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 Ling 131: Language & Style
 
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Topic 2 (session A) - Being creative with words and phrases > Word class problems > Task B > answers

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Session Overview
(Semi) Automatic poetry
Introducing word classes
More on word classes
Manipulating word classes
Changing word class - affixation
Changing word class - functional conversion
New words for old
Word class problems
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Word class problems

Accessible / text version of answers to task

Daylong

Prototypically 'daylong' is an adjective (as in 'a daylong examination'). But here it must be an adverb functionally (with the meaning 'all day long'). This combination of adjectival and adverbial meanings produces an interesting and appropriate ambiguity at the beginning of the poem. The cat is fast asleep and it is ambiguous as to whether the extreme length of his inactivity is a condition relating to the stative verb 'lies' or an inherent property of the unmoving tomcat, who sleeps all day because he is awake and extremely active all night.

stretched flat

There are two words together here, and which word classes you relate each word to depends upon how you relate them to each other and 'parse' them in relation to the rest of the lines. 'Flat' is normally an adjective, of course, and 'stretched' might be an adjective or a verb, depending upon its grammatical context (cf. 'That is a stretched guitar string.' vs. 'He slowly stretched.'). If we assume 'flat' is part of a comparative construction 'flat as an old rough mat' then it is a normal adjective and 'stretched' is ambiguous between its verbal and adjectival meanings. But there is another possibility, which is made more easily construable because the first line of the poem ends with 'flat', causing a possible disjuncture between 'flat' and 'as an old rough mat':

Daylong this tomcat lies/ stretched flat/
As an old rough mat

In this case, 'as' might mean 'like' and 'stretched flat' could act functionally as a reduced adverbial clause of manner, equivalent in meaning to 'stretched flatly', in which case 'stretched' would be a verb and 'flat' would be an adverb, functionally, derived from the adjective. The upshot of all this is that, as with 'daylong', there are ambiguities in relation to whether the aspects referred to are properties of the way in which the tomcat sleeps or properties of the cat himself.

wide red,

As with 'stretched flat' we have put the two words together because a consideration of their word-class assignment depends upon their inter-relation. Standardly, 'wide' and 'red' are both adjectives. But functionally the phrase 'wide red' appears to be an adverbial phrase in the clause 'he yawns wide red'. If so, then 'red' would appear to be an adverb with roughly the same meaning as 'redly', and 'wide' would also have to be an adverb, as normally only adverbs sub-modify other adverbs (cf. 'incredibly quickly'). The overall result here is a combination of the two meanings for each of the words. So, when the cat yawns we can imagine him with a wide mouth, showing an expanse of red inside, and this result of the yawn can also be related to the manner (a typically adverbial meaning) of the cat's yawning - he yawns very widely (and very redly). So, as with the other word-class ambiguities at the beginning of the poem, what is described seems to be both an aspect of the manner of the activity (or, rather lack of it!) described and a property of the tomcat himself. This cat is truly what he does (or, at the beginning of the poem) doesn't.

Clawing

In this clause, 'clawing' must be a noun functionally, because it is co-ordinated by 'and' to another noun, 'bite' and is modified by the possessive pronoun 'its', which normally modifies head nouns in English noun phrases. But the '-ing' ending is prototypically a verbal ending, indicating the continuousness, or 'stretched out' property of the activity which the verb 'refers' to. Hence the noun will be felt to have dynamic, verbal qualities. This is one of the ways in which Hughes builds the tomcat's dynamic character in spite of the fact that the first two stanzas of the poem describe the cat as asleep and motionless.

Grallochs

You may well think that Hughes has invented this word. We did too until we went to look it up in the Oxford English Dictionary! Let's assume for a moment that he has made it up and see how we can infer its word class and approximate meaning from context. 'Grallochs' is clearly a verb. Functionally it has 'The tomcat' as its subject and 'odd dogs' as its object, and formally it has the '-s' ending we normally find on third-person, present-tense verbs. It would also appear that whatever the cat is doing, it is very dynamic and unpleasant for the dogs concerned. This is (a) partly because it is paralleled by a similarly unpleasant activity in relation to the 'simple pullet' in the next clause, (b) partly because we know schematically that dogs usually attack cats, and so the cat is probably doing, rather unusually, something which would overpower the dogs, and (c) partly because of the word's phonetic constitution. The initial consonant cluster /gr/ comes at the beginning of a number of highly dynamic verbs in English (cf. 'grab', 'grip' 'grind'), and if we don't know the meaning of 'gralloch' in advance we are likely to notice these phonetic connections as we try to infer a meaning for it. The stop consonant /k/ the end of the word is likely, in this context, to be felt to have an appropriately 'hard' quality too.

In fact 'grallochs' does already exist in English and has a rather specialised meaning. It is what hunters do when they disembowel what they have just killed. Hence a hunter could gralloch a deer.

So whether you infer a meaning or look it up in a dictionary, 'grallochs' is a highly dynamic and unpleasant activity for its recipient. This all adds to the build up of the macho, combative nature of the tomcat which seemed so inactive when pictured asleep at the beginning of the poem.

Unkillable

Functionally, 'unkillable' must be an adjective, because it is the one-word phrase acting as the complement to the verb 'is' and because '-able' is an ending that derives adjectives from verbs (cf. 'drinkable', 'eatable'). The fact that the adjective is derived from a dynamic verb means that although adjectives normally indicate stable properties, here that stable property turns out to be pretty dynamic and strong, particularly when we notice the added effect of the negative marker at the beginning of the word. Derivationally, we have:

kill > killable > unkillable

So the 'un-' negates a meaning where something else acts dynamically and destructively on the tomcat, thus indicating the cat's super-feline strength and reinforcing what we have seen with many of the other unusual words in this poem.

Owlish

'Owlish' is clearly an adjective derived from the noun 'owl' by the addition of the '-ish' adjectival ending. It is an unusual word, of course, and we need to infer its meaning in relation to the word 'moons' which it modifies. How can a moon be 'owlish'? Well, first of all the adjective emphasises the night-time. Although they can sometimes be seen in the daylight, both owls and moons are prototypically associated with the night. In addition, an owl's face is round, and so the moons referred to are almost certainly full moons, which are prototypically associated with abnormal, crazy or even magical activity.

Bekittenings

The derivation of this word would seem to be:

Kitten (noun) > bekitten (the noun turned into a dynamic verb meaning to produce a kitten) > bekittening (dynamic verb made into a continuous activity) > bekittenings (continuous activity made iterative, or habitually repeated). Hence the final meaning is something like 'the iterative and drawn-out activity of engendering kittens'. More evidence of the tomcat's macho character.

Outcry

'Outcry' must be a noun here. It is co-ordinated to a prototypical noun 'eyes' and is in any case a perfectly normal noun in English, as the dictionary will tell you. But it is clearly derived from a verbal form 'cry out', and given the highly dynamic character of the tomcat seen in the other derived words in this poem, the reader will be sensitised to looking for this sort of derivation in what is the last word of the poem.

 


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