109 103 essential mark of this design, that the central rib of the angle leaf, after it has thrown off the lateral divisions At p 5 palace book, and which occurs a so in the 9th 10th runs up itself as straight as an arrow till close under and 15th It is the most beautiful of all: though that its nod, thus opposing all the wavy lines and giving spring on the 18th is an upright springy and delicate variation to the whole. And further the last upper pointed lobe upon its admirably adapted for its position. of its breast leaves, sweeping alternately to right and left lies over and shuts down the top of the meeting wave of the angle leaf lateral lobes: while it falls at the same time under the feet or the drapery of the figures This is seen in the dag; of the Luna side; It is marvellously beautiful. (The abacus of this column is not of the right section it is A at p 12 w but perhaps has been cut away for its orn iron band) The 36th: The Canta angle one is more laboured in its flow than the sea angle; but is assuredly not so springy nor fine, and especially inferior in the point above noted. that the upper breast leaf lobe instead of lying flat, rises up against the figures: This is also the case in the 26th and 35th (Cherubs) and is a point of failing feeling, Selva - gives the cherubs as so wonderfully cut cut they are only better preserved than the angle ones, which are far finer.
[Version 0.05: May 2008]