Xavi Aure’s research focuses on the development and application of 3D imaging technologies in the cultural heritage field. His aim is to improve methods for recording and monitoring artefacts, supporting conservation, and enhancing the understanding of collections for a more inclusive experience. Working at the Centre for Print Research, Xavi specialises in creating custom and cost-effective 3D imaging systems that incorporate computational photographic techniques. These systems excel at capturing intricate surface details, enabling the creation of both digital and tactile 2D and 3D representations.  

Initially, Xavi applied this technology to paintings, demonstrating its effectiveness through projects like the detailed scan of a painting by 17^th-century Italian artist Canaletto. Currently, his focus has shifted towards historic textiles. Two key projects illustrate this new direction: the first involves the Stuart embroideries at The Holburne Museum, funded by the AHRC. This project aims to develop an innovative methodology for the accurate 3D capture of delicate textiles. The goal is to enable not only visual but also tactile engagement with these historic fabrics, enriching both understanding and conservation efforts. The second project, ‘Embroidered Tales: Hidden Histories and Silent Voices of the New Forest’, aims to increase public engagement with the New Forest’s heritage. It involves creating a digital representation of the iconic New Forest Embroidery, in collaboration with local communities, academic partners, and digital heritage experts. The goal is to bring new interpretations and understandings of this heritage to new audiences.  

Through these projects, Xavi’s research seeks to expand the capabilities of documenting, conserving, and presenting historic textile collections. This work enhances public interaction and appreciation of cultural heritage.