leaf transition. cap.3 3 Circle mouldings. The Casa Vittora: and sometimes merely p[3/5]arting with the dentil and keeping the 4 angles. Cusps. How the Cusp came to this transitional 5th is still a matter of question with me: I cannot but think it now not s[a]o much an omission of the 4th and 5th as an imitation of the Dominican, and Francescan Ecclesiastical Gothic. The house which bear most on the origin of the cusp are 1. San Maria matre Domini: the early point. 2nd. 2nd. Windows behind Fasari Then consider, in the final condition of the 6th; the 3rd. Pal. Pruili Cut cusp. cusp vanishing as in San Giovanni Evangelista and Con- 4. Palace in Cnl[a]l[4] near Teatro Maliban, Cut cusp. tariro’s Fasari. 5. Palace at Miracoli, high small window: Suppose we the cusp established: How comes the Circle This emacoli one, a beautiful cut cusp with most delic[v]ate interposed between the 5th. I have no doubt that this is the Venetian final interpre- tation of the Circles built in from Aguleia etc: In the Palazzo Gundibea, we have the 5th with horizontal shield decoration; in the Pruli, and we have circles on each side - or, as at S. M. Matre Domini and the Bacon Pruli at the top. Beside the cavalli we find the circles enlarge At the Loredan and small ruin behind Fireni
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