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 Ling 131: Language & Style
 

 Topic 13 - Shared knowledge and absurdist drama (Session B) > Turn-taking in Applicant > Task E > answer skip topic navigation

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Absurdist drama
Zoo Story
Getting to know Applicant
Assumptions in Applicant
Turn-taking in Applicant
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Turn-taking in Applicant

Task E – Our answer

These are the two longest turns in the sketch, by far, foregrounding them.

After the rapid question-and-answer phase of turns 23-39, Lamb tries to exert some conversational control in 40). Piffs immediately slaps Lamb down in turn 41 by asking a string of 24 questions without giving him the chance to answer any of them. As the turn unfolds, the questions become more and more elliptical. This pattern is highly deviant (and so foregrounded) in adjacency-pair turn-taking terms, and we can infer from it, via Grice’s maxim of relation, that Piffs has no real interest in Lamb’s answers. The questions are all about how Lamb feels, and are often sexual in nature.

Turn 58 exhibits a similar foregrounded pattern. This time there are 21 questions without the chance for Lamb to answer. All the questions are elliptical, depending on the question in turn 57 for their interpretation, and they are all about women. The implicature (parallel to the one in turn 41) that Piffs has no real interest in Lamb’s answers to her questions is reinforced by the fact that her last five questions in this turn have no real content. Throughout the turn, Piffs’ questions are typically noun phrases with the structure ‘“their” + head noun’. But in the last five questions the head nouns are replaced by noises.

If we now look at the turn-taking structure overall, we can see that all of the five areas we have examined in Tasks A-E indicate Piffs’ conversational control over Lamb. In Tasks D and E we have also begun to see how pragmatic interpretation of some of the turn-taking phenomena we have noticed lead us to infer that the reason for Piffs’ extreme behaviour is probably to make a rather clear point about male/female relations.

 


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