139 129 even in the Griffin wings, and mix it with ivy leaves in their animal friezes. It is howverr on the west front that Lord L’s description is most justified - but he has not said half enough; The state of mind which it represents seems more that of a feverish dream, than of any determined architectural purpose; or ev[b]en of any definite love and delight in the grotesque: One capital is covered with a mass of grinning heads: other heads grow out of two bodies, or our of and under feet - the creatures are all fighting or devouring - or struggling, for which shall be upper- most and yet in an ineffectual way, as if they would fight for ever, and come to no decision (dyspeptic again) Neither sphinxes nor centaurs did I notice, - nor a single peacock (I believe Peacocks to be purely Byzantine) but mermaids with two tails (the scukptor having perhaps seen double[w] at the time) (a good deal like archivolt of St Marks lower figure) strange large fish - apes - stags - (bulls?) dogs and wolves, and horses, griffins - eagles - long tailed birds not peacocks (cocks?) hawks; and dragons without end, or with a dozen of ends, as the case may be) smaller birds, with rabbits, and small non- descrps, filling the friezes, Of one of these friezes the outer arch of the northern porch or door, the three topmost circles are given at (fig 5 No 182) to be com- pared with the Byzantine snails; the actual leaf which is used in the moulding in the house behind Ca Foscari, occurs in other parts of this Pavian arch: and the principle of the whole is exactly the same. But the Lombard animals are all alive
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