "nature" has two principal meanings: it either
denotes the entire system of things, with the aggregates of all their
properties, or it denotes things as they would be, apart from human
intervention. In the first of these senses, the doctrine that man ought
to follow nature is unmeaning; since man has no power to do anything
else than follow nature; all his actions are done through, and in obedience
to, some one or many of nature's physical or mental laws. In the other
sense of the term, the doctrine that man ought to follow nature, or,
in other words, ought to make the spontaneous course of things the model
of his voluntary actions, is equally irrational and immoral. Irrational,
because all human action whatever consists in altering, and all useful
action in improving, the spontaneous course of nature. Immoral, because
the course of natural phenomena being replete with everything which
when committed by human beings is most worthy of abhorrence, any one
who endeavoured in his actions to imitate the natural course of things
would be universally seen and acknowledged to be the wickedest of men.
The scheme of Nature, regarded in its whole extent, cannot have had,
for its sole or even principal object, the good of human or other sentient
beings. What good it brings to them is mostly the result of their own
exertions. Whatsoever, in nature, gives indication of beneficent design
proves this beneficence to be armed only with limited power; and the
duty of man is to cooperate with the beneficent powers, not by imitating,
but by perpetually striving to amend, the course of nature and bringing
that part of it over which we can exercise control more nearly into
conformity with a high standard of justice and goodness.’ (J.S.
Mill 'Essay On Nature')
Download
Mill's 'On Nature'
b) Katz: Artefacts only have instrumental value for humans. Some natural
beings have their own good and autonomous forms of development. We ought
to respect at least some of these.
‘Artefacts are fundamentally connected to human concerns and
interests, in both their existence and their value. Natural entities
and systems have a value in their own right, a value that transcends
the instrumentality of human projects and interests. Nature is not merely
the physical matter which is the object of human artefactual practice;
nature is a subject, with its own history of development independent
of human cultural intervention. As with any autonomous subject, nature
thus has a value that can be subverted and destroyed by the process
of human domination. The normative implication for environmental policy
is that this value ought to be preserved.’ (E. Katz "Artefacts
and Functions: A Note on the Value of Nature", Environmental
Values 2, 1993)
Exercise:
Are Mill’s and Katz’s views inconsistent?
Does either present a defensible argument?
[It is also worth comparing Mill’s comments in his essay on nature
with a passage in his Principles of Political Economy which have
discussed earlier in the course:
It is not good for man to be kept perforce at all times in the presence
of his species. A world from which solitude is extirpated, is a very
poor ideal. Solitude, in the sense of being often alone, is essential
to any depth of meditation or of character; and solitude in the presence
of natural beauty and grandeur, is the cradle of thoughts and aspirations
which are not only good for the individual, but which society could
ill do without. Nor is there much satisfaction in contemplating the
world with nothing left to the spontaneous activity of nature; with
every rood of land brought into cultivation, which is capable of growing
food for human beings; every flowery waste or natural pasture ploughed
up, all quadrupeds or birds which are not domesticated for man's use
exterminated as his rivals for food, every hedgerow or superfluous tree
rooted out, and scarcely a place left where a wild shrub or flower could
grow without being eradicated as a weed in the name of improved agriculture.
If the earth must lose that great portion of its pleasantness which
it owes to things that the unlimited increase of wealth and population
would extirpate from it, for the mere purpose of enabling it to support
a larger, but not a better or a happier population, I sincerely hope,
for the sake of posterity, that they will be content to be stationary,
long before necessity compels them to it. (J.S. Mill 1848 book IV, ch.6
section 2)
Now itlooks as if there might be a tension between the two passages from
Mill. A question to consider is whether if there are really any inconsistencies
between them.
III. Can nature be restored?
Nature conservation is one of the primary expressions of environmental
concern. One justification behind all forms of nature protection is the
belief that, in conserving nature, we are conserving something of value.
However, nature conservation, and associated projects such as nature restoration,
present us with a fresh set of problems.
For the purpose of our present discussion we might broadly distinguish
three related projects:
- protecting nature from human incursion,
- restoring natural features if they are damaged,
- restitution for natural features that have been destroyed.
Thus, in protecting nature we conceive ourselves as protecting something
of value; in restoring nature we conceive ourselves as restoring something
of value; while restitution involves the attempt to make amends for a
loss that has been caused by creating something of value that in some
way makes up for what is lost.
The programme of nature restoration has been of particular philosophical
concern. Given the distinction between artificial and natural that is
drawn by Mill there appears to be a paradox around the idea that humans
can deliberately restore nature. The paradox is at the centre of Elliot’s
paper ‘Faking Nature’ and Katz’s paper ‘The Big
Lie: the Human Restoration of Nature’. Both are to be found in Light
and Rolston eds. Environmental Ethics. For a critical discussion
see A. Light ‘Ecological Restoration and the Culture of Nature’
in Light and Rolston eds. Environmental Ethics. Another relevant
paper by Andrew Light is "Faking Nature" Revisted.
Download
Andrew Light's paper '"Faking Nature" Revisited'
Before considering the philosophical arguments it is worth looking at
some actual restoration projects.
The web-pages for The Society for Ecological Restoration can
be found at:
http://www.ser.org/
You will find particular examples of ecological restoration at:
http://www.ser.org/project_showcase.asp#ShowcaseListing
Elliot, ‘Faking nature’: This paper is not
aimed not directly at restoration projects as such, but one defence for
them - ‘the restoration thesis’, the claim that it is possible
to restore fully the value of a natural feature which has been destroyed.
- Restoration attempts to replace natural ecological systems with a
fake.
‘environmental engineers are proposing is that we accept a fake
or a forgery instead of the real thing. If the claim can be made good
then perhaps an adequate response to restoration proposals is to point
out they merely fake nature’
- A restoration is a fake without the value of a natural ecological
system because it necessarily lacks one of the central features of the
‘real thing’ which is a source of its value – its
‘naturalness’.
‘The appeal that many find in areas of natural wilderness,
in natural forests and wild rivers depends very much on the naturalness
of such places.’
- Naturalness is not by definition open to artificial reproduction,
since it is a matter of the causal history of an object. No human reproduction
could in principle replicate that history:
‘The environmentalist's complaint concerning restoration proposals
is that nature is not replaceable without depreciation of one aspect
of its value which has to do with its genesis, its history…
What is significance about wilderness is its causal continuity with
the past.’
Exercise:
Is this a good argument?
Consider each stage of the argument.
Should one accept the claims being made?
Consider some possible objections.
- Is ecological restoration necessarily fakery in the
literal sense? Does it involve an intention to deceive?
- Is ‘naturalness’ in itself a source of
value? If not what is the basis of the value of many natural ecosystems?
If it is what sort of value is it?
- Is the appeal to causal continuity y strong enough
to do the work that Elliot needs it to do?
Here are some thoughts on the previous questions.
1. Most ecological restoration is not fakery in the literal sense –
it involves no intention to deceive. If the objection to ecological restoration
has force it is against the possibility of the reproduction or replacement
of particular environmental objects, not against fakes.
2. The question of whether naturalness is a source of value is one that
we have already touched upon. One different view is to be found in Robin
Attfield in his paper ‘Rehabilitating nature and making nature habitable’,
in Philosophy and the Natural Environment eds. R. Attfield and
A. Belsey. (Cambridge: Cambridge University Press, 1994).
Only where disruption has already taken place, as . . . is the case
in most of the areas of Britain recognised as ‘ancient forest’,
is restoration or rehabilitation possible; and what is sometimes possible
is reversing the damage and returning an area to a condition closely
resembling its erstwhile condition in which evolutionary processes proceed
independent of further human agency . . . Although Elliot’s historical
requirement for nature to have its full aesthetic value is not satisfied,
and the area cannot be regarded as in all respects wild, there could
in theory be the same blend of creatures each living in accordance with
its own nature, and jointly forming a system just like the pristine
one which preceded human intervention. Although the outcome is, broadly,
what human agency intended, it is still equivalent to what unimpeded
nature would have produced. (Attfield 1994, p. 49).
Exercise:
On what grounds is Attfield is more favourably disposed
towards restoration?
Attfield has a different view from Elliot as to what it is that makes
natural items valuable.
- Attfield has an end-state or outcome-based view of the value of the
natural world. The natural world is valuable in virtue of certain features
it exhibits. Roughly, he takes the view that the natural world is good
to the extent that it contains creatures living fulfilled lives. How
that state of affairs is brought into existence is irrelevant to its
value. If the outcome of human agency is ‘equivalent to what unimpeded
nature would have produced’ then there is no difference in their
value. Hence, restoration can be justified, if a state of affairs with
the same valued features is recreated after having been temporarily
disrupted.
- Elliot assumes an historical or process-based view of the value of
the natural world. It is something about the history of objects and
the processes that go into their creation that is what makes natural
objects valuable.
A central point to notice here is that naturalness is an historical concept.
There is no such thing as a state or condition of something which constitutes
its 'being natural', or an identifiable set of characteristics which makes
any item or event 'natural'. Being natural is, and is only, determined
by origin and by history: it is a spatio-temporal concept, not a descriptive
one. The point is made thus by Goodin:
According to the distinctively [green theory of value] . . . what
it is that makes natural resources valuable is their very naturalness.
That is to say, what imparts value to them is not any physical attributes
or properties that they might display. Rather, it is the history and
process of their creation. What is crucial in making things valuable,
on the green theory of value, is the fact they were created by natural
processes rather than by artificial human ones. By focusing in this
way on the history and process of its creation as the special feature
of a naturally occurring property that imparts value, the green theory
of value shows itself to be an instantiation of yet another pair of
more general theories of value - a process based theory of value, on
the one hand, and a history based theory of value, on the other . .
. (Goodin, Green Political Theory, pp. 26-27).
3. Elliot marks the distinction between restoration and protection of
nature in terms of the latter not destroying the 'causal continuity' that
makes a wilderness, while the former does. But 'causal continuity' is
not strong enough to capture the differences Elliot claims to exist. In
its weakest sense any development has causal continuity with the past
including those involved in restoration in the examples to which Elliot
particularly objects: bulldozers that flatten the land and diggers replanting
it are all part of causal processes linking the past state with the present.
What Elliot is after in the term 'causal continuity' is a particular kind
of causal history linking past and future, one that allows those involved
in processes of protection but not those involved in restoration. The
question of what determines these needs addressing. Does for example removing
feral animals and invasions of non-indigenous plants count as 'protection'
or 'restoration'?. How might the concept of causal history be developed
further to capture some of the differences that Elliot is after?
One way into an answer to that last question is to mote the more general
way that history matters to our evaluation of environments – both
cultural and natural. We value environments - forests, lakes, mountains,
wetlands and other habitats - specifically for the particular history
they embody: the natural world, landscapes humanised by pastoral and agricultural
environments, the built environment in part take their value from the
specific histories they contain. For the very long term features, notably
geological features, histories may have no human component. For most landscapes
that history often includes interplay of human use and natural processes
- flora and fauna that flourish in particular sites that are the result
of a specific history of human pastoral and agricultural activity, not
with sites that existed prior to human intervention. The past is evident
also in the embodiments of the work of past generations that are a part
of the landscapes of the old world: stone walls, terraces, thingmounts,
old irrigation systems etc. The past also matters in the value we put
upon place. The value of specific locations is often a consequence of
the way that the life of a community is embodied within it. Historical
ties of community have a material dimension in both human and natural
landscapes within which a community dwells. History blocks the replication
of place and the substitutability of one place for another as much for
‘cultural landscapes’ as it is does for ‘natural landscapes’.
We want to preserve an ancient meadowland, not a modern reproduction of
an ancient meadowland. What matters is the story of the place.
What appears to matter in these cases is the narrative
of a site – the story of how it developed over time – rather
than mere causal continuity. For a discussion of this aspect of environmental
value see, 511 week 4.
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