Ackroyd, Peter, Dickens (London: Sinclair-Stevenson, 1990)
Adam, R., Works in Architecture of Robert and James Adam, Esquires (London, 1773-1822)
Adler, Wolfgang, Corpus Rubenianum Ludwig Burchard. Part XVIII. Landscapes and Hunting Scenes. I Landscapes (London: Harvey Miller/Oxford University Press, 1982)
Alberti, L.B., On Painting (Text of De Pictura translated C.Grayson, edited M.Kemp, London 1991)
Altholz, Josef L., The Religious Press in Britain, 1760-1900 (New York: Greenwood Press, 1989)
Arts Council of Great Britain, Salvator Rosa, Exhibition Catalogue, London: Hayward Gallery (edited and selected by M. Kitson, London: Arts Council of Great Britain, 1973)
Badt, Kurt, John Constable's Cloud Studies (London: Routledge & Kegan Paul, 1950)
Baker, Christopher and Tom Henry, compilers, The National Gallery Complete Illustrated Catalogue (London: National Gallery, 1995)
Baldinucci, F., Notizie de’ Professori del Disegno da Cimabue Vol.III (Firenze: S.Franchi, 1728)
Ball, A. H. R. (ed.), Ruskin as Literary Critic (Cambridge: Cambridge University Press, 1928)
Barrell, John, The Political Theory of Painting from Reynolds to Hazlitt: ‘The Body of the Public’ (New Haven: Yale University Press, 1986)
Bate, W. J., Bullitt, J. M., and Powell, L. F. (eds.), The Works of Samuel Johnson, Volume II, 'Idler and Adventurer' (New Haven and London: Yale University Press, 1963, reprinted 1970)
Batho, Edith C., The later Wordsworth (New York: Russell, 1963; originally published Cambridge University Press, 1933)
Baxter, Richard, Autobiography, being the Reliquiae Baxteriana, ed. J. M. Lloyd Thomas (London: Dent, 1931)
Beckford, W., Italy with Sketches of Spain and Portugal (London: Richard Bentley 1834)
Beer, John, Providence and Love: Studies in Wordsworth, Channing, Myers, George Eliot, and Ruskin (Oxford: Clarendon Press, 1998)
Beer, John, 'Ruskin and Wordsworth', The Wordsworth Circle, 28 (1997), 41-48
Bell, Q., Victorian Artists (London, Routledge & Kegan Paul Ltd, 1967)
Berenson, B., Venetian Painters of the Renaissance (New York: Putnam 3rd edition 1899, and reprinted Berenson B., Italian Painters of the Renaissance London: Phaidon 1970)
Beresford, Richard, Dulwich Picture Gallery. Complete Illustrated Catalogue (London: Unicorn Press, 1998)
Biadene, S. assisted by Mary Yakush, exhibition catalogue, Titian: Prince of Painters, Venice: Palazzo Ducale (München: Prestel 1990)
Billington, Louis, ‘The Religious Periodical and Newspaper Press, 1770-1870’, in Michael Harris and Alan Lee, The Press in English Society from the Seventeenth to Nineteenth Centuries (1986)
Birch, Dinah, Ruskin's Myths (Oxford: Clarendon Press, 1988)
Bloom, Harold (ed), John Ruskin, Modern Critical Views Series (New York: Chelsea House Publishers, 1986)
Blunt, Anthony, Art and Architecture in France: 1500 to 1700, 2nd edn (Harmondsworth: Penguin, 1970)
Bomford, D. and Finaldi, G., Venice through Canaletto’s Eyes (London: National Gallery, and New Haven and London: Yale University Press 1998)
Bradley, J. L. (ed.), Ruskin: The Critical Heritage (London: Routledge & Kegan Paul, 1984)
Brown, David Blayney, Turner and Byron (London: Tate Gallery, 1992)
Brown, David Blayney, Augustus Wall Callcott (The Tate Gallery, 1981)
Brown, D.A. ‘Titian and Bellini’ Titian: Prince of Painters, Exhibition catalogue, Venice: Palazzo Ducale pages 57–67 (München: Prestel 1990)
Burckhardt, J., Cicerone (Basel 1855, translated A.J.Clough, London: John Murray 1873)
Burd, Van Akin., ed., The Ruskin Family Letters (Ithica & London, Cornell University Press, 1973)
Burke, Edmund, A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful, ed J. T. Boulton (London, Routledge and Kegan Paul, 1958)
Butlin, M., Gage, J., Joll, E. and Wilton, A., Turner 1775-1851: Bicentenary Exhibition Catalogue (London: Tate, 1974)
Butlin, Martin and Joll, Evelyn, The Paintings of J. M. W. Turner (New Haven and London: Yale University Press, 1984) (2 volumes) (revised ed)
Lord Byron, The Poetical Works of Lord Byron (Oxford University Press, 1904, repr. 1957)
Camesasca, E., L’opera Completa del Perugino (Milano: Rizzoli 1969)
Carasso, Dedalo, 'A New Image: German and French Thought on Dutch Art, 1775-1860', in Frans Grijzenhout and Henk Van Veen (eds), The Golden Age of Dutch Painting in Historical Perspective (Cambridge University Press, 1999)
Cate, G. A., ed., The Correspondence of Thomas Carlyle and John Ruskin (Stanford, 1982)
Cellini, Benvenuto, The Life of Benvenuto Cellini written by Himself, translated J.A.Symonds, edited J.Pope-Hennessy (London: Phaidon 1949)
Cennino Cennini, Il Libro dell’Arte (Prefazione, commento e note di M.Serchi, Firenze: Le Monnier, 1991)
Cesneau, E., The English School of Painting (London, Cassell & Co, 1891)
Chambers, R.W., 'Ruskin (and Others) on Byron', English Association Pamphlet, 62 (November 1925)
Chambers, W., A Treatise on the Decorative Parts of Civil Architecture (London: Smeeton 1791 edition)
Chilvers, Ian and Osborne, Harold (eds), The Oxford Dictionary of Art (Oxford University Press, 1997)
Collingwood, W. G., The Art Teaching of John Ruskin (London, Percival, 1891)
Collingwood, W. G., The Life and Work of John Ruskin (Two Volumes) (London: Methven & Co, Second Edition 1893)
Conisbee, P., ‘Salvator Rosa and Claude-Joseph Vernet’ Burlington Magazine cxv (1973) 789-794
Constable, W.G., revised Links, J., Giovanni Antonio Canal 1697-1768 (Oxford: Clarendon Press 1976 edition)
Cook, E.T., A Popular Handbook to the National Gallery, Including, by special permission, Notes Collected from the Works of Mr Ruskin (London: Macmillan, 1888)
Cook, E.T. Handbook to the National Gallery, including Notes Collected from the Works of Mr. Ruskin (London: Macmillan, 1890 edition)
Corbett, David Peters, and Perry, Lara (eds), English-Art 1860-1914: Modern Artists and Identity (Manchester University Press, 2000)
Croly, G., The Apocalypse of St. John: a new interpretation (London: Rivington 1827 edition)
Crosby, Ivy Judy, Constable and the Critics, 1802-1837 (Woodbridge, Suffolk: Boydell Press, 1991)
Curzon, Robert, Baron Zouche, Visits to Monasteries in the Levant (London: John Murray, 1849)
Davenport, Cyril, Mezzotints (London: Methuen, 1904)
Davis, Alan, '"Job's Iron Pen". Ruskin's use of engraved illustration in Modern Painters ', in Wheeler (ed.), Time and Tide: Ruskin and Science (London: Pilkington, 1996), pp.98-116
Davis, Alan, 'Ruskin, Turner and the Crescent Moon', Turner Society News, 72, March 1996, pp.10-12
Davis, Alan, '"All This Showing": Ruskin's 'composite vision' and its influence on his activities as an illustrator of Turner', Turner Society News, 80, December 1998, pp.7-10
Davis, Alan, 'Ruskin's Vignettes', Turner Society News, 83, December 1999, pp.10-13
Davis, Alan, 'The "dark clue" and the Law of Help: Ruskin, Turner, and the Liber Studiorum ', in Hewison (ed.), Ruskin's Artists: Studies in the Victorian Visual Economy (Aldershot: Ashgate, 2000), pp.31-51
Davis, Alan, 'Ruskin's Last Turner Engravings', Turner Society News, 87, March 2001, pp.4-8
Dawson, P., The People's Ruskin: The George Allen Editions of the Reprinted Works of John Ruskin (Oxenbridger Press, 1999)
Dearden, James S., John Ruskin's Camberwell (St Albans: Brentham Press, 1990)
Dearden, James S., Facets of Ruskin: Some Sesquicentennial Studies (London: Charles Skilton, 1970)
Dearden, J. S., 'History of the Library Edition' in The Works of John Ruskin on CD-Rom (Cambridge, 1996)
Dearden, James S., 'Ruskin Today', in Wheeler, Michael (ed.), Time & Tide: Ruskin Studies 1996 (London: Pilkington, 1996)
Dickens, Charles, American Notes and Pictures from Italy, 6th ed., New Oxford Illustrated Dickens (Oxford: Oxford University Press, 1982)
Didi-Huberman, G., translated Todd, J.M., Fra Angelico Dissemblance and Figuration (Chicago: University of Chicago Press 1995 edition)
Don Vann, J. and Van Arsdel, Rosemary (eds.), Victorian Periodicals: A Guide to Research, 2 vols, 1978, 1989
Drabble, Margaret (ed.), Oxford Companion to English Literature (Oxford: Oxford University Press, 1985)
Eagleton, Terry, The Ideology of the Aesthetic (Oxford: Blackwell, 1990)
Lady Eastlake, Journals and Correspondence (ed.. C. Eastlake Smith, London: 1895)
Elfenbeing, Andrew, Byron and the Victorians (Cambridge: Cambridge University Press, 1995)
Engen, Rodney K., Dictionary of Victorian Engravers, Print Publishers and Their Works (Cambridge: Chadwyck-Healey, 1979)
Joan Evans and John Howard Whitehouse (ed.), The Diaries of John Ruskin, 3 vols (Oxford: Clarendon, 1956-59)
Feaver, W., The Art of John Martin (Oxford, Clarendon Press, 1975)
Ferguson, G., Signs and Symbols in Christian Art (Oxford: Oxford University Press 1961 edition)
Finberg, A. J., The Life of J. M. W. Turner (Oxford: Clarendon, 1961) (2nd edition)
Finberg, A.J., The History of Turner's Liber Studiorum with a New Catalogue Raisonné (London: Benn, 1924)
Fisher, Stanley, A Dictionary of Watercolour Painters 1750-1900 (London: W. Foulsham, 1972)
Fleming-Williams, Ian and Parris, Leslie, The Discovery of Constable (London: Hamish Hamilton, 1984)
Fleming-Williams, Ian, Constable: Landscape Watercolours & Drawings (The Tate Gallery, 1976)
Fleming-Williams, Ian, Constable and his Drawings (Philip Wilson, 1990)
Forrester, Gillian, Turner's 'Drawing Book': The Liber Studiorum (London: Tate, 1996)
Foscari, L., Affreschi Esterni a Venezia (Milano: Ulrico Hoepli 1936)
France, Peter, ed., The New Oxford Companion to Literature in French (Oxford: Clarendon, 1995)
Fredeman, W. E., Pre-Raphaelitism: A Bibliocritical Study (Cambridge: Harvard University Press, 1965)
Freedberg, Sydney J., Painting in Italy, 1500-1600 (Harmondsworth: Penguin, 1971)
Frith, W, P., My Autobiography and Reminiscences (London, Richard Bentley, 1887)
Furniss, Tom, Edmund Burke’s Aesthetic Ideology: Language, Gender and Political Economy in Revolution (Cambridge: Cambridge University Press, 1993
Gage, John, ed., Collected Correspondence of J. M. W. Turner (Oxford: Clarendon Press, 1980)
Gage, John, J. M. W. Turner. 'A Wonderful Range of Mind ' (New Haven: Yale University Press, 1987)
Gill, Stephen, William Wordsworth: A Life (Oxford, Oxford University Press, 1990)
Gill, Stephen, Wordsworth and the Victorians (Oxford: Clarendon Press, 1998)
Girouard, M., Life in the English Country House (Harmondsworth: Penguin 1980 edition)
Graham, Walter, English Literary Periodicals (London: Thomas Neslon and Sons, 1930, repr. New York: Octagon, 1966)
Graves, Algernon., A Dictionary of Artists 3rd edn (Bath: Kingsmead Reprints, 1969)
Gray, Thomas, Complete Poems, English, Latin and Greek, ed H. W. Starr and J. R. Hendrickson (Oxford: Clarendon, 1966)
Gross, John, The Rise and Fall of the Man of Letters: Aspects of English Literary Life since 1800 (London: Weidenfeld and Nicolson, 1969)
Halton, Ernest G., Sketches By Samuel Prout in France, Belgium, Germany, Italy, and Switzerland (The Studio, London, Paris, New York, 1915)
Hamilton, James, Turner: A Life (London: Hodder and Stoughton, 1997)
Hardie, Martin, Water-colour painting in Britain (Batsford, 1967-68, 3 vols)
Harding, J. D., The Principles and Practice of Art (London: Chapman Hall, 1845)
Harrison, Frederic, John Ruskin (London: Macmillan, 1905)
Haskell, F., Patrons and Painters (London: Chatto and Windus 1963)
Haskell, F., History and its Images (New Haven and London: Yale University Press 1993)
Haskell, F., Rediscoveries in Art (Oxford: Phaidon Press, 1976, 1980)
Haskell, F. and Penny, N., Taste and the Antique (New Haven and London: Yale University Press, 1981)
Haslam, R., 'Looking Drawing and Learning with John Ruskin at the Working Men's College', Journal of Art and Design Education, vol 7, no 1, 1988
Hayden, John O., The Romantic Reviewers: 1802-1824 (London: Routledge, 1969)
Haydon, B. R., The Diary of Benjamin Robert Haydon (edited W. B. Pope, Cambridge, Mass.: Harvard University Press)
Hazlitt, William, The Spirit of the Age, ed. by E. D. Mackerness (London: Collins Publishers, 1969)
Hazlitt, W., Notes of a Journey through France and Italy (in The Complete Works of William Hazlitt Vol. X, edited R. Howe after the edition of A. R.Waller and Arnold Glover, Centenary Edition, London: Dent, 1930)
Hazlitt, William, Selected essays of William Hazlitt, 1778-1830, ed. Geoffrey Keynes (London: Nonesuch, 1930)
Herbert, George, The Poems of George Herbert, The World's Classics, ed. Arthur Waugh (Oxford: Oxford University Press, 1907)
Herrmann, Luke, Ruskin and Turner (London: Faber, 1968)
Herrmann, Luke, Turner Prints: The Engraved Work of J. M. W. Turner (Oxford, Phaidon, 1990)
Hewison, Robert; Warrell, Ian, and Wildman, Stephen, Ruskin, Turner and the Pre-Raphaelites (London: Tate, 2000)
Hill, Alan G. (ed.), The Letters of William and Dorothy Wordsworth, VII The Later Years, Part 4 1840-1853 (Second Enlarged Edition; Revised, Arranged and Edited by Alan G. Hill. From the first edition, edited by the late Ernest de Selincourt) (Oxford: Clarendon Press 1988)
Hilton, Tim, John Ruskin: The Early Years (Yale, 1985)
Hilton, Boyd, The age of atonement: the influence of evangelicalism on social and economic thought, 1785-1865 (Oxford: Clarendon, 1988)
Hind, Arthur M., A History of Engraving and Etching (New York: Houghton Mifflin, 1923, repr. Dover 1963)
Hood, W., Fra Angelico at San Marco (New Haven and London: Yale University Press 1993)
Hooker, Richard, The Works, 2 vols (Oxford: Oxford University Press, 1845)
Houghton, Walter (ed.), The Wellesley Index to Victorian Periodicals, 1824-1900, 4 vols. (Toronto: University of Toronto Press, 1966-87)
Hunnisett, Basil, An Illustrated Dictionary of British Steel Engravers (Aldershot: Scolar, 1989)
Idol, John L. Jr., 'George Herbert and John Ruskin', George Herbert Journal, IV (1980), i, 11-28
Jaffé, Michael, 'A Landscape by Rubens, and another by Van Dyck', Burlington Magazine, Volume CVIII, 1966, pp.410-14
Jameson, A.B., Hand-book to the Public Galleries of Art in and near London (London 1842)
Jameson, A.B., Companion to the Most Celebrated Private Galleries of Art in London (London, 1844)
Jay, Elisabeth, The religion of the heart: Anglican Evangelicalism and the nineteenth-century novel (Oxford: Clarendon, 1979)
Johnson, Edgar, Charles Dickens: His Tragedy and Triumph, 2 vols (Toronto: Little, Brown, 1952)
Johnson, Samuel, The Complete English Poems of Samuel Johnson, ed. J. D. Fleeman (Harmondsworth: Penguin, 1971)
Kecks, R., Ghirlandaio: Catalogo Completo (Firenze: Biblioteca d’Arte 3)
Keynes, Geoffrey, ed., Selected Essays of William Hazlitt, 1778:1830 (London: Nonesuch, 1946)
Kitson, Michael, introduction by, The Art of Claude Lorrain (London: Arts Council, 1969)
Kitson, Michael, Claude Lorrian: Liber Veritatis (London: British Museum, 1978)
Kugler, F., Handbuch der Geschichte der Malerei seit Constantin dem Grossen (Berlin: 1837)
Kugler, F., Handbuch der Kunstgeschichte (Stuttgart: 1842)
Kugler, F., ed. Eastlake, C., Handbook of the History of Painting, Part One, The Italian Schools (Translated Lady Eastlake, First edition, London: John Murray, 1842; second and third editions revised by J.Burckhardt, London: John Murray 1847 and 1855)
Kugler, F. edited Head, E. Handbook of Painting: German, Flemish and Dutch Schools (London: John Murray 1846)
Langdon, H., ‘Salvator Rosa and Claude’ Burlington Magazine, ccv 1973 pp779-783
Langdon, H. ‘Paintings’, Salvator Rosa Exhibition Catalogue edited and selected by M. Kitson pages 19-37 (Arts Council of Great Britain 1973)
Langdon, Helen, Claude Lorrain (Oxford: Phaidon, 1989)
Langmuir, E., The National Gallery Companion Guide (London: National Gallery 1995)
Lanzi, L Storia Pittorica della Italia Inferiore (Firenze 1796)
Lecky, W., History of the Rise and Influence of the Spirit of Rationalism in Europe (London: Longman, new impression 1904)
Leggat, Charles, ed., Constable a Master Draughtsman (London:Dulwich Picture Gallery, 1994)
Leslie, C. R., Memorials of the Life of John Constable Esq. R.A. (London: Longman's Brown, Green, and Longman's, 1845. Reprinted Paul P. B. Minet, Chicheley, 1971)
Leslie, C. R., A Handbook for Young Painters (London, 1855)
Links, J. G., The Ruskins in Normandy (John Murray, 1968)
Links, J. G., Venice for Pleasure (3rd revised edn) (Bodley Head, 1979)
Lister, Raymond, Prints and Printmaking. A Dictionary and Handbook of the Art in Nineteenth-Century Britain (London: Methuen, 1984)
Locke, John, An Essay Concerning Human Understanding, ed Peter H. Nidditch (Oxford, Clarendon Press, 1975)
Lockett, R., Samuel Prout (1783-1852) (B. T. Batsford Ltd, London, 1985)
Lyles, Anne and Perkins, Diane, Colour into Line. Turner and the Art of Engraving (London: Tate, 1989)
Macdonald, Stuart, The History and Philosophy of Art Education (University of London Press, 1970)
Mackenzie, Norman and Mackenzie, Jeanne, Dickens: A Life (Oxford: Oxford University Press, 1979)
Mahoney, M, ‘Drawings’, Salvator Rosa Exhibition Catalogue edited and selected by M. Kitson pages 38 – 49 (Arts Council of Great Britain 1973)
Manwaring, E.W. Italian Landscape in Eighteenth Century England (London: Cass 1925)
Marchand, Leslie, The Athenaeum: A Mirror of Victorian Culture (New York: Octagon, 1971, repr. University of North Carolina Press, 1941)
Matheson, A., ‘Scottish Periodicals’, Victorian Periodicals: A Guide to Research (Vol.2), 1989
McCorquodale, C., ‘A Fresh Look at Carlo Dolci’ Apollo xcvii 1973 pages 477-488
McCorquodale, C., Painting in Florence 1600-1700 (Exhibition Catalogue London: Royal Academy 1979)
Merot, Alain, Nicolas Poussin (New York: Abbeville, 1990)
van der Merwe, P., The Spectacular Career of CLARKSON STANFIELD 1793-1867 (Tyne and Wear County Council Museums, 1979)
Miller, C., and Millar, O., Canaletto, Exhibition Catalogue, (London: The Queen’s Gallery, 1980)
Morgan, The Life and Times of Salvator Rosa (London, Colburn 1824)
Murray, Peter, Dulwich Picture Gallery: a descriptive catalogue (London: Sotheby, 1980)
Novotny, F. Painting and Sculpture in Europe 1780-1880 (Harmondsworth: Penguin 1960)
Oberhuber, Karl, Poussin: the early years in Rome – the Origins of French Classicism (Oxford: Phaidon/Christies’, 1988)
Oliphant, Margaret, Annals of a Publishing House, William Blackwood and his Sons (Edinburgh: Blackwood, 1897) 2 vols
Ormond, R., Sir Edwin Landseer (Philadelphia Museum of Art and The Tate Gallery, London, 1982)
Ottley, Henry, A Biographical and Critical Dictionary of Recent and Living Painters and Engravers (London: George Bell & Sons, 1876)
Paolucci, A., ‘The Portraits of Titian’ Titian: Prince of Painters, Exhibition Catalogue, Venice: Palazzo Ducale, pages 101-108 (München: Prestel 1990)
Passeri, G.B., Le vite de’ pittori, con la vita di Salvator Rosa Napoletano Pittori (Roma: 1678)
Peacock, Markham L., The critical opinions of William Wordsworth (Octagon, 1969)
Penny N. and Spring M, , Veronese’s Paintings in the National Gallery: Techniques and Materials National Gallery Technical Bulletin 16 (London: National Gallery 1995)
Pevsner, Nikolaus The Englishness of English Art (London: Architectural Press, 1956)
Piggott, Jan, Turner's Vignettes (London: Tate, 1993)
Pignatti, T., Giovanni Bellini: L’opera completa (Milano: Rizzoli 1969)
Pignatti, T. Giorgione (London: Phaidon 1971)
Pignatti, T, and Pedrocco, F., Veronese (Milano: Electa 1995)
Piozzi, H. L., Observations and Reflections made in the course of a journey through France, Italy and Germany 1789 (Ann Arbor Michigan: University of Michigan Press, Reprint 1967)
Pope-Hennessy, J., Fra Angelico (London: Phaidon 1974 edition)
Quennell, Peter, John Ruskin: The Portrait of a Prophet (London: Collins, 1949)
Querman, A., Ghirlandaio 1449-1494 (Köln: Konemann 1998)
Rawlinson, W.G., Turner's Liber Studiorum. A Description and a Catalogue (London: Macmillan, 1906)
Rawlinson, W.G., The Engraved Work of J. M. W. Turner (2 vols.) (London: Macmillan, 1908-13)
Read, Herbert (ed), (updated by Nikos Stangos), The Thames and Hudson Dictionary of Art and Artists (London: Thames and Hudson, 1994)
Redgrave, Samuel and Redgrave, Richard, A Century of Painters of the English School (Smith Elder, 1866)
Reid, Joyce M.H., ed., The Concise Oxford Dictionary of French Literature (Oxford: Clarendon, 1976)
Reiss, Stephen, Aelbert Cuyp (London: Zwemmer, 1975)
Reynolds, Sir Joshua, Discourses on Art, ed. Robert R. Wark (New Haven and London: Yale University Press, 1997)
Richter, J.P., The Literary Works of Leonardo da Vinci (London: Phaidon 1970 edition)
Roberts, Helene E., 'Art Reviewing in the Early-Nineteenth Century Art Periodicals', in Victorian Periodicals Newsletter, 19, March 1973, pp. 9-20
Roberts, Helen E., ‘Exhibition and review: the periodical press and the Victorian art exhibition system’, in The Victorian Periodical Press: Samplings and Soundings, ed. by Joanne Shattock and Michael Wolff (Leicester: Leicester University Press, 1982), pp. 79-107
Robertson, M., A History of Greek Art (Cambridge: Cambridge University Press, 1975, 2 Vols.)
Robinson, M. S., The Paintings of Willem van de Velde the Elder and the Younger (London: National Maritime Museum, 1990) (2 volumes)
Rosand, D. ‘Titian and pictorial space’ Titian: Prince of Painters, Exhibition Catalogue, Venice: Palazzo Ducale pages 57–67 (München: Prestel 1990)
Rosand D., ‘Theater and Structure in the Art of Paul Veronese’ Painting in Sixteenth Century Venice (Cambridge: Cambridge University Press, 1997)
Rossi, P., ‘Madonna with St. Catherine and the Infant Baptist’ Titian: Prince of Painters, Exhibition Catalogue, Venice: Palazzo Ducale pages 57–67 (München: Prestel 1990)
Roworth, W., ‘Salvator Rosa’s Self Portraits; Some Problems of Identity and Meaning’, The Seventeenth Century, IV 2 (1989) 117-148
Rubin, P.L. Giorgio Vasari - Art and History (New Haven and London: Yale University Press, 1995)
Rubin, P.L. and Wright, A., Renaissance Florence: The Art of the 1470s Exhibition Catalogue, London: National Gallery, (London: National Gallery Publications, 1999)
Salerno, L., Salvator Rosa: L’opera completa (Milano: Rizzoli 1975)
Shanes, Eric, Turner's England 1810-38 (London: Cassell, 1990)
Shapiro, Harold I., ed., Ruskin in Italy (Oxford, Clarendon Press, 1972)
Shapiro, H.I., Ruskin in Italy: Letters to his parents 1845 (Oxford: Clarendon 1972)
Shattock, Joanne, ‘ The North British Review and the Free Church of Scotland’ in J. Shattock and M. Wolff, eds., The Victorian Periodical Press: Samplings and Soundings (Leicester and Toronto, 1982)
Shattock, Joanne and Wolff, Michael (eds), The Victorian periodical press: samplings and soundings (Leicester: Leicester University Press, 1982)
Shearman, J., Raphael’s Cartoons (Oxford: Clarendon 1972)
Shelley, Percy Bysshe, The Complete Poetical Works, ed. Thomas Hutchinson (Oxford: Oxford University Press, 1943)
Sloan, Kim, J.M.W. Turner: Watercolours from the R.W. Lloyd Bequest to the British Museum (London: British Museum, 1998)
Southey, Robert, Sir Thomas More: or, Colloquies on the Progress and Prospects of Society, 2 vols (London: Murray, 1829)
Spear, R.E. Domenichino (New Haven and London: Yale University Press 1972)
Spenser, Edmund, The Faerie Queene, 2 vols (London: Scolar Press, 1976)
Steane, Edward, Evangelical Protestantism: Report of a Meeting Convened by The Evangelical Alliance . . . Exeter Hall, on Thursday, February 27, 1851 (London: Partridge, Oakey, 1851)
Sullivan, A., British Literary Magazines: The Romantic Age 1789-1836 (Westport, Conn. 1983)
Summers, D., Michelangelo and the Language of Art (Princeton: Princeton University Press 1981)
Summerson, J., Architecture in Britain 1530-1830 (Harmondsworth: Penguin 1953)
Sunderland, J., ‘The Legend and Influence of Salvator Rosa in England’, Burlington Magazine cxv (1973) 785 - 9
Surtees, V., ed., Sublime and Instructive: Letters from John Ruskin to Louisa, Marchioness of Waterford, Anna Blunden and Ellen Heaton (London, Michael Joseph, 1972)
Surtees, V., ed., Reflections of a Friendship: Ruskin's Letters to Pauline Trevelyan (1848-1866) (London, George Allen & Unwin, 1979)
Symonds, J.A., Renaissance in Italy Vol. iii (London: Smith, Elder 1877, New edition, 1901)
Taylor, Gary, Reinventing Shakespeare: A Cultural History from the Restoration to the Present (London: The Hogarth Press, 1990)
Taylor, Brandon, Art for the Nation: Exhibitions and the London Public, 1747-2001 (Manchester: Manchester University Press, 1999)
Thackeray, William Makepeace, Essays, Reviews (London, Nelson and Sons, 1900)
Thomas, William Beach, The Story of the Spectator: 1828-1928 (London: Methuen, 1928)
Thrall, Miriam M. H., Rebellious Fraser’s: Nol Yorke’s Magazine in the Days of Maginn, Thackeray, and Carlyle (New York: Columbia University Press, 1934)
Thuillier, Jacques, Nicolas Poussin (Paris: Fayard, 1988)
Tietze, H., Tizian (Wien 1936 2 vols, and cf Tietze, H., Tiziano Vecellio, London: Phaidon, 1950)
Turner, Jane (ed.), The Dictionary of Art (London: Macmillan Ltd and Grove's Dictionaries Inc., 1996, revised edition 1998), 34 vols
Unrau, J., Ruskin and St. Mark’s (London, Thames and Hudson, 1984)
Valcanover, F. ‘Frescoes from the Fondaco dei Tedeschi’ Titian: Prince of Painters, Exhibition catalogue, Venice: Palazzo Ducale pages 57–67 (München: Prestel 1990)
Vasari, G., Le Vite de’ Più Eccelenti Pittori Scultori e Architettori nella redazioni del 1550 e 1568, Testo a cura di Rosanna Bettarini, commento secolare a cura di Paola Barocchi (Firenze; Sansoni Vol I-III, SPES Vol. IV – VI); Lives of the Most Eminent Painters, Sculptors, and Architects ; translation by A.B.Hinds, 1900, published London: Everyman Library: 1927, and Gaston de Vere (1912), published Everman Library 1996, introduction and notes D. Ekserdjian)
Vaughan, W., German Romanticism and English Art (New Haven & London, 1979)
Verdi, Richard, Nicholas Poussin, 1594-1665 (London: Zwemmer, 1995).
Viljoen, Helen Gill, Ruskin's Scottish Heritage: A Prelude (Urbana, Ill: University of Illinois Press, 1956)
Waagen, G.F. Treasures of Art in Great Britain, Volumes I-III (London: John Murray,1854-56, translated by Lady Eastlake from G.F. Waagen Kunstwerke und Künstler in England und Paris, Berlin, 1838)
Walford, John E., Jacob van Ruisdael and the Perception of Landscape (New Haven: Yale University Press, 1991)
Wallace, ‘Etchings’, Salvator Rosa Exhibition Catalogue edited and selected by M. Kitson pages 50-65 (Arts Council of Great Britain 1973)
Wark, Robert R. (ed), Sir Joshua Reynolds, Discourses on Art (New Haven and London: Yale University Press, 1975)
Warrell, Ian, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest (London: Tate, 1995)
Warrell, Ian, Turner on the Loire (London: Tate, 1997)
Waterhouse, E.K., Painting in Britain 1530 - 1790 (Harmondsworth: Penguin 1953)
Wethey, H., The Paintings of Titian: Complete Edition (London: Phaidon, 1975)
Wheeler, Michael, Ruskin's God (Cambridge: Cambridge University Press, 1999)
White, J., Art and Architecture in Italy 1250-1400 (New Haven and London: Yale University Press 1993)
Wiener, Joel H. (ed . ), Innovators and Preachers: The Role of the Editor in Victorian England (Westport, Conn., 1985)
Wildman, S., Lockett, R. and Murdoch, J., David Cox, 1783-1859 [Exhibition Catalogue] (Birmingham Museums & Art Gallery 1983)
Wilenski, R.H., John Ruskin (New York, Russell & Russell, 1933)
Wilenski, R.H., French Painting, 3rd edn (New York: Dover, 1973)
Wilton, Andrew, Turner in his time (London: Thames and Hudson, 1987)
Wilton, Andrew, Turner. His Art and Life (New Jersey: Poplar, 1979)
Winckelmann, J.J., The History of Ancient Art (translated by G. H. Lodge, Boston: Osgood, 1880)
Witt, J., William Henry Hunt (1790-1864) Life and Work, with a Catalogue (London, Barrie & Jenkins, 1982)
Wittingham, S., 'The Turner Collector: Benjamin Godfrey Windus 1790-1867', Turner Studies, Vol.7 No. 2
Wittkower, R., Art and Architecture in Italy 1600-1750 (Harmondsworth: Penguin, 1958)
Wolff, J., 'The "Jewish mark" in English painting: cultural identity and modern art' in Corbett, David Peters, and Perry, Lara (eds), English-Art 1860-1914: Modern Artists and Identity (Manchester University Press, 2000)
Wood, Christopher., The Dictionary of Victorian Painters 2nd edn (Antique Collector's Club 1978)
Woof, Lawrence, 'Text, Music and Image as Digital Artefact', in Nineteenth Century Studies, 15 (2001) pp. 131-133
Wordsworth, William, The Poetical Works of William Wordsworth, 5 vols, ed. Ernest de Selincourt and Helen Darbishire (Oxford: Clarendon, 1949-63)
Wright, E. Some Observations made in Travelling through France, Italy &c. in the years 1720, 1721, and 1722 (London 1730 2 Vols.)
Wright, Christopher, Masterpieces of Reality: French Seventeenth-Century Painting (Leicester: Leicestershire Museums, 1985)
Wright, Christopher, Poussin Paintings: A Catalogue Raisonné (London: Harlequin, 1985)
Zanetti, A.M., Varie Pitture a Fresco de’ Principali Maestri Veneziani (Venezia: 1760)
Zanetti, A.M., Della Pittura Veneziana (Venezia: 1771)
.
.
.
.
.
.
.
.
.
.