Ruskin Venetian Notebooks Library Edition Volume 9: Stones of Venice, volume I : electronic edition

INDEX TO THE ILLUSTRATIONS xix

19.ARCHIVOLT DECORATION, VERONA (pp. 390, 397)

20.WALL-VEIL DECORATION, CA’ TREVISAN (pp. 351, 425; and cf. Stones of Venice, vol. iii. ch. i. § 38)

21.WALL-VEIL DECORATION, SAN MICHELE, LUCCA (pp. 131, 351, 356, 368, 432)

WOODCUTS

FIG

1.PRIMARY FORMS OF ROOFS (p. 76)

2.PRIMARY FORM OF THE WALL BASE (pp. 82, 92, 102)

3.MASONRY LINED AND RULED (pp. 90, 348)

4.PRIMARY FORM OF THE WALL CORNICE (p. 92)

5.DEVELOPMENTS FROM IT (pp. 93, 94, 135, 360, 373, 376, 380, 381)

6.FORM OF THE DRIPSTONE (p. 96)

7.DRIPSTONES, NORTHERN AND SOUTHERN (p. 97)

8.DRIPSTONES (a) MILAN, (b) BROLETTO OF COMO, (c) and (d) SALISBURY, (e) and (f) LISIEUX, (g) and (h) WENLOCK ABBEY (p. 97)

9.THE “GATHERING UP” OF A WALL (pp. 100, 102, 119)

10,11. PRIMARY FORMS OF THE PIER BASE (pp. 103, 104, 111)

12. THE PIER BASE ROUNDED (pp. 107, 135, 137, 338)

13.NATURAL FORM OF A BLOCK SHAFT (p. 115)

14.THE GROUPING OF SHAFTS (pp. 121, 124, 130, 131, 231)

15.THE SETTING OF GREEK AND GOTHIC SHAFTS (p. 122)

16.MULTIFOILED SHAFTS (p. 124)

17.PLACING OF PAIRS OF SHAFTS (p. 131)

18.SHAFTS, SAN ZENO, VERONA: cf. Plate 17 c. (pp. xxxiv., 132)

19.DEVELOPMENT OF CAPITALS FROM CORNICES (p. 136)

20.PRIMARY FORMS OF CAPITALS (p. 138)

21.PRIMARY FORM OF BYZANTINE ARAB CAPITAL (p. 139)

22.THE FIVE PRIMARY FORMS OF ALL CAPITALS (pp. 140, 359, 376, 384)

23-26. RULES OF PROPORTION IN CAPITALS (pp. 142-145)

27.RELATION OF STRING-COURSE TO CAPITALS: VENETIAN WINDOWS (p. 148)

28.RELATION OF STRING-COURSE TO CAPITALS: ST. FOSCA, TORCELLO (p. 149)

29.PRINCIPLES OF THE ARCH LINE (p. 154)

30.ABSTRACT LINES OF ARCHES (p. 159)

31.THE ARCHES OF THE SUN (p. 160)

32.THE HORSE-SHOE ARCH (p. 161)

33.HYPERBOLIC, REVERSED, AND OGEE ARCHES (p. 162)

34.SIDE ARCH OF CASTELBARCO TOMB, VERONA: TYPE OF CUSPED GOTHIC ARCH; cf. Plate 5 (p. 176)

35,THE ARCH LOAD-35 b. BYZANTINE TYPE (p. 178); 36 a. NORTHERN GOTHIC TYPE (p. 179); 36 b. ROMANESQUE OR GOTHIC TYPE (p. 179); 36 c. CLASSICAL OR PALLADIAN (p. 179; and cf. Stones of Venice, vol. iii. ch. ii. § 4)

[Version 0.04: March 2008]