172 THE SEVEN LAMPS OF ARCHITECTURE

to the Salisbury dog-tooth moulding¹ of which the effect is sketched in fig. 5, Plate X., but I have done more justice to it nevertheless than to the beautiful French one above it; and I do not think that any candid reader would deny that, piquant and spirited as is that from Salisbury, the Rouen moulding is, in every respect, nobler. It will be observed that its symmetry is more complicated, the leafage being divided into double groups of two lobes each, each lobe of different structure. With exquisite feeling, one of these double groups is alternately omitted on the other side of the moulding (not seen in the Plate, but occupying the cavetto of the section), thus giving a playful lightness to the whole; and if the reader will allow for a beauty in the flow of the curved outlines (especially on the angle), of which he cannot in the least judge from my rude drawing, he will not, I think, expect easily to find a nobler instance of decoration adapted to the severest mouldings.

Now it will be observed, that there is in its treatment a high degree of abstraction, though not so conventional as that of Salisbury: that is to say, the leaves have little more than their flow and outline represented; they are hardly undercut, but their edges are connected by a gentle and most studied curve with the stone behind; they have no serrations, no veinings, no rib or stalk on the angle, only an incision gracefully made towards their extremities, indicative of the central rib and depression. The whole style of the abstraction shows that the architect could, if he had chosen, have carried the imitation much farther, but stayed at this point of his own free will; and what he has done is also so perfect in its kind, that I feel disposed to accept his authority without question, so far as I can gather it from his works, on the whole subject of abstraction.

§ 32. Happily, his opinion is frankly expressed. This moulding is on the lateral buttress, and on a level with the

¹ Cf. Stones of Venice, vol. i. ch. xxiii. § 7, where the English dog-tooth is called “somewhat vulgar in its piquancy when compared with French mouldings of a similar kind.”]

[Version 0.04: March 2008]