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On Ruskin’s characterisation of the angles of the Ducal Palace see Works, 10.358ff, and Works, 10.363 for the published version of the stylistic comparisons made at Notebook M2 p.106 and Notebook M2 p.107.
Ruskin defines the angles as the Drunkenness of Noah on the ‘Vine Angle’, the Adam and Eve / Fall of Man on the ‘Fig Tree Angle’ and the Judgment of Solomon on the ‘Judgment Angle’ at the Porta della Carta.
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[Version 0.05: May 2008]