Dr Bihani Sarkar FHEA

Senior Lecturer in Comparative Non-Western Thought

Profile

I am a historian of early Indian politics, religions and literature (poetry and drama) between the 2nd and the 15th centuries CE. I work mainly with classical Sanskrit and some Middle Indic (Prakrit) sources. I also draw generously from Bengali, my mother tongue. I have taught and have research interests across Indian philosophy and religions, including Hinduism, Buddhism, and South Asian Islam. My current research and teaching interests include the Goddess in Indian religion; Sanskrit poetry and drama; classical Indian aesthetics; North Indian classical music; comparative literary theory; gender, transgression and power in early Indian literature and religions; sacred narrative and history; madness, knowledge and kingship.

My publications span the history of the Śākta (goddess-centric) traditions, their metaphysics, their relationship to power, their role in the growth of the state and kingship and, most recently, on Śākta epigraphy. I have also published on histories of classical Indian literary genres, aesthetics, and emotions.

My first book Heroic Shāktism: the cult of Durgā in ancient Indian kingship (OUP 2017) delved into the history of the cult of the Great Goddess just after the end of the Gupta empire, and its interaction with local cults and the constitution of early kingdoms, using scriptural, liturgical, mythological, literary and epigraphical sources (see here: https://global.oup.com/academic/product/heroic-shktism-9780197266106?cc=gb&lang=en&).

My second book Classical Sanskrit Tragedy published in 2021 (see here: https://www.bloomsbury.com/uk/classical-sanskrit-tragedy-9781788311113/) is a response to ideas of tragedy. Through a close literary analysis of the tragic middle in five of the celebrated poet Kālidāsa’s works, the book demonstrates the importance of tragic identity for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy.

I am working on my third book which reinterprets several heroines from across classical Sanskrit poetry as bold and enterprising models of courage, arguing for an alternative reading of subjectivity.

Between 2022 and 2024, I put in two large research applications, the AHRC Research Engagement and Development fellowship for £99,440 and a Leverhulme Research Fellowship for £64,995, and have prepared and convened 6 new undergraduate and masters modules.

Why should you study Global Religions at university?
Public Lecture/ Debate/Seminar

Consciousness, Love and the Tragic Middle in the Śakuntalā
Invited talk

Aśoka and Buddhist kingship: an alternative ‘empire’?
Public Lecture/ Debate/Seminar

Two-Part Conversation on Vedic Canonical Traditions (Part 1) and the Goddess in South Asia (Part 2)
Public Lecture/ Debate/Seminar

Durgā and Kālī: Reflections on a Common Origin
Public Lecture/ Debate/Seminar

Lava on Jewelled Floors: counter-metaphors of doing and desiring women in classical Sanskrit poetry’
Invited talk

’But this is inappropriate (na tu sadṛśam idam)’: How improper is the Goddess according to the Caṇḍīśataka
Invited talk

Between cosmology and society: the Sarāhan Praśasti and its ideation of gender
Invited talk

Proving Piety: the history of medieval Śākta devotion in the light of Indian inscriptions’
Invited talk

History of Medieval India from 600 AD
Invited talk

Indo-Greeks, Śakas, Kṣatrapas, Kushans: Conquest or Cultural osmosis in the Indian middle ages?
Invited talk

Taking over Skanda: Religious Appropriation and political transformation in the worship of Durgā (c. 7th century CE)
Invited talk

The Tragic Middle in Kālidāsa
Invited talk

Classical Sanskrit tragedy and the politics of Looking
Invited talk

On Reflection and Lamentation in Kālidāsa: the Rativilāpa and the Ajavilāpa
Invited talk

On Broken Idylls and Mourning in classical Sanskrit Poetry and Drama
Invited talk

On heroic Śāktism and the cult of the Goddess in classical India (c. 4th–7th centuries CE)
Invited talk

Heroic Shāktism: the cult of Durgā in Ancient Indian Kingship
Invited talk

Traveling Tantrics and Belligerent Brahmins: the Śivarājyābhiṣekakalpataru and Śivāji's Tantric consecration
Invited talk

Conceptions of the salon in mediaeval Indian literary theory,
Invited talk

Toward a History of the Navarātra
Invited talk

Blasphemy or Artistic License? Re-interpreting sacred narratives in classical Indian poetic performance’, with special reference to the belletristic legacy of the Devīmāhātmya
Invited talk

She Inspires National Culture Champion 2022
Prize (including medals and awards)

Elected Fellow of the Royal Historical Society
Election to learned society

FHEA
Prize (including medals and awards)

  • Ethics Values and Policy Initiative