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VIII. THE DUCAL PALACE 393

. . . . .

And ever and anone with rosy red

And bashfull blood her snowy cheekes did dye,

That her became, as polisht yvory

Which cunning craftesman hand hath overlayd

With fayre vermilion or pure castory.”1

§ 77. EIGHTH CAPITAL. It has no inscriptions, and its subjects are not, by themselves, intelligible; but they appear to be typical of the degradation of human instincts.

First side. A caricature of Arion on his dolphin; he wears a cap ending in a long proboscis-like horn, and plays a violin with a curious twitch of the bow and wag of the head, very graphically expressed, but still without anything approaching to the power of Northern grotesque. His dolphin has a goodly row of teeth, and the waves beat over its back.2

Second side. A human figure, with curly hair and the legs of a bear; the paws laid, with great sculptural skill, upon the foliage. It plays a violin, shaped like a guitar, with a bent double-stringed bow.

Third side. A figure with a serpent’s tail and a monstrous head, founded on a Negro type, hollow-cheeked, large-lipped, and wearing a cap made of a serpent’s skin holding a fir-cone in its hand.

Fourth side. A monstrous figure, terminating below in a tortoise. It is devouring a gourd, which it grasps greedily with both hands; it wears a cap ending in a hoofed leg.

Fifth side. A centaur wearing a crested helmet, and holding a curved sword.3

Sixth side. A knight, riding a headless horse, and wearing chain armour, with a triangular shield flung behind his back, and a two-edged sword.

Seventh side. A figure like that on the fifth, wearing a round helmet, and with the legs and tail of a horse. He bears a long mace with a top like a fir-cone.

1 [Book ii. canto ix. 40, 41.]

2 [See Vol. IX. p. 273, for a reference to the waves on this capital.]

3 [It is on side 3 that the figure is more like a centaur; the figure here rises out of foliage.]

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[Version 0.04: March 2008]