[M2.111L] [M2.111] 111 circle between two rounds; but how basely treated in the Scuola di San Rocco: Instead of the bold arches with simple capitals, or, as here, continuous - {but} ready for decoration by filling the spandrils - we have these meagre Greek architraves bent round into {tracery} bars - carried on excessively rich capitals; and decorated by panels and roses under the soffits - exactly where no decoration can ever be seen! while all to the front is as bare and harsh as plain edges can make it; and in in Vendra- the Vendramin Calerghi the brackets which carry the cornice min Calerghi are placed exactly above the circle of the tracery, where the tracery is weakest: this idea of putting a bracket leaning against a tracery is to me, of all the vile things I have seen of renaissance, the vilest; The vulgar musical instruments and hanging ribands of the Calerghi are in ornamental just what this construction is in mechanical science. Ducal palace In the last walk that I took in the upper arcade of ducal palace, I thought I had been hardly justified in supposing the ill executed capitals to be of later time; more especially as I found the upper traceries of the Frari also rough chiselled and their capitals vilely cut so that it would seen a general practice of the Italian workmen to put careless cutting into the upper stories Ca d’Oro (Note the remarkable exception in Ca d’Oro where also note the early Byzantine forms of capitals used in the
[Version 0.05: May 2008]