[M2.39L] [M2.39] 39 Monument of Andrea Vendramin. On one of its pedestals it has two vulgar shields tied up with a bit of narrow riband - 2d a yard. Below, a dragon with a woman’s head on helmet. The spiral of the helmet is chiselled as sharply as a nautilus shell. The body is covered in centre with seals of various size, beautifully set; on the back of it it has sturgeon spines on the belly, jointed mail, its wings are cut to as sharp a point in each plume as needles; and crescent eyed It stands holding the helmet distinctly with its claw, looking as though it would slip off. - it L. ends in a woman’s head with a insipid grin and ashaftstraight nose {according to Caro}, turned up hair behind drawing room fashion. The tail curls elaborately like a riband - no invention - no clatter of scales - no terror no muscular action in wings, utterly base - Body stuffed. Fat legged boys sprawling on sea horses or spreading handkerchiefs on dolphins backs occupy two panels of lower basement, the arabesques of leaves ending in currants with wriggly stems and birds eating them - or at least - holding them in their bills - for there is no peck - no life - no gesture - only the two birds delicately feathered each in a proper posture opposite the other, holding the currants as opera girls do in a ballet over the heads of the principal figures. (Compare Benedet da Majano’s chimney piece - where there is both spirit and life and light and shade)
[Version 0.05: May 2008]