Previous Page

Navigation

Next Page

Facsimile

notes

Original

[M2.118L]                                                             [M2.118]								118
		Side narrow arch of St Anast. Gate tomb                             		Verona  March 11th 1851.
[diagram]		a b span  3 " 8                                            
			c C       4 " 0                                                    		instead of tall vid note at p 60 1 N. book while in projecting
			p c (-)   2 " 4½                                                   		balconies they are still as usual.  In the upper
			p p2	0 " 3½                                                        		story the upper plinth is the same, but the lower has a
			p a (-)   2 " 0¼                                                   Verona		bracket moulding.  The great brackets I examined the tomb
The joints seen in sketch of masonry - are about 5½ inches            		above the gate at St Anastasia to-day  March 11th The
below p and 4½ below c.                                               		state of art is most singular;  In By zantine work the
Measures of side arch mouldings at p 2 Verona book.                   		angels and most of the saints show some aim - if not
Archivolt or abac. heads p 4 Verona book the abacus side              		attainment of beauty - or if they are ugly it is severity
a b is 1 " 1 and the height of the capital including                  		gloom or emaciation.  But here, the figures are square
its lower roll  also 1 1 so it is cut out of a square                 		featured hand cut - stern - everyday life - and full of
Both it and the shaft are of singularly coarse but pure               		extraordinary energy;  the effigy itself is a straight
white sugary marble, while the first block above is either            		forward and ugly portrait of a large & coarsely featured
Istrian stone or a very light red Verona.                             		though powerful head;  a still more grotesque {I may say}
Measures of great arch to front side p 5 Verona book.                 		in its excessive homeliness and ugliness portrait is given
a b  3 " 1½                                                           		on the sarcophagus below - then kneeling to the Madonna -
b b2 4 " 1                                                            		the features of the Infant Christ being very nearly as
C c  5 " 0¼                                                           		hard and work-a-day as those of the old man but all living
b c  3 " 3½ or 3¼                                                     		and that to propose knit browed and full of meaning:  On
b u vertical 2 " 6¼                                                   		one end of the sarcophagus an angel - on the other a
a a2 (span) 7 "10                                                     		{chain} mail armed knight - thrusting their lances into the
The cusp finial ay p 6 Verona book in profile behind   it is          		jaws of two dragons;  both figures stunted in an extraordinary
regularly missed with a fleur de lis in front.                        		degree.  about four heads high only;
                                                                      		but and as ugly as can be, but full of force and the dragons
                                                                      		biting and writhing venomously;  then, for the emblems of
                                                                      		the evangelists at the angles they are beyond comparison
                                                                      		the most fiery beasts I have seen used for the type
                                                                      		the eagle with its beak thrown up and its eye

Previous Page

Navigation

Next Page

Facsimile

notes

Original

[Version 0.05: May 2008]