[M2.134L] [M2.134] 134 Genoa Duomo Cathedral of Genoa. Most singular, as having the utmost delicacy of detail engrafted on a mingling of our Norman and early French with Romanesque. The {three} main doors are almost pure Norman in their plan: only their shafts are set in front of a sloping wall instead of in nooks; but above the rolls are carried on touched by zigzag mouldings, or long teeth, of the severest Norman cast. The capitals are for the most part of the peculiar early French knob leaved springing bell; but instead of the heavy contours of Dijon, their leaves are cut through and through into a transparent chasing, which I can compare to nothing but the wrought silver of the strada degli Orefici These capitals are the most exquisite I have ever seen for delicacy of effect on the eye from below; perfect filigree while yet their simplicity of general form is never sacrificed I think they lose somewhat in dignity and power; but it is a new form of management of this capital, worth the most attentive study. There capitals are set on shafts - some slender and like rocks some, at least two - of the most graceful wave of white alabaster - like a rolling wave - properly a spherical spiralthatlike that of Raffaelle’s beautiful gate, others with stems twined round them and throwing off knots at intervals with great boldness and yet formality - all finished with consummate
[Version 0.05: May 2008]