125 117 is of the exquisitely neat masonry and perfect feeling ho[a]r[s]e; a style of Gothic fourmed by a combination of Lombard surface ornament with Pisan Gothic: than which nothing can possibly be more chaste, pure, or solemn:) and even when they take the Renaissance infection, they strike out a style not indeed good - but with a Love and nationality in it, of which the Pallardio and Sausonivo houses are as void as they are of real beauty. Vicenza. I was much struck to-day by the house I drew long ago; a memorandum of its massy e z window on p 59 N. book note the shafts unusually thick; and the two flower plinths as luxuriant as the latest Venetian, but far sharper and more thistly - only a little pastelike doughy in the roll of their upper lobes - their only fau[i]lt - They run along the who,e house, and lap over the great pillars of the finestrato, but waves meeting round a rock There is a lovely expression of overflowing life in this: the Venetian plinths all stop short on the shaft but this rolls one leaf beyond leaf till it laps round: The lower leaf plinth carries the great shaft bases, and forms bases of square projecting balconies. now the great shaft base of the usual raised l af patteern are carried along in a great plinth under the finestrata balconies, which are that much therefore shorter in shaft than the detached balconies, and the shortest indeed I ever saw: and to sympathize with this thincapitals on flat
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