Case Study No. 13 - Managing Oneself and Others, University of Leeds
Name
of module/ course: |
Managing
Oneself and Others |
Programme |
BA
Hons Arts Management |
Institution: |
University
of Leeds |
Level: |
Entry
/ Level 1 |
Typical
number of students: |
30
Level 1 Students, involved in interview process |
Elements
addressed by study
Theme |
Key
Aspects |
ü
if addressed |
Developing
effective group behaviour |
Group
formation |
ü |
Training |
ü |
|
Monitoring |
ü |
|
Discipline
issues eg attendance |
|
|
Assessing
behaviours & processes within groups |
Assessing |
|
preparation |
|
|
operation |
|
|
reflection |
|
|
Assessment
procedures |
|
|
Assessing
group products |
Assessing |
|
whole
groups |
|
|
individuals
within groups |
|
|
Assessment
procedures |
|
Special
Features:
As
part of the HRM (human resource management) aspects of this Level 1 module,
students are required to organise themselves into small self-selecting syndicate
groups to form part of the interview process for prospective students to the
arts management course. The process makes the practical link with the
theoretical aspects of recruitment and selection examined in lectures and
seminars. The students themselves organise the interview days including the
meeting and greeting of candidates, tours of the building and presentations
about aspects of the campus, university and course. They are involved with
candidates in group/team exercises and, in their syndicates, interview
individual candidates prior to the formal interview with the tutor(s). Whilst
(for proper legal reasons) the final decision to offer a place resides with the
admissions tutor, feedback from the student interview panels provides an
important and useful insight that aids the decision process.
It
should be stresses that this is a practical exercise. It is not formally
assessed but it is important in that it highlights one of the underlying
philosophical principles behind the arts management degree: i.e. that all
theoretical work should be informed by opportunities for real, live practical
application.
Description
of Key Aspects:
‘Managing
Oneself and Others’ aims to introduce the students to some of the practical
human resource aspects of management within the arts that have been considered
in wider generic terms in the heavily theoretical ‘Managers and Organisations
Module’. It is based on the premise that in order to be a good manager of
others, one first has to be a good self-manager. Therefore, the module splits
largely into two discrete but interrelated areas. The first examines issues of
managed self development, the primary interpersonal skills and the philosophy
behind our working relationships, including the nature of groups, team
formulation and team building and issues of self perception as the basis of
effective team working (the latter based loosely around the work of Meredith
Belbin). The second segment looks at the implementation and practical
application of these skills in the management of personnel. The core HR
functions, (recruitment and selection, equal opportunities, training and
development, appraisal, discipline and grievance, etc.), are considered as well
as the implications for managing HR in the arts context. It is within this
framework that the students are involved in the student recruitment and
selection process.
The
assessment of the module is likewise in two parts. The first is a standard essay
based assignment interrogating interpersonal skills in the workplace and the
second, (looking at the HR aspects of the module) is a formal case study based
examination.
Candidates
find the experience has a positive effect on their decision be take up places on
the course and often their nervousness about the formal tutor interview is
reduced by having first met the student panel.
Since
the majority of the students engaged in the recruitment and selection exercise
have themselves been through the process, they find that not only does it offer
praxis opportunities, but also gives a valuable insight as how they should
behave as interviewers.
Evaluation:
Feedback
from candidates who have been through the process and duly registered on the
arts management degree has been largely positive. The input from the student
syndicates paints an honest and more detailed picture both of student life and
the nature of the course than might otherwise be possible.
For
the interviewing tutors, it gives us a useful perspective on our own interview
and selection processes.