Previous Page

Navigation

Next Page

334 THE STONES OF VENICE DECORATION

wall bases; that of St. Anastasia at Verona is one of the most perfect existing, for play of colour; that of Giotto’s campanile is on the whole the most beautifully finished. Then, on the vertical portions, a, b, c, we may put what patterns in mosaic we please, so that they be not too rich; but if we choose rather to have sculpture (or must have it for want of stones to inlay), then observe that all sculpture on bases must be in panels, or it will soon be worn away, and that a plain panelling is often good without any other ornament. The member b, which in St. Mark’s is subordinate, and c, which is expanded into a seat, are both of them decorated with simple but exquisitely finished panelling, in red and white or green and white marble, and the member e is in bases of this kind very valuable, as an expression of a firm beginning of the substance of the wall itself. This member has been of no service to us hitherto, and was unnoticed in the chapters on construction; but it was expressed in the figure of the wall base, on account of its great value when the foundation is of stone and the wall of brick (coated or not). In such cases it is always better to add the course e, above the slope of the base, than abruptly to begin the common masonry of the wall.

§ 3. It is, however, with the member d, or X b,1 that we are most seriously concerned; for this being the essential feature of all bases, and the true preparation for the wall or shaft, it is most necessary that here, if anywhere, we should have full expression of levelness and precision; and farther, that if possible, the eye should not be suffered to rest on the points of junction of the stones, which would give an effect of instability. Both these objects are accomplished by attracting the eye to two rolls, separated by a deep hollow, in the member d itself. The bold projections of their mouldings entirely prevent the attention from being drawn to the joints of the masonry, and besides form a simple but beautifully connected group of bars of shadow,

1 [This letter was, it will be remembered, adopted as an abbreviation for the bevelled or sloping stone of the base: see above, p. 93.]

Previous Page

Navigation

Next Page

[Version 0.04: March 2008]